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Dual Aspects of Good and Evil in Rappaccini’s Daughter
“Hawthorne shows in the tale that the inner world of human experience is a complex and ambiguous mixture of good and evil (Stallman 2).” Hawthorne portrays that the existence of good and evil is part of life and that a person can make a decision which way to go. From the story, Hawthorne presents to the reader the character of Doctor Rappaccini, a scientist who experiments with poisonous plants and later on injects poison into his daughter Beatrice that to transform her into achieving superhuman qualities. The transformation of Beatrice as well as her lover, Giovanni into a poisonous being raises the question whether they are good or evil. In the novel “Rappaccini’s Daughter”, Nathaniel Hawthorne incorporates figurative language, descriptive details, and allusions to portray the dual aspects of good and evil in each character to convey to the audience that humans embody both goodness and evil.
In “Rappaccini’s Daughter” the dual aspects of good and evil in humans are exemplified through the use of figurative language. In the story, Beatrice is described as a beautiful young lady. Hawthorne introduces Beatrice’s beauty to the audience through, “a sculptured portal the figure of a young girl, arrayed with as much richness of taste as the splendid of the flowers, beautiful as the day (3).” These positive traits of Beatrice are presented in order to express her goodness she is compared to flowers and day. In contrast to Beatrice being beautiful Beatrice is also poisonous. Author Roy R Male Jr. suggests that Beatrice is harmful, “The poison in her system-the token of her corruption brings death into the garden” (101). Beatrice is compared to death because creatures- lizard and b...
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...ng of life, and this signifies his good nature.
By incorporating figurative language, descriptive details, and allusions Nathaniel Hawthorne demonstrates in “Rappaccini’s Daughter” that humans can embody the dual aspects of good and evil. Hawthorne proposes the universal truth that not only can mankind be seen one way but, also can be seen in another way. Hawthorne conveys this truth in each of the main characters Doctor Rappaccini, Beatrice, and Giovanni. Occasionally, though, Doctor Rappaccini may be viewed to have evil intentions. However, he can also be perceived in an opposite way as having positive intentions. For example in the story, Rappaccini is only trying to protect his daughter but his ways can be likened to a madman. Rappaccini’s purpose for his experiments can be perceived as either evil or good. Thus, mankind has dual aspects of good and evil.
On the surface, a beautiful, poisonous girl and a preacher shadowed by a black veil share no similar characteristics. However, in the works of Nathaniel Hawthorne, these characters share two remarkably comparable stories. The Minister’s Black Veil and Rappaccini's Daughter both share the symbolic use of colors, yet the characters’ relation to the outside world deviates. Hawthorne expertly contrasts colors to illustrate the battle of good against evil. In The Minister’s Black Veil, Mr. Hooper’s black veil contrasts sharply against the pale-faced congregation, just as Beatrice’s likeness to the purple flowers, described as being able to, “...illuminate the garden,” contrasts the darkness of Dr Rappaccini’s black clothing. These clashes of colors
For instance, after his initial encounter with a black widow as a child, Grice darkly describes the arachnid as “actively malevolent,” an “enemy” who “wait[s] in dark places to ambush” its prey (para. 8). Furthermore, the author depicts the widow’s ominous physique as having a black body covered with “red markings [that] suggest blood” (para. 10). Grice even claims that “women with bouffant hairdos have died of widow infestation” (para. 9). To the audience, these carefully crafted words and phrases connote a sense of unwelcome malignance; the reader associates the black widow with the concept of evil. By specifically choosing words that show the evil, inimical presence of the black widow, Grice demonstrates the pointlessness of evil in the world; the widow has no purpose to mankind, a parallel to the purposeless nature of
There are stunning parallels between Nathaniel Hawthorne's "Rappaccini's Daughter" and the film The Truman Show in terms of character, action, and structure.
While on the surface level “Goblin Market” simply appears to be a “charming and delicate fairy tale” (Packer 375), in reality, it is a shockingly violent fable interwoven with complex motifs such as temptation, love, and the loss of innocence. Rossetti’s masterful use of descriptive language—“Then sat up in a passionate yearning, and gnashed her teeth for baulked desire, and wept, as if her heart would break” (Rossetti 88)—helps her symbolize the theme of temptation through the forbidden fruit Laura is aggressively offered by the goblin men. In fact, this specific theme was written with such great finesse, that “Goblin Market” has been described as one of the seldom pieces of nineteenth-century poetry in which “the lure of the senses [has] been so convincingly portrayed” (Packer 376). Similar to Frankenstein, “Goblin Market” also frequently utilizes fire imagery, although in this text it symbolizes the progression of life. The lines, “She dwindled, as the fair full moon doth turn.
In the novel The Scarlet Letter and the short story “The Minister’s Black Veil”, Nathaniel Hawthorne incorporates romantic elements, such as beauty, truth, innocence, and sin, in his criticism of Puritan societies. In both texts, Hawthorne argues that all people, even those in strictly religious societies with corrupted standards, are capable of sin. Hawthorne uses symbolism and light and dark imagery to convey his argument.
In the Nathaniel Hawthorne tale, “Rappaccini’s Daughter,” we see and feel the solitude/isolation of the scientific-minded surgeon, Dr. Rappaccini, likewise that of his daughter, Beatrice, and finally that of the main character, Giovanni. Is this solitude not a reflection of the very life of the author?
The presentation of moral issues in Othello establishes that during the Renaissance period some writers challenged the traditional Elizabethan society. For instance, in Cinthio’s story Iago was a minor villain; however, Shakespeare transformed him into the Machiavellian that Is most memorable for his deception and downfall. Whereas, the presentation of moral issues in Frankenstein presents moral theory’s such as Unitarianism and the Theory of Natural Rights as inherent to which the characters face moral issues of their time. This is evident as the industrial revolution, scientific discoveries, traditional religious and metaphysical thought were topics in discussion in that time and had such an influential role in the novel. However, in Jane Eyre, the presentation of moral issues portrays a world where ethical choices overrule passion. This is evident when Jane decides it is morally right to be a “beggar” rather than a “mistress” when leaving Thornfield. Therefore, as readers, we sympathise with the characters; even if that means that, their actions are immoral of their time.
This description creates a conflicting idea of her, on one hand there is this fascinating, beautiful and innocent woman, yet on the other hand there is this figure with gothic qualities and frightening “wild” eyes referring to nature. This is comparable to Catherine, “A wild, wick slip she was—but she had the bonniest eye, the sweetest smile, and the lightest foot in the parish.” (Chapter V, page42)
She makes the reasons for his evilness. very clear through these personas. Bitterness and anger towards the world is only natural if the world shunned him. So although the monster is ‘unnatural’ his responses and feelings are those of any. a ‘real’ person faced with the conflict he has had to face.
Dr. Rappaccini is obsessed with science and what the manipulation of nature can do for people. He is overprotective of Beatrice and thinks that he can provide the solution to all of her problems. Knowing the evils of the world as a young man, Rappaccini decides to take control over Beatrice's life and make sure no one can ever hurt his beloved daughter. By filling Beatrice up with poison, Rappaccini succeeds in keeping Beatrice from any evil; but at what price? Beatrice is free from any evil touching her, but she is also isolated from any good that may come to her.
Hawthorne’s stories young goodman and rappaccini's daughter both compare to the biblical tale of the garden of eden. in the next few paragraphs you will see how they are alike.
In Rappaccini 's Daughter, it is full of symbols and symbolic allusions. Its setting is a fantastic garden filled with vegetation and poisonous flowers and in the center is a broken fountain. Hawthorne's focus is on Beatrice as she is seen by Giovanni. Hawthorne presents a trapped and poisonous Beatrice who needs a special kind of redemption. She is a prisoner in the garden and her body is full of poison.
Two boys stare at an unfamiliar girl sitting by herself and whisper, “She must be new,” to each other. They walk over to her, wanting to know about her, and ask her where she is from. The human tendency of wanting to know about the unknown is an idea writers such as Nathaniel Hawthorne use in their works. Hawthorne uses the style of Romanticism, which was most prominent during the early nineteenth century and includes specific traits such as devotion to nature, feelings of passion, and the lure of the exotic. It also emphasizes traits including the idea of solitary life rather than life in society, the reliance on the imagination, and the appreciation of spontaneity. “Rappaccini’s Daughter” by Hawthorne is about Doctor Rappaccini's garden and daughter Beatrice who live in Italy. A man named Giovanni living near the garden falls in love with Beatrice, but Beatrice is infused with poison and unintentionally kills living things that touch or go near her. “Rappaccini’s Daughter” by Nathaniel Hawthorne is a work of Romanticism because it includes Giovanni’s lure to the exotic, solitary life as a theme, and appreciation of nature in descriptions.
Hawthorne, Nathaniel. " Rappaccini's Daughter." Nathaniel Hawthorne's Tales. Ed. James McIntosh. New York: W. W. Norton and Company, 1987.
...haracteristics, but in the incongruity of this "mortal grossness", the grotesque, earthy and plain-speaking Bottom, and the beautiful, airy, eloquent and possibly dangerous fairy queen. The "bank whereon the wild thyme blows" and the beautiful fairy song "Philomel with lullaby", as well as the dainty morsels offered by Titania's servants - it is difficult to imagine a more alien creature to all this, than Bottom. We laugh at his ineptitude, at the incongruity of the situation, at the blatant illustration of the gulf between "reason and love"; we are disturbed by the indignity Titania undergoes, alarmed by the danger Bottom may be in, but reassured by his taking it in his stride.