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How does mark twain use regional dialect
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Sarah Orne Jewett began writing at an early age as she was inspired by, The Pearl of Orr’s Island written by Harriet Beecher Stowe. Jewett began writing in the style of the author of her inspiration and thus fell in love with the style of writing that encapsulated nearly every author of her time, local color writing. Local color writing is a style of writing that became popular just after the Civil War. Many writers began writing with a focus on the way of life and nature in their direct surrounding areas and regions. As mentioned by The Norton Anthology: American Literature Volume 2, local color writing embodies the depiction of, “...the topographies, people, speech patterns, and modes of life of the nation’s distinctive regions” (412). Sarah Orne Jewett’s, A White Heron unquestionably fits each one of those categories mentioned.
Topography is the features of land in an area. Those features can include rivers, mountains, lakes, hills, forrests, etc. A White Heron is overflowing with references to the topography of Maine, and more specifically the coast of Maine. The first sentence of Jewett’s A White Heron gives the reader a preview into the appreciation Jewett has for her home state of Maine, “The woods were already filled with shadows one June evening, just before eight o’clock, though a bright sunset still glimmered faintly among the trunks of the trees” (413). While this description isn’t specific to Maine on the surface, it is specific to Jewett’s interpretation of the woods at sunset in Maine, and the beauty of color writing is that each reader will imagine their own sunset based on their own woods in their own region. Jewett was just beginning and her description of the land around her, and as the story progresses the d...
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... is also clear that the white heron represents the true beauty of the region, while it is elusive and not able to be seen by even an experienced ornithologist, it is seen by Sylvia. The spotting of the white heron by Sylvia is Jewett’s way of expressing that true beauty of a region is only discoverable by those who are so familiar with the region that they can appreciate every aspect of nature’s beauty and once every foot of ground is known, only then can one appreciate the true beauty of the region and in this case that beauty is represented by the white heron. Jewett’s A White Heron is an excellent example of local color literature because it represents everything local color literature should. It contains characters and dialect specific to the region of Maine (Mrs. Tilley) as well as excellent descriptions of the topography of Maine and the beauty of the region.
By noon they had begun to climb toward the gap in the mountains. Riding up through the lavender or soapweed, under the Animas peaks. The shadow of an eagle that had set forth from the line of riders below and they looked up to mark it where it rode in that brittle blue and faultless void. In the evening they came out to upon a mesa that overlooked all the country to the north... The crumpled butcher paper mountains lay in sharp shadowfold under the long blue dusk and in the middle distance the glazed bed of a dry lake lay shimmering like the mare imbrium. (168)
Williams includes as a foreshadowing, the sound of the Canada geese flying over and Robert realizes many details of the rural life he had forgotten he experienced when he was young. When he hears the geese, “he ran to the window—remembering an old excitement” and begins to “remember and wondered at the easy memories of his youth” (1667). By putting in details and traditions of the countryside lifestyle, Williams makes sures to indulge readers in the atmosphere of a Rockwell painting but never fails to include incidents of realism. With Robert increasingly remembering his childhood lifestyle, he is beginning to reassure himself that there is meaning to his life after the death he experienced. At the house he finds a bow and arrow where he was “surprised at his won excitement when he fitted the nock” (1667). After he experienced shooting the arrow, he sets out to buy more and fix the bow where he again, remembers old memories about how he had fallen in love with the objects in the store as a
Authors often use details that evoke a response in readers to produce an effective description. Their aim is not simply to tell readers what something looks like but to show them. Katherine Anne Porter’s “The Grave” and E.B. White’s “Once More to the Lake” are essays that use subjective language to illustrate the principles of effective description. Porter’s “The Grave” describes a childish afternoon of rabbit hunting that brings death close enough to be seen and understood, while White’s “Once More tot he Lake” is a classic essay of persona; reminiscence in which he recreates the lakeside camp he visited with his son.
O’ Brien, Tim. The Seagull Reader: Stories. Joseph Kelly. 2nd Edition. “The Things They Carried”. New York. W.W.Norton. 2008. 521 pg. Print.
William Faulkner overwhelms his audience with the visual perceptions that the characters experience, making the reader feel utterly attached to nature and using imagery how a human out of despair can make accusations. "If I jump off the porch I will be where the fish was, and it all cut up into a not-fish now. I can hear the bed and her face and them and I can...
The tile of the poem “Bird” is simple and leads the reader smoothly into the body of the poem, which is contained in a single stanza of twenty lines. Laux immediately begins to describe a red-breasted bird trying to break into her home. She writes, “She tests a low branch, violet blossoms/swaying beside her” and it is interesting to note that Laux refers to the bird as being female (Laux 212). This is the first clue that the bird is a symbol for someone, or a group of people (women). The use of a bird in poetry often signifies freedom, and Laux’s use of the female bird implies female freedom and independence. She follows with an interesting image of the bird’s “beak and breast/held back, claws raking at the pan” and this conjures a mental picture of a bird who is flying not head first into a window, but almost holding herself back even as she flies forward (Laux 212). This makes the bird seem stubborn, and follows with the theme of the independent female.
Since its first appearance in the 1886 collection A White Heron and Other Stories, the short story A White Heron has become the most favorite and often anthologized of Sarah Orne Jewett. Like most of this regionalist writer's works, A White Heron was inspired by the people and landscapes in rural New England, where, as a little girl, she often accompanied her doctor father on his visiting patients. The story is about a nine-year-old girl who falls in love with a bird hunter but does not tell him the white heron's place because her love of nature is much greater. In this story, the author presents a conflict between femininity and masculinity by juxtaposing Sylvia, who has a peaceful life in country, to a hunter from town, which implies her discontent with the modernization?s threat to the nature. Unlike female and male, which can describe animals, femininity and masculinity are personal and human.
In "A Tale of the Ragged Mountains," it is pretty obvious that the landscape is going to play an important part in the story - we are given the setting right in the title. However, a majority of the story actually takes place in an "Orientalized" locale that has been transposed into the Ragged Mountains. This alone is a great juxtaposition: the title describes what seems to be a run-down, unappealing landscape, while the real action takes place in fantastical setting. But why is the landscape so important if the psychological aspect is what Poe is trying to focus on? Most likely it is because the landscape gives us clues about what is actually happening in the minds of the characters, and hints at things that make the story clearer. For example, Bedloe starts his tale by describing "the thic...
A White Heron and Other Stories. N.p.: n.p., n.d. Jewett Texts. Web. 5 Feb. 2014. .
Smith, Gene. "Lost Bird." American Heritage 47.2 (1996): 38. MAS Ultra - School Edition. EBSCO. Web. 6 Apr. 2015.
From the piece of artwork “Rain at the Auvers”. I can see roofs of houses that are tucked into a valley, trees hiding the town, black birds, clouds upon the horizon, hills, vegetation, a dark stormy sky and rain.
Smiley deliberately begins her novel by going into great detail about the landscape. She describes the landscape as “unquestionably flat” (Smiley 3) and the land that Ginny’s father owned as “six hundred forty acres, a whole section, paid for, no encumbrances, as flat and fertile, black, friable, and exposed as any piece of land on the face of the earth”(Smiley 4). Smiley also goes on to describe the Zebulon River which you can see running in the distance. Her purpose in describing the landscape is to parallel Lear’s description of his land in Act 1 where he says: “Of all these bounds, even from this line to this,/ With
First, White uses imagery throughout his essay to create an effective visual of his experiences at the lake. To start his essay, White reflects on his childhood memories of the lake when he and his family visited every summer: “I remembered clearest of all the early morning, when the lake was cool and motionless, remembered how the bedroom smelled of the lumber it was made of and the wet woods whose scent entered the screen.” This passage enhances
The first photos of the gothic transition come from the “Prairie Images of Ground and Sky” collection. The collection shows untouched nature that gives a feeling of the sublime. It shows wide green expanses, bathed in warm light, that shows a raw beauty and goodness created by nature. This feeling of the sublime is a major aspect of the gothic due to its ability to provide contrast with the often dark plots. This aspect also gives the reader a sense of wonderment that causes a confrontation and reevaluation about the power of nature versus the characters and other elements of the novel. The photos from “Prairie Images of Ground and Sky” collection instill the sublime in the viewer but lack the evil component often in gothic novels because the landscapes are pristine. These open expanses represent the unknown, but not in a traditional gothic manner that would cause worry for the possibility of something treacherous hidden in the landscape. Instead, they are lacking of any sign of human activity and utilize soft lighting associated with virtue and goodness. This collection shows the distant and sublime before contact with other gothic themes that cause a darker scene to unfold.
The White Heron is a spiritual story portraying great refinement and concerns with higher things in life. A 9 year old girl once isolated in the city found fulfillment in a farm surrounded by nature. Too those less unfortunate, money charm and other attractions can be intoxicated; Sylvia did not bite. She could have helped her situation and found a way to wealth but in the end she realized that it wouldn’t help her to be the person she wanted to be. This paper will illustrate a critical analysis of the story of White Heron and focus on the relationship between the literary elements of the story, plot, characterization, style, symbolism and women’s concerns that are specific to this period.