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A minor bird analysis
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Throughout history, the story of womankind has evolved from struggles to achievements, while some aspects of the lives of women have never changed. Poet Dorianne Laux writes about the female condition, and women’s desire to be married and to have a home and children. She also seems to identify through her poetry with the idea that women tend to idealize the concept of marriage and settling down and she uses her poetry to reach out to the reader who may have similar idyllic views of marriage or the married lifestyle. Though Dorianne Laux’s poem “Bird” reads very simply, it is actually a metaphor for an aspect of this female condition.
The tile of the poem “Bird” is simple and leads the reader smoothly into the body of the poem, which is contained in a single stanza of twenty lines. Laux immediately begins to describe a red-breasted bird trying to break into her home. She writes, “She tests a low branch, violet blossoms/swaying beside her” and it is interesting to note that Laux refers to the bird as being female (Laux 212). This is the first clue that the bird is a symbol for someone, or a group of people (women). The use of a bird in poetry often signifies freedom, and Laux’s use of the female bird implies female freedom and independence. She follows with an interesting image of the bird’s “beak and breast/held back, claws raking at the pan” and this conjures a mental picture of a bird who is flying not head first into a window, but almost holding herself back even as she flies forward (Laux 212). This makes the bird seem stubborn, and follows with the theme of the independent female.
Laux goes on to write, “Maybe she lunges for the trees she sees/reflected in the glass,” and the saying the grass is always greener on the othe...
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...saying that marriage is a gamble, and that women risk failure by becoming married. Laux speaks to the women with the idyllic views of matrimony and she may be trying to issue a warning to them, or to teach them a lesson about how she feels. This is important to the narrator especially as she repeats the word “again” in the question she asks at the end of the poem. The juxtaposition of the free bird to the housewife constricted to a cluttered room is an important image and helps the reader see the differences between the two. Laux’s metaphor for the female condition is made clear by the end of the poem and is an attempt to make the reader question what the narrator has that women all over the world are so eager to partake in.
Works Cited
Laux, Dorianne. “Birds.” When She Named Fire. 1st. Budy, Andrea Hollander. Autumn House Press, 2009. Print
Chopin mentions birds in a subtle way at many points in the plot and if looked at closely enough they are always linked back to Edna and her journey of her awakening. In the first pages of the novella, Chopin reveals Madame Lebrun's "green and yellow parrot, which hung in a cage" (Chopin 1). The caged bird at the beginning of the novella points out Edna's subconscious feeling of being entrapped as a woman in the ideal of a mother-woman in Creole society. The parrot "could speak a little Spanish, and also a language which nobody understood" (1). The parrot's lack of a way to communicate because of the unknown language depicts Edna's inability to speak her true feelings and thoughts. It is for this reason that nobody understands her and what she is going through. A little further into the story, Madame Reisz plays a ballad on the piano. The name of which "was something else, but [Edna] called it Solitude.' When she heard it there came before her imagination the figure of a man standing on a desolate rock on the seashore His attitude was one of hopeless resignation as he looked toward a distant bird winging its flight away from him" (25). The bird in the distance symbolizes Edna's desire of freedom and the man in the vision shows the longing for the freedom that is so far out of reach. At the end of the story, Chopin shows "a bird with a broken wing beating the air above, reeling, fluttering, circling disabled down, down to the water" while Edna is swimming in the ocean at the Grand Isle shortly before she drowns (115). The bird stands for the inability to stray from the norms of society and become independent without inevitably falling from being incapable of doing everything by herself. The different birds all have different meanings for Edna but they all show the progression of her awakening.
As a way to end his last stanza, the speaker creates an image that surpasses his experiences. When the flock rises, the speaker identifies it as a lady’s gray silk scarf, which the woman has at first chosen, then rejected. As the woman carelessly tosses the scarf toward the chair the casual billow fades from view, like the birds. The last image connects nature with a last object in the poet's
Right from the first stanza, we can clearly see that the girl emphasizes her passionate feelings towards the boy by explaining how she desires to be close to her love. Moreover, she expresses the theme of love through using a narrative of how she is prepared to trap a bird. Apparently, this symbolizes how she is prepared to trap her lover’s feelings with the desire to live together all through her life. Additionally, the young lady emphasizes on her overall beauty, her beautiful hair, and clothing which is of the finest linen which she uses to attracts her lover’s attention (Hennessy & Patricia, p.
While reading, I felt a sense of sadness for the caged bird, as its undeniable determination was persistent and valiant. Along with the message of the poem, I also appreciated Angelou’s unique sense of “unstructured verse” and her non-traditional poetic approach. It is clear that the caged bird represents African Americans and the free bird represents the white population, however, the poem is well written which sends this implied message of African-American suppression in a poetic, yet clear,
"Experience, which destroys innocence, also leads one back to it" (Baldwin). All experiences spring out of innocence. Sarah Orne Jewett expresses this through the story “The White Heron.” She uses the story to show how easily innocence can be influenced. "For Jewett, it seems to have been a personal 'myth' that expressed her own experience and the experience of other women in the nineteenth century who had similar gifts, aspirations, and choices" (Griffith). Her personal experiences include her living in Maine with her dad and two sisters. She had a medical degree but turned to writing because of poor health. She represented many women during the hard times of the 19th century.
“A green and yellow parrot, which hung in a cage outside the door, kept repeating: “Allez vous-en! Allez vous-en! Sapristi! That's all right”! He could speak a little spanish, and also a language which nobody understood, unless it was the mocking-bird that hung on the other side of the door (1).The caged birds are meant to represent women in society committed inside the house and existing for the pleasure of man. The parrot represents Edna and her true inner feelings that she doesn’t revel. The hidden feeling are represented by the fact that the parrot is caged. The mockingbird also tagged, represents Mademoiselle Reisz with the whistling notes it produces. Moreover, this mocking bird is capable of understanding the parrots spanish in the same way Mademoiselle Reisz is capable of understanding Edna. In this Victorian era the caged bird represent the women who are expected to have no other role than that which is assigned; being a wife and mother without true freedom. Like the birds, the women’s movements are limited by society, and they are unable to communicate with the world around them. And It seemed as when they got married they were committed to doing one thing and one thing only. In addition to symbolism Chopin describes Edna “A bird with a broken wing... reeling, fluttering, circling disabled down.” (115). This
The first words of the book convey a parrot that spoke “a language which nobody understood”, and Edna’s husband “had the privilege of quitting [the parrot] when [it] ceased to be entertaining” (11). In the same light, Edna speaks of and wishes for a life that nobody apprehends. Her husband also possesses the moral, objectifying liberty to quiet Edna when she did not provide leisure, as one can turn off a song once it grows into a tedious nuisance. A further exemplification comes about when Old Monsieur Farival, a man, “insisted upon having [a] bird. . . consigned to regions of darkness” due to its shrieking outside (42). As a repercussion, the parrot “offered no more interruption to the entertainment” (42). The recurrence of the parrot evolves Edna’s state of stagnance as a consequence of being put to a halt by others despite her endeavor of breaking free. Ultimately, as Edna edges out towards the water to her death, a bird is depicted with “a broken wing” and is “beating the air above, reeling, fluttering, circling disabled down, down to the water” (159). This recurrence parallels the beaten bird to a suffering Edna. She has “despondency [that] came upon her there in the wakeful night” that never alleviates (159). Dejection is put to action when Edna wanders out into the water, “the shore. . . far behind her” (159). Motif of birds articulates her suicide by its association with
The bird indirectly represents Enda’s failure to seek liberation and defy against the restrictions society sets upon her. The fall of the bird is reflective of Enda’s spiritual awakening as it represents society’s fatal misjudgment as she desires to rebel against society and participates an infatuation with her lover Robert. As the bird falls into the water, is like Enda as Enda rejects Victorian motherhood, only seeing destruction as an
As caged animals, birds represent internal feelings of confinement and delimitation. While roaming and flying freely above open seas, birds emit emotions of self-reliance and freestanding independence. The imprisonment or liberty of birds throughout the storyline of The Awakening is the symbolism that Chopin utilizes to discursively illustrate the societal limitations and boundaries that are placed upon Edna. For the duration of the novel, vivid bird imagery elucidates both the struggle and freedom that she constantly encounters. One exemplification of this includes how Edna notices the “green and yellow” parrot that hangs outside of Madame Lebrun’s home. Edna is somewhat irritated by the sh...
The birds are the major symbolic images from the very beginning of the novel: "A green and yellow parrot, which hung in a cage outside the door, kept repeating over and over: `Allez vous-en! Allez vous-en! Sapristi! That's all right!'" (Chopin pp3) In The Awakening, caged birds represent Edna's entrapment. She is caged as a wife and mother; she is never expected to actually be able to think and make decisions for herself. The caged birds also symbolize the entrapment of Victorian women in general since their movements are limited by the rules of the society that they live in. Just like Edna the parrot cannot communicate its feelings because the parrot speaks in "a language which nobody [understands]" (Chopin pp3). Edna’s feelings are incomprehensible to the members of Creole society. Chopin uses wild birds and the idea of flight to symbolize freedom. Edna experiences a vision while Mademoiselle Reisz is playing piano and this vision includes the wild birds and flight. "When she heard it there came before her imagination the figure of a man standing beside a desolate rock on the seashore. He was naked. His attitude was one of hopeless resignation as he looked toward a distant bird winging its flight away from him." (Chopin pp26-27) Here Edna is showing her intense desire for freedom, a desire to escape from her roles as a wife and mother, and also from her husband Léonce. Léonce oppresses Edna by restricting her to a social cage. Edna thus begins to express her desire for complete independence through her move to the pigeon house "because it's so small and looks like a pige...
To briefly summarize this poem, I believe that the poem could be separated into three parts: The first part is composed in the first and second letters, which stress on the negative emotions towards the miserable pains, illnesses that the parents are baring, and also their hatred of the birds. The second part, I believe will be the third and fourth letters, which talks about the birds’ fights and the visiting lady from the church. And the last part, starts from the fifth letters to the rest of them, which mainly describe the harmonious life between the parents and those birds.
Bird usually portrays an image of bad luck that follows afterwards and in this novel, that is. the beginning of all the bad events that occur in the rest of the novel. It all started when Margaret Laurence introduced the life of Vanessa MacLeod. protagonist of the story, also known as the granddaughter of a calm and intelligent woman. I am a woman.
James Tate in his collection, Memoirs of the Hawk, presents believable yet absurd characters in the most vulnerable of settings and uses them to push humanistic truths that come full circle at his poems closing lines which work as epiphanies. The connection is collected in the sense that the direction and format is concrete for every poem, narratively or structurally there isn’t anything sophisticated going on that was presented in Dorianne Laux’s Facts About the Moon or Jamaal May’s Hum. This poeticness found in Tate is his ability to mask social or personal issues through humor and abstraction subtlety and with a degree of simplicity capitalizes Tate’s style in this collection. He
Within her poems, Angelou will use metaphors and similes to hide the different meanings she is trying to express. In the poem Caged Bird, Angelou sets up a metaphor, and relates the pain and sorrow a caged bird feels when it cannot fly free to the despair her race feels, due to it’s lack of freedom within the American society. “The free bird leaps,” relates the white people to a free bird that, “dares to claim the sky.” Meaning that they don’t have to fear consequence for their actions because they are granted their rights by the law; whereas the bird trapped in a cage has, “his wings...clipped his feet...tied,” which doesn’t allow him to go anywhere or do anything, restraining him, and keeping him from seeing the beauty of the world as the white people did to African Americans. In the poem Still I Rise, Angelou uses similes to add the exact same effect. Throughout the poem, Angelou relates negative vocabulary to herself, emphasizing the hate she has received. She discusses how the people will write about her race with, “bitter, twisted lies,” distorting their culture, refusing to
...lfill her newly awakened self. Edna finds suicide as the only option to pursue when she see that living in her world is purposeless and maintain her newfound identity is impossible. Within Edna was the desire that is within nearly every human being, the desire to be born free, to have live their own life, to, quite simply, embrace the value of independence. Edna drowning herself and not killing herself, draws a symbolism of the water as a representation of realizing freedom. Her suicide was meant to be a demonstration of her finally realizing that she couldn’t controlled by societal roles and expectations. Also, the symbolism of the bird offers a slightly different alternative; as a bird with a broken wing, Edna is a victim of fate and her society. Edna’s wings are not strong enough to overcome gravity; she weighted down by the forces that society imposes on her.