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The white heron research paper
Literary criticism on a white heron
Romanticism literature research paper
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In A White Heron , the author, Sarah Orne Jewett, describes a young girl who interacts with a number of elements that cause her to discover who she is and what she stands for. Sylvia, being only nine years old and coming from a large family from the demanding city life , is moved to her grandmother’s remote farm where she finds herself to be comfortably isolated from the rest of the world. This, in fact, suits her lack of social ability, and so she finds herself becoming one with nature: both the plants and animals. When a young hunter, with whom she comes to admire greatly, comes along and tries to destroy apart of ‘her’, she finds herself in a conflicting position. Sarah Jewett’s writings had mainly avoided romantic topics by producing stories about people who use logic and independence over romantic inclinations. The author, Sarah Orne Jewett works to discern this sentimentality throughout this short story by using elements such as theme, internal conflict, and realism.
The consistent theme presented in A White Heron ties together all of the elements the story has to offer. This theme is the avoidance of sentimentality. The author offers this theme to show Sylvia’s appreciation for what she has (punctuation) as well as remaining true to her own moral conduct in the face of her romantic feelings for the young hunter. As Sylvia, having discovered emotions she is unfamiliar with, “[watches] the young man with loving admiration”, (switch order of punctuations) she still cannot understand why he lives to destroy the very thing he seems to love the most (Jewett 67). Even though the stranger no longer appeals as a threat to Sylvia, she still finds herself questioning his motives. Knowing that he could provide a wealthier and h...
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...stent use of theme, internal conflict, and Realism adds a deeper meaning to the story. Every element works together to show Sylvia’s determination to disregard her romantic feelings and keep her integrity and loyalty to something that had shown her consistent love. Whereas the young man contradicted himself , Sylvia saw that the wilderness was beautiful from every direction she viewed it in. Compromising something as innocent (add a noun) would have caused her to feel guilty of the fact that she exposed something so pure. Nature is her resolution to happiness and anything that conflicted with that, such as the hunter, would have evidently made her unhappy. It is even repeated throughout the story, her ‘fear’ of people . Besides, when there was no one else that understood her and her social awkwardness, the wilderness offered her a place of refuge and a friend .
Furthermore, they all have an outside threat. The ornithologist might shoot the heron and make it a specimen while the man is suffered from the severe cold weather. In the stories both characters have to deal with the danger from outside world. Sylvia has to climb upon the tree to see where the heron is, the man has to avoid the snow falls from the tree.
	The poems of Robert Hunter have diverse and variegated themes; most, however relate either to folk stories or the vivid emotions and scenes he creates in order to illustrate his point. Hunter's lyrical themes can be divided into three main categories. First are themes used in a traditional vein, written about classical ideas and told in a folkloric fashion. Second are themes employed in a contemporary tone, about modern concepts and written in a more current style. Last are themes that are either used frequently in both contemporary and traditional ways, or transcend the division of contemporary/traditional and form their own categories.
Right from the first stanza, we can clearly see that the girl emphasizes her passionate feelings towards the boy by explaining how she desires to be close to her love. Moreover, she expresses the theme of love through using a narrative of how she is prepared to trap a bird. Apparently, this symbolizes how she is prepared to trap her lover’s feelings with the desire to live together all through her life. Additionally, the young lady emphasizes on her overall beauty, her beautiful hair, and clothing which is of the finest linen which she uses to attracts her lover’s attention (Hennessy & Patricia, p.
As Sylvia becomes acquainted with the hunter, she begins to learn about his pursuit of the white heron.
In Julia Alvarez’s poem “On Not Shoplifting Louise Bogan’s The Blue Estuaries”, Alvarez skillfully employs poetic devices such as imagery and personification to let the reader view the power of literature through the eyes of a young, poverty stricken, estranged woman, inspiring her love for poetry. Alvarez’s use of imagery paints a vivid picture of the setting and the narrator’s actions for the reader throughout her significant experience; all through the eyes of an alienated female. The use of personification and author’s tone brings “The Blue Estuaries” to life for the reader-just as it had appeared to the narrator.
Throughout history, the story of womankind has evolved from struggles to achievements, while some aspects of the lives of women have never changed. Poet Dorianne Laux writes about the female condition, and women’s desire to be married and to have a home and children. She also seems to identify through her poetry with the idea that women tend to idealize the concept of marriage and settling down and she uses her poetry to reach out to the reader who may have similar idyllic views of marriage or the married lifestyle. Though Dorianne Laux’s poem “Bird” reads very simply, it is actually a metaphor for an aspect of this female condition.
Whitney introduces the secondary theme, being that hunters usually have no empathy for their prey. This is one of the first uses of irony in the story. Metaphors and Similes are often used in this story, so the reader has a better image of the setting, this is something, and I find Connell did incredibly well, for instance when he refers to the darkness of the night as moist black velvet, the sea was as flat as a plate-glass and it was like trying to see through a blanket. Rainsford begins his epic struggle for survival after falling overboard when he recklessly stood on the guard rail, this is our first example of how Rainsford manages to conquer his panic and think analytically and there by ensuring his survival.
Sarah Orne Jewett's "A White Heron" is a brilliant story of an inquisitive young girl named Sylvia. Jewett's narrative describes Sylvia's experiences within the mystical and inviting woods of New England. I think a central theme in "A White Heron" is the dramatization of the clash between two competing sets of values in late nineteenth-century America: industrial and rural. Sylvia is the main character of the story. We can follow her through the story to help us see many industrial and rural differences. Inevitably, I believe that we are encouraged to favor Sylvia's rural environment and values over the industrial ones.
With all this, the author has achieved the vivid implication that aggressive masculine modernization is a danger to the gentle feminine nature. At the end of the story, Sylvia decides to keep the secret of the heron and accepts to see her beloved hunter go away. This solution reflects Jewett?s hope that the innocent nature could stay unharmed from the urbanization. In conclusion, Sylvia and the hunter are two typical representatives of femininity and masculinity in the story?The white heron? by Sarah Orne Jewett, Ph.D.
... is also clear that the white heron represents the true beauty of the region, while it is elusive and not able to be seen by even an experienced ornithologist, it is seen by Sylvia. The spotting of the white heron by Sylvia is Jewett’s way of expressing that true beauty of a region is only discoverable by those who are so familiar with the region that they can appreciate every aspect of nature’s beauty and once every foot of ground is known, only then can one appreciate the true beauty of the region and in this case that beauty is represented by the white heron. Jewett’s A White Heron is an excellent example of local color literature because it represents everything local color literature should. It contains characters and dialect specific to the region of Maine (Mrs. Tilley) as well as excellent descriptions of the topography of Maine and the beauty of the region.
Sarah Orne Jewett and Hamlin Garland's worlds differ in the ways they are observed and represented. Jewett's "A White Heron" illustrates internal conflict between Sylvia's love for nature and her infatuation with the hunter who seeks to capture the heron. Conversely, the world in Garland's "Under the Lion's Paw" calls attention to external conflicts such as the challenges the struggling farmer and his family face. In addition, Garland draws attention to class division and associates land ownership with greed. Jewett and Garland also differ in their writing styles and their portrayals of regionalism during the 1890s era. The characters'
The connection between Romanticism and nature was said by Marjorie McAtee, to have strengthened with the idealism of folk cultures and customs. Many romantic artists, writers, and philosophers believed in the natural world as a source of strong emotions and philosophies. The artists and philosophers of the romantic period also accentuated the magnificence and loveliness of nature and the power of the natural world (McAtee, Marjorie, and W. Everett. WiseGeek. Conjecture, 03 Mar. 2014. Web. 05 Apr. 2014.) . Mary Shelly and many other writers like William Wordsworth and Samuel Taylor Coleridge were romantic writers who were apprehensive toward nature, human feelings, compassion for mankind, and rebellious against society. Romanticism, which originated in the 18th century, is something that emphasized motivation as well as imagination (Adjective Clause). In Frankenstein, Shelley cautions that the initiation of science and natural rational searching is not only ineffectual, but unsafe. In endeavoring to discover the mysteries of life, Frankenstein assumes that he ...
Beauty is subjective, but in most cases it is measured in the awe it can evoke. Flannery O’Connor was a victim of beauty in the form of a peacock. O’Connor brings to light the magnificence and the allure that drew her to this exceptional creature in her piece, “The King of the Birds”. Looking for fulfillment in raising these birds, O’Connor is defensive and dispassionate throughout her writing. O’Connor’s attitude is the antithesis of the caring and open description of the Canadian prairies provided by Margret Laurence in “Where the World Began”. Although the works of these two women might seem drastically opposed, they are intertwined on multiple levels. On the subject of beauty, they encourage their readers to delve beneath the surface and
Bird usually portrays an image of bad luck that follows afterwards and in this novel, that is. the beginning of all the bad events that occur in the rest of the novel. It all started when Margaret Laurence introduced the life of Vanessa MacLeod. protagonist of the story, also known as the granddaughter of a calm and intelligent woman. I am a woman.
Romanticism In Literature Romanticism in literature, began around 1750 and lasted until 1870. Different from the classical ways of Neoclassical Age(1660-1798), it relied on imagination, idealization of nature and freedom of thought and expression. Two men who influenced the era with their writings were William Wordsworth and Samuel Taylor Coleridge, both English poets of the time. Their edition of “Lyrical Ballads';, stressed the importance of feeling and imagination. Thus in romantic Literature the code was imagination over reason, emotion over logic, and finally intuition over science.