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King lear as shakespearean tragedy
King lear as shakespearean tragedy
King lear as a shakespeare tragedy
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Jane Smiley’s novel, A Thousand Acres, is a contemporary interpretation of William Shakespeare’s classical tragedy King Lear. Comparisons are clearly visible in the very beginning of A Thousand Acres when Smiley begins with a vivid description of the landscape. Even the characters are similar and having read King Lear, I already had an impression of them before reading A Thousand Acres. But they are not completely similar as there are some differences due to the perspectives through which the stories are told. Smiley deliberately begins her novel by going into great detail about the landscape. She describes the landscape as “unquestionably flat” (Smiley 3) and the land that Ginny’s father owned as “six hundred forty acres, a whole section, paid for, no encumbrances, as flat and fertile, black, friable, and exposed as any piece of land on the face of the earth”(Smiley 4). Smiley also goes on to describe the Zebulon River which you can see running in the distance. Her purpose in describing the landscape is to parallel Lear’s description of his land in Act 1 where he says: “Of all these bounds, even from this line to this,/ With …show more content…
shadowy forests, and with champains riched,/ with plenteous rivers, and wide-skirted meads”(Shakespeare Act 1.65-67). Both quotes describe the beautiful and immense land that is very fertile and valuable. As previously mentioned, every character in A Thousand Acres represents a character from King Lear. The character that stands out to me is the family patriarch of the Cook’s, Larry Cook. Larry represents King Lear, the King of Britain and family patriarch in Shakespeare’s play. My perception of Lear at the beginning was that he was a prideful man that likes his ego to be stroked. He also was obsessed with power and couldn’t accept the fact that he was the one who let it all go. But as the story progressed, Lear became more sympathetic to me as his great love for Cordelia became evident and he starts to realize his shortcomings. The storm scene was very powerful when he becomes more humble by seeing how the poor live especially his fool. Larry Cook is similar to King Lear because both have a big ego and a love of wealth and power.
Both are impulsive and easily offended over petty things. Lear is offended that Cornelia won’t take part in his game while Larry is upset that Caroline does not want his land. Both go mad and can’t take their daughters telling them what to do and their loss of power. Larry Cook is also very violent and has abused and molested his daughters in the past. While Lear is a dynamic character, Larry is a static character throughout A Thousand Acres. He shows no compassion or guilt unlike Lear. There may be differences present in how the characters are presented because A Thousand Acres is narrated by Larry’s daughter Ginny who was abused and molested along with Rose. Therefore, she is understandably biased while King Lear is a play with no
narrator. In summary, Smiley begins by describing the landscape to draw an immediate parallel to King Lear and the value both place on the beautiful land. Although Larry Cook is somewhat similar to King Lear I find Lear far more sympathetic and likeable as the story progresses which is most likely a result of the differing perspectives through which King Lear and A Thousand Acres are told.
To Kill a Mockingbird is a classic novel written by Harper Lee. The novel is set in the depths of the Great Depression. A lawyer named Atticus Finch is called to defend a black man named Tom Robinson. The story is told from one of Atticus’s children, the mature Scout’s point of view. Throughout To Kill a Mockingbird, the Finch Family faces many struggles and difficulties. In To Kill a Mockingbird, theme plays an important role during the course of the novel. Theme is a central idea in a work of literature that contains more than one word. It is usually based off an author’s opinion about a subject. The theme innocence should be protected is found in conflicts, characters, and symbols.
Jane Smiley’s novel, A Thousand Acres, is a bold, modern day response paralleling William Shakespeare’s play, King Lear through both plot and characterization choices. King Lear is based on a King’s difficult decision of dividing his precious kingdom between his daughters, whose names are Goneril, Regan, and Cordelia. Likewise, A Thousand Acres centres around Larry Cook regretfully signing his land to his daughters Ginny, Rose, and Caroline. Both fathers make the mistake of leaving their youngest daughters out of the division, and are ultimately driven into insanity because of the drama that unfolds as a result. Smiley attempts to recreate King Lear from the point of view of Ginny, the Goneril equivalent. She alters Ginny in making her far more compassionate and quiet than Goneril is portrayed by Shakespeare all while still maintaining some of her undesirable behaviours. Smiley creates both noticeable discrepancies and resemblances in the character’s traits and actions in juxtaposing the protagonist, Ginny, and her Shakespearean counterpart, Goneril, as she adapts this famed play into a modern day novel.
In a Thousand Acres, appearance versus reality is a recurrent conflict throughout the book. Caroline is disowned when she disrupts Larry’s pronouncement to split the farm amongst his daughters. Larry from is presented as a prosperous farmer and a respected man within his community. In reality he is deceiving and ill-advised person who sexually molested Ginny and Rose. Caroline is ignorant of her father’s sins and is not in favour of Ginny and Rose. Ginny says to Caroline: “We did everything for you! We saved you from Daddy” (Smiley, 245), Caroline replies with, “Did I really have to be saved from Daddy? From my own father?” (Smiley, 245). Obviously, Ginny and Rose retain the presence that everything is satisfactory to defend Caroline from the anonymous harms of Larry. Smiley progresses the conflict of appearance versus reality through Caroline’s character. In comparison to the book A Fine Balance. The Prime Minister is perceived as a holy and spiritual man whom wants the best for the people of his country. When in reality he has psychotic tendencies, similar to Larry from the book a thousand acres. “Perfection lacks here with these undesirables in our nation” (Mistry, 345) this signifies his discrimination amongst the ‘chamaar’ untouchable’s class and Muslims in a private conversation with the deputy chief Sanjot Premi. When for the media, the prime minister is quick to spread false remorse and guilt amongst the deaths that took place in Gujarat, India of his planned genocide. The Prime Minister is pathetically deceiving and disgusting, people in society are prone to the way he dictates because it is deemed as the norm. “To gain a successful nation, we must let the undesired ones roam off to hell”. No one is prone to the discrimination and the extreme mindset of the Prime Minister other than the people that are close to him. In
Ernest Hemingway has a superbly unique style of writing in Hills Like White Elephants. His short, to the point syntax and sentence style plays a great role in helping readers understand the theme of this short story. The critique M.A.K. Halliday observed, “The story is frequently generated by the repetition of words, clauses, and groups of related words or ethical sets” (Link, Alex). The first set of dialogue that can be pulled from this story is story is short and to the point. The American states, “We can have the whole world.” Jig replies with “No, we can’t” (Hemingway, Ernest). The sentence length is very short, yet there is a hidden meaning behind the small talk. Jig is referring to not having the baby. She can have everything, but her will to decide things. She can’t have a baby due to unloving pressure from the American. It is in sync with the tone of the story perfectly. The tone is forward, direct, and shallow. That is exactly what happens in this dialogue. There is no emotion, just pure sarcasm on a huge topic. Abortion to this couple is nothing more then a qui...
A. “Hills Like White Elephants.” The Norton Introduction to Literature. Gen. ed. -. Kelly J. Mays. 11th ed.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
A Thousand Acres foregrounds issues raised by the perspective that one's body can be the vehicle for understanding of the self and the world. One of the ways this is done, is a part of a larger project of ecofeminist rhetoric, creating numerous analogies between the body and nature. This is first seen when Ginny utilizes nature by the Scenic. Not only are "the cattails green and fleshy-looking"(7, italics mine), but the natural scene forms a signifying system like her own body, a way to metaphorically internalize the problems of human interaction. Wonderfully incorporated into this is also the intertextual body created by A Thousand Acres and King Lear. In the storm scene, Lear calls Regan and Goneril "those pelican daughters" (III.iv.75, meaning that they feed on the parent's blood). By the Scenic, Ginny sees pelicans reemerging after supposedly being annihilated by her farmer ancestors, foreshadowing the reemerging of her self after a life of suppression. She can read nature like a text about her own suppression and the suppression and hiding of what is actually going on between the characters in this novel: "The view along the Scenic, I thought, taught me a lesson about what is below the level of the visible" (9).
Greenblatt, Stephen, and M. H. Abrams. The Norton anthology of English literature. 9th ed., A, New York, W.W. Norton & Company, 2012. Pp
Abrams, M.H., et al. ed. The Norton Anthology of English Literature. 6th ed. 2 Vols. New York: Norton, 1993.
Tim Keppel has pointed out not only that "Smiley's major departure [...] is her decision to tell the story from the viewpoint of Ginny and explore the inner lives of the so-called 'evil' sisters" (Keppel, p.105), but that "Smiley makes her most dramatic re-vision of Shakespeare" (Keppel, p.109) in the storm scene. This has traditionally been the scene when the audience form a bond of sympathy with King Lear because of his pathetic insanity, while in A Thousand Acres, the focus of the narrative stays with the sisters and gives us a strong reason to form a bond of sympathy with them instead: Rose tells Ginny about the incest they both underwent, but that Ginny has suppressed from memory.
Jane Smiley's novel A Thousand Acres is a modern version of William Shakespeare's King Lear. The tragic ideas brought out by King Lear are revisited in A Thousand Acres both containing universal themes in which societies from past to present can identify with. Tragedy is a form of drama that depicts the suffering of a heroic individual who is often overcome by the very obstacles he is struggling to remove. The novel and play each contain distinct tragic elements that lead to the development of similar characters, plot, and images but both have distinct themes. A Thousand Acres provides a new interpretation of Shakespeare's classic tragedy allowing the reader to create a unique twist to their opinions of the Lear family.
In Kew Gardens, Virginia Woolf takes advantage of the liminal quality of the short story in order to highlight the suspended world that she creates in the garden. For Woolf, the lyrical short story’s subversion of traditional narrative structure allows her to focus on creating a world rather than a plot. Further, the short story creates a liminal space by the very nature of its form. Caught in a space where it is not considered a poem or a novel, the short story exists as undefined. The liminality of the short story, however, is both liberating and restricting. Woolf explores this feature in order to suggest the unsustainable nature of Kew Gardens. While Woolf utilizes the form of the short story to create a liminal, impressionistic space that eradicates the boundaries between human and nature, she also uses the transitory quality of the short story to suggest that such a space can only exist for a short duration due to the restrictions of the imposing outside world.
113- The Norton Anthology of English Literature. 6th ed. of the book. Vol.
The novel The Samurai’s Garden by Gail Tsukiyama, follows Stephen Chan through a journal from a first person perspective. Stephen left his full-time home in Hong Kong, China to stay at his family's vacation house in Tarumi, Japan after being diagnosed with tuberculosis. In Tarumi, he met Matsu and Sachi. He quickly grew fond of their company. Over time, Stephen’s bonds with Matsu and Sachi grew into a form of loyalty that he had never experienced before. The three of them helped each other reach the inner-peace that was need for them to move past their diseases and problems. In the novel, The Samurai’s Garden, Gail Tsukiyama conveys the theme that in order to heal, people need to find their inner strength; she accomplishes this through
The biographies about Jane Austen describe the facts of her life in a step-by-step manner. They tend to be repetitive since she did not leave behind a rich fabric of day-to-day life. Yet Jane Austen is known not because of the factual details of her life; she is not remembered two hundred years after her death because she had six siblings and was a wonderful aunt to her nieces and nephews. Rather, Jane Austen is remembered because of what she wrote, her "ouvre." Only through reading her literature does one get a taste of the real Jane Austen, the Jane Austen who dreamed and made plans for the future that failed to materialize. Therefore, I have attempted to describe the life of Jane Austen by interpreting her novels and picking three main characters who I feel most closely serve as her alter ego. A writer writes from his or her own experiences; only by analyzing Jane Austen's characters do we get an understanding of the true author.