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Introduction on a literary analysis for a white heron
A white heron cliff notes
How is feminism depicted in white heron
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Critical Analysis of White Heron
The White Heron is a spiritual story portraying great refinement and concerns with higher things in life. A 9 year old girl once isolated in the city found fulfillment in a farm surrounded by nature. Too those less unfortunate, money charm and other attractions can be intoxicated; Sylvia did not bite. She could have helped her situation and found a way to wealth but in the end she realized that it wouldn’t help her to be the person she wanted to be. This paper will illustrate a critical analysis of the story of White Heron and focus on the relationship between the literary elements of the story, plot, characterization, style, symbolism and women’s concerns that are specific to this period.
Plot
Sylvia was a 9 year old “nature girl” who met a charming ornithologist hunter on a mission to find the allusive white heron. Sylvia was about 8 years old when she moved with her grandmother from the city to a farm, “a good change for a little maid who had tried to grow for eight years in a crowded manufacturing town, but, as for Sylvia herself, it seemed as if she never had been alive at all before she came to live at the farm.” (Jewett, 1884, 1914, qtd in McQuade, et.al., 1999, p. 1641). Sylvia finds the secret, the white heron. Instead of telling the young hunter, she keeps the secret, because in her mind nature is more powerful than her feelings for “the enemy.”
Sylvia, not yet a woman, is at the threshold of womanly changes. As a child she has no “need” yet for a man. She has been taken out of the city into the backwoods where she has no need for societal norms and she is still developing (in all sense, ...
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...ve for what is dear to her, nature. The world from the top of the pine tree, “the see with the dawning sun making a golden dazzle over it…two hawks with slow-moving pinions” flying east (Jewett, 1884, 1914, qtd in McQuade, et.al., 1999, p. 1645). Sylvia was speechless from the world’s beauty, she “felt as if she too could go flying away among the clouds…” (Jewett, 1884, 1914, qtd in McQuade, et.al., 1999, p. 1645). She climbed down but her soul still remained at the top of the world and stayed true to herself and to what she loved.
References
McQuade, D., Atwan, R., Banta, M., Kaplan, J., Minter, D., Stepto, R., Tichi, C., Vendler, H. (1999). The Harper Single Volume: American Literature, (3rd Ed.)
(Jewett, 1884, 1914, qtd in McQuade, et.al., 1999, p. 1645).
The short story, “The White Heron” and the poem, “A Caged Bird” are both alike and different in many ways. In the next couple of paragraphs I will explain these similarities and differences and what makes them unique to the stories.
We are told of Phoenix?s journey into the woods on a cold December morning. Although we are know that she is traveling through woodland, the author refrains from telling us the reason for this journey. In the midst of Phoenix?s travels, Eudora Welty describes the scene: ?Deep, deep the road went down between the high green-colored banks. Overhead the live-oaks met, and it was as dark as a cave? (Welty 55). The gloomy darkness that the author has created to surround Phoenix in this scene is quite a contrast to the small Negro woman?s positive outlook; Phoenix is a very determined person who is full of life. As Phoenix begins to walk down the dark path, a black dog approaches her from a patch of weeds near a ditch. As he comes toward her, Phoenix is startled and compelled to defend herself: ?she only hit him a little with her cane. Over she went in the ditch, like a little puff of milk-weed? (55). Here, the author contrasts the main character?s strong will with her small, frail phys...
Updike, John. "A & P." Literature (4th ed). Ed. Robert DiYanni. New York: McGraw-Hill, 1998.
McQuade, Donald, ed. The Harper American Literature. Harper & Row Publishers: New York, 1987, pp. 1308-1311. This paper is the property of NetEssays.Net Copyright © 1999-2002
Sarah Orne Jewett's "A White Heron" is a brilliant story of an inquisitive young girl named Sylvia. Jewett's narrative describes Sylvia's experiences within the mystical and inviting woods of New England. I think a central theme in "A White Heron" is the dramatization of the clash between two competing sets of values in late nineteenth-century America: industrial and rural. Sylvia is the main character of the story. We can follow her through the story to help us see many industrial and rural differences. Inevitably, I believe that we are encouraged to favor Sylvia's rural environment and values over the industrial ones.
Since its first appearance in the 1886 collection A White Heron and Other Stories, the short story A White Heron has become the most favorite and often anthologized of Sarah Orne Jewett. Like most of this regionalist writer's works, A White Heron was inspired by the people and landscapes in rural New England, where, as a little girl, she often accompanied her doctor father on his visiting patients. The story is about a nine-year-old girl who falls in love with a bird hunter but does not tell him the white heron's place because her love of nature is much greater. In this story, the author presents a conflict between femininity and masculinity by juxtaposing Sylvia, who has a peaceful life in country, to a hunter from town, which implies her discontent with the modernization?s threat to the nature.
“Perhaps the most obvious meaning of "’A White Heron’" comes from the female creation, or re-creation, myth Jewett offers. The story presents a little girl whose world is entirely female. No brother, father, uncle, or grandfather lives in it; the men have feuded and left or died. Only she and her grandmother inhabit the rural paradise to which the child was removed after spending the first eight years of her life in a noisy manmade mill-town…In the country with her grandmother she is safe. Named Sylvia (Latin for "woods")” (Ammons
Mrs. McIntyre is a divorced and widowed woman who has learned to depend only on her own strength during the day to day operating of her farm. She has created a comfortable world to exist in, and she fears change in that world. Mrs. McIntyre's lack of spiritual dimension stems from this constancy of her surroundings. She has never been challenged by her circumstances and was thus never forced to examine her spiritual beliefs and their depth. We can see her fear of change when she speaks of the peacocks. She if afraid to let them all d...
... is also clear that the white heron represents the true beauty of the region, while it is elusive and not able to be seen by even an experienced ornithologist, it is seen by Sylvia. The spotting of the white heron by Sylvia is Jewett’s way of expressing that true beauty of a region is only discoverable by those who are so familiar with the region that they can appreciate every aspect of nature’s beauty and once every foot of ground is known, only then can one appreciate the true beauty of the region and in this case that beauty is represented by the white heron. Jewett’s A White Heron is an excellent example of local color literature because it represents everything local color literature should. It contains characters and dialect specific to the region of Maine (Mrs. Tilley) as well as excellent descriptions of the topography of Maine and the beauty of the region.
Sylvia Plath a highly acclaimed twentieth century American poet whose writings were mostly influenced by her life experiences. Her father died shortly after her eighth birthday and her first documented attempt at suicide was in her early twenties. She was married at age twenty-three and when she discovered her husband was having an affair she left him with their two children. Her depression and the abandonment she felt as a child and as a woman is what inspires most of her works. Daddy is a major decision point where Plath decides to overcome her father’s death by telling him she will no longer allow his memory to control her.
Sylvia's genuine emotion that shines through her work is rooted deep in her childhood. Sylvia was a perfectly normal child that enjoyed life until at age eight when she lost the closest person to her. Her father, Otto Plath, died from complication with diabetes. (Kehoe 1) Sylvia had been his favorite and hit her the hardest. The toughest part was that because of her age she was not permitted to go to the funeral so she was never able to let go and say goodbye. She never fully recovered and later in life became convinced that the majority of her pain was caused by losing her father. A. Alvarez, a friend and critic, stated years later “The death of her father, whom she loved, who abandoned her, and who dragged her after him into death.” (Kehoe 1) She tried to pick the pieces up and move on. She moved on to become a good student. In all her years of s...
"When she heard it there came before her imagination the figure of a man standing beside a desolate rock on the seashore. He was naked. His attitude was one of hopeless resignation as he looked toward a distant bird winging its flight away from him." (pp26-27)
6th ed. Ed. X. J. Kennedy and Dana Gioia. New York: Harper Collins, 1995. 118-29.
Sylvia Plath’s poetry is well known for its deeply personal and emotional subject matter. Much of Plath’s poetry is confessional and divulges the most intimate parts of her psyche whether through metaphor or openly, without creating a persona through which to project her feelings, and through the use of intense imagery. Plath’s attempt to purge herself of the oppressive male figures in her life is one such deeply personal and fundamental theme in her poetry. In her poem, “Daddy”, which declares her hatred for her father and husband, this attempt is expressed through language, structure, and tone. (Perkins, 591)
Updike, John. “A&P.” The Norton Introduction to Literature. 10th ed. Eds. Alison Booth and Kelly J. Mays. New York: Norton, 2010. 409-414. Print.