Incest in A Thousand Acres
Incest in A Thousand Acres invades all the other items: it is there, and is crucial for everything that happens, but it is hidden beneath the surface of appearances.
Tim Keppel has pointed out not only that "Smiley's major departure [...] is her decision to tell the story from the viewpoint of Ginny and explore the inner lives of the so-called 'evil' sisters" (Keppel, p.105), but that "Smiley makes her most dramatic re-vision of Shakespeare" (Keppel, p.109) in the storm scene. This has traditionally been the scene when the audience form a bond of sympathy with King Lear because of his pathetic insanity, while in A Thousand Acres, the focus of the narrative stays with the sisters and gives us a strong reason to form a bond of sympathy with them instead: Rose tells Ginny about the incest they both underwent, but that Ginny has suppressed from memory.
Rose inhaled, held her breath. Then she said, "He was having sex with you. [...] After he stopped going in to you, he started coming in to me, and those are the things he said to me, an that's what we did. We had sex in my bed." (189-190)
That Larry has complete control of the lives of Rose and Ginny is already evident, and now we understand more of why. It is not only a matter of sexual abuse, but of asserting a perverted form of power. This is one of the links formed within the framework of the novel between women and nature: They are objects of property. "You were as much his as I was", Rose says. "There was no reason for him to assert his possession of me more than his possession of you. We were just his, to do with as he pleased, like the pond or the houses or the hogs or the crops." (191). All of this is subject to the power inscribed in Larry and the system he embodies.
This connection is given a more general relevance in the overall political project of the novel, transcending the workings of one malfunctional family. First, because Larry follows a long line of patriarchal power structures: "You see this grand history, but I see blows.[...] Do I think Daddy came up with beating and fucking us on his own?[...] No. I think he had lessons, and those were part of the package, along with the land and the lust to run things exactly the way he wanted to.
The National Football League (NFL) and NASCAR thrive on sponsors and vice versa. An NFL game is by far the most watched single game event in the country and gaining popularity exponentially worldwide. Their championship, the Super Bowl, is arguably the most watched television program in that particular year. In NASCAR, the Daytona 500 is their “Super Bowl” and is a very large event in its own right. Corporations all over the world jump on these mega advertising vehicles with the hope that their name is popularized which will result in profitability. In many cases, most of those who do buy airtime during NFL games, the Super Bowl, and during the major NASCAR races are very visible names and products that we already know about. Most of the time, these companies are trying to market new products or products that have been enhanced.
In a Thousand Acres, appearance versus reality is a recurrent conflict throughout the book. Caroline is disowned when she disrupts Larry’s pronouncement to split the farm amongst his daughters. Larry from is presented as a prosperous farmer and a respected man within his community. In reality he is deceiving and ill-advised person who sexually molested Ginny and Rose. Caroline is ignorant of her father’s sins and is not in favour of Ginny and Rose. Ginny says to Caroline: “We did everything for you! We saved you from Daddy” (Smiley, 245), Caroline replies with, “Did I really have to be saved from Daddy? From my own father?” (Smiley, 245). Obviously, Ginny and Rose retain the presence that everything is satisfactory to defend Caroline from the anonymous harms of Larry. Smiley progresses the conflict of appearance versus reality through Caroline’s character. In comparison to the book A Fine Balance. The Prime Minister is perceived as a holy and spiritual man whom wants the best for the people of his country. When in reality he has psychotic tendencies, similar to Larry from the book a thousand acres. “Perfection lacks here with these undesirables in our nation” (Mistry, 345) this signifies his discrimination amongst the ‘chamaar’ untouchable’s class and Muslims in a private conversation with the deputy chief Sanjot Premi. When for the media, the prime minister is quick to spread false remorse and guilt amongst the deaths that took place in Gujarat, India of his planned genocide. The Prime Minister is pathetically deceiving and disgusting, people in society are prone to the way he dictates because it is deemed as the norm. “To gain a successful nation, we must let the undesired ones roam off to hell”. No one is prone to the discrimination and the extreme mindset of the Prime Minister other than the people that are close to him. In
Incest is not something that happens to “those people over there” the ones across town who don’t wash very often. It happens to all strata of society, at all economic levels, and in all ethnic groups.
In "A Rose for Emily" and "Barn Burning," William Faulkner creates two characters worthy of comparison. Emily Grierson, a recluse from Jefferson, Mississippi, is an important figure in the town, despite spending most of her life in seclusion. On the contrary, Abner Snopes is a loud, fiery-tempered man that most people tend to avoid. If these characters are judged by reputation and outward appearance only, the conclusion would be that Emily Grierson and Abner Snopes are complete opposites. However, despite the external differences, these two characters have surprisingly similar personalities.
Whereas Rose's "man-ness" is based on a destructive rage, Caroline's is based on cold calculation, therefore she is more successful playing by the rules of the patriarchy. It must be remembered, however, that she is able to use the system because she has been shielded from its negative side. Ginny and Rose have always protected her from Larry's anger, incest, and complete suppression of their own identities. While Larry signifies so many things to the elder sisters, not least the horribly intimate -familiar- memories of incest, Caroline can say about him that he looks "as familiar as a father should look, no more, no less". In this, as Ginny replies, she is lucky. (362)
It all began with three beautiful daughters tested to the extent of how much they loved their father. Three beautiful daughters in competition with one another. Three beautiful daughters with no real winner. The novel, A Thousand Acres by Jane Smiley, is an adaption of the play King Lear by William Shakespeare. These literary works differ greatly from each other. However, both establish a certain type of dynamic within the family. Smiley’s adaptation features a similar patriarchal household to the one that is present in Shakespeare’s when showcasing the relationship with a father and daughter, and by expanding on this idea, she creates a new, separate work.
Viner, Russell M and Tim J Cole. “Adult Socioeconomic, Educational, Social, and Psychological Outcomes of Childhood Obesity: A National Birth Cohort Study.” British Medical Journal 330. 1354. Web. 30, August 2011.
Most children experience agony and hope as they face the struggles of sibling rivalry throughout their childhood. This situation has been experienced by children, of whom may or may not have siblings, for hundreds of years. Several stories represent this crisis, including the Biblical story of Abel and Cain which was written over 3000 years ago. Abel of whom was forced to be Cain’s ash-brother. Cain had developed an intense feeling of jealousy of Abel when his offering to the Lord was rejected while Abel’s was accepted. This caused him great agony, but he wasn’t the only one. The fairytale “Cinderella” encompasses the ideas of sibling rivalry as well as the agonies and hopes that correspond with it.
Smiley deliberately begins her novel by going into great detail about the landscape. She describes the landscape as “unquestionably flat” (Smiley 3) and the land that Ginny’s father owned as “six hundred forty acres, a whole section, paid for, no encumbrances, as flat and fertile, black, friable, and exposed as any piece of land on the face of the earth”(Smiley 4). Smiley also goes on to describe the Zebulon River which you can see running in the distance. Her purpose in describing the landscape is to parallel Lear’s description of his land in Act 1 where he says: “Of all these bounds, even from this line to this,/ With
Tidefors, I., Arvidsson, H., & Ingevaldson, S. (2010). Sibling incest: A literate review and clinical study. Journal of Sexual Agression, 348-358.
Tawia, Susan. “Childhood Obesity And Being Breastfed.” Breastfeeding Review 21.2 (2013): 42-48. CINAHL Plus with Full Text. Web 7 Nove. 2013.
With so many basic plot similarities, Smiley manages to convey a new take on an old-fashioned story. At the end of King Lear, Lear traditionally is believed to be a changed man. Smiley doesn't buy into this common belief; therefore Larry Cook remains a static character throughout the novel. He never changes his attitude towards his possessions, his daughters and his land. Another difference that contributes to Smiley's new interpretation is the point of view from which the story is told. King Lear is told from a strictly male point of view. A Thousand Acres is told through the viewpoint of Ginny, Smiley's parallel to Goneril. Through Ginny's self-revelation, the reader is made aware of many circumstances that would cause a daughter to hate her father. Smiley believes that Lear's daughters must have had some reason for hating him. This is why, in her novel, she includes a childhood of incest.
Would a person describe the personality and acts of their mothers as loving or nurturing or quite possibly witty with her words? When one thinks of a Mother, be it their own or another, one would usually describe them as caring, affectionate, protective; however, with her mother having died when she was a young age of five, Charlotte Brontë never had the chance to understand how essential those traits were to a child and grew up under the care and teachings of her father; which was what helped lead to her strong and virtuous independence: the lack of a mother's love and guide.
Spirituality hasn’t played an important role in my life thus far, as my initial understanding of the concept has always been related to religion. Growing up, my mother’s sides of the family were firm believers in god, and Christianity. Neither my mother, nor my father ever included religion into their lives, or mine. In fact, religion created a barrier within our family dynamics for as long as I can remember. My aunt was married to a priest and during our family dinners he would pull me aside to read bible versus. My parents were not happy once they realized that my uncle was doing this with me behind their backs. This marked the beginning of divergence between my mother and aunt’s side of the family. It wasn’t until my grandparents passed
Many novels speak of love and indulging in passion, but few speak of the dynamics that actually make a marriage work. Jane Eyre is one of these novels. It doesn't display the fleeing passions of a Romeo and Juliet. This is due entirely to Bronte's views on marriage and love. The first exception to the traditional couple the reader is shown is Rochester's marriage to Bertha. This example shows the consequences of indulging in passion. The opposite side is shown through another unlikely would-be couple, Rosamund and St. John. Through this pair, Bronte reveals the consequences of indulging in duty. Another view of marriage is also present in the book, through the character Jane Eyre and her actions.