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Two boys stare at an unfamiliar girl sitting by herself and whisper, “She must be new,” to each other. They walk over to her, wanting to know about her, and ask her where she is from. The human tendency of wanting to know about the unknown is an idea writers such as Nathaniel Hawthorne use in their works. Hawthorne uses the style of Romanticism, which was most prominent during the early nineteenth century and includes specific traits such as devotion to nature, feelings of passion, and the lure of the exotic. It also emphasizes traits including the idea of solitary life rather than life in society, the reliance on the imagination, and the appreciation of spontaneity. “Rappaccini’s Daughter” by Hawthorne is about Doctor Rappaccini's garden and daughter Beatrice who live in Italy. A man named Giovanni living near the garden falls in love with Beatrice, but Beatrice is infused with poison and unintentionally kills living things that touch or go near her. “Rappaccini’s Daughter” by Nathaniel Hawthorne is a work of Romanticism because it includes Giovanni’s lure to the exotic, solitary life as a theme, and appreciation of nature in descriptions.
The lure of the exotic, an aspect of Romanticism, is present in Giovanni’s character. The author describes the flowers oddly by saying they were not indigenous to Italy, comparing them to other things such as snakes, and stating that they looked colorful and beautiful (Hawthorne). The flowers, based on this description, clearly attract attention because they are different. Next, Hawthorne writes, “He paused--hesitated--turned half about--but again went on.” During this part of the story, someone tells Giovanni about a secret entrance to Rappaccini’s abundant garden. Giovanni, wanting to run in...
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...atrice is passion. In brief, “Rappaccini’s Daughter” includes a minimal amount of Gothic traits, but it is actually Romantic.
Nathaniel Hawthorne’s short story is a work of Romanticism. Giovanni exhibits the lure of the exotic especially in the descriptions and behaviors of the flowers. Also a theme of the story is solitary life rather than life in society. The descriptions of the flowers show an appreciation of nature. Gothic elements are present in the story; Beatrice is a mysterious character, but she provokes passionate feelings in Giovanni which is a Romantic trait. Beatrice and the flowers luring Giovanni is the same as the new girl sparking interest in the two boys, showing that Romanticism is a part of human nature.
Works Cited
Hawthorne, Nathaniel. “Rappaccini’s Daughter.” Sam Houston State University. Sam Houston State University, n.d. Web. 30 Jan. 2014.
There are stunning parallels between Nathaniel Hawthorne's "Rappaccini's Daughter" and the film The Truman Show in terms of character, action, and structure.
attempting to make Giovanni immune to the poison of the plant, so they could be
Dante, an Italian poet during the late middle ages, successfully parallels courtly love with Platonic love in both the La Vita Nuova and the Divine Comedy. Though following the common characteristics of a courtly love, Dante attempts to promote love by elevating it through the lenses of difference levels. Through his love affair with Beatrice, although Beatrice has died, he remains his love and prompts a state of godly love in Paradiso. Dante, aiming to promote the most ideal type of love, criticizes common lust while praises the godly love by comparing his state of mind before and after Beatrice’s death. PJ Klemp essay “Layers of love in Dante’s Vita Nuova” explains the origins of Dante’s love in Plato and Aristotle themes that designate
Humanity is defined as the quality of being humane. This is something that people struggle with on a day to day basis. Hawthorne shows these struggles through his characters. Giovanni, the main character in “Rappaccini's Daughter”, shows this through being shallow in his love for Beatrice. Throughout their relationship, Giovanni faces the reality that there is something wrong with Beatrice. He begins to have suspicions that she is poisonous like the flowers in the garden, and this begins to taint the love he has for her: “At such times, he was startled at the horrible suspicions that rose, monster-like, out of the caverns of his heart, and stared him in the face; his love grew thin and faint as the morning-mist; his doubts alone had substance” (1346). Ultimately, Giovanni is left to grieve the death of Beatrice because he did not trust Beatrice, and allows doubt to overcome him. Other literary critics have found this to be truth as well, such as the literary critique on “Rappaccini's Daughter”. Katherine Snipes, the author of Masterplots II: Short Story Series, Revised Edition, writes, “Giovanni falls from grace not entirely through the machinations of a satanic scientist. ...He falls not because of Beatrice's evil nature, but because of his own shallow capac...
Two years ago I went to an exhibition in Milan titled: “Artemisia: storia di una passione” (“Artemisia: history of a passion”). The exhibition was sponsored by the Assessorato alla Cultura of the Comune of Milano and curated by Roberto Contini and Francesco Solinas, with the scenographic and theatrical work of Emma Dante.
Stallman, Laura. Survey of Criticism of 'Rappaccini's Daughter' by Nathaniel Hawthorne {with class response and discussion}. 29 Many 2000 <http://www.vcu.edu/engweb/eng372/rappcrit.htm>.
In the Nathaniel Hawthorne tale, “Rappaccini’s Daughter,” we see and feel the solitude/isolation of the scientific-minded surgeon, Dr. Rappaccini, likewise that of his daughter, Beatrice, and finally that of the main character, Giovanni. Is this solitude not a reflection of the very life of the author?
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“A bloody scourge…rigorously, and until his knees trembled beneath him, as an act of penance.” (Hawthorne, 141) In the Scarlet Letter, by Nathaniel Hawthorne, Minister Dimmesdale starved himself, whipped himself, and tortured himself to get rid of the guilt caused by his sin with Hester Prynne. Hawthorne describes the minister’s guilt as the evil that anchored him down and shows how Dimmesdale tortures himself but can never get rid of it. His guilt came from many things. First was his guilt for committing the crime with Hester Prynne. Second is his guilt for not being with her at the time that she was put upon the scaffold. Last was his guilt from not revealing himself to his own daughter and from having to stay out of her life due to fear of being shamed by the community. Hawthorne’s views on guilt and Dimmesdale are mostly that his guilt controlled his life completely until the very end when the power of the sin and guilt took over to the point where he couldn’t control himself.
Dr. Rappaccini is obsessed with science and what the manipulation of nature can do for people. He is overprotective of Beatrice and thinks that he can provide the solution to all of her problems. Knowing the evils of the world as a young man, Rappaccini decides to take control over Beatrice's life and make sure no one can ever hurt his beloved daughter. By filling Beatrice up with poison, Rappaccini succeeds in keeping Beatrice from any evil; but at what price? Beatrice is free from any evil touching her, but she is also isolated from any good that may come to her.
Rappaccini's Daughter was first published in December 1844 in the United States Magazine and Democratic Review under Hawthorne's own name. Before the story was even published Julian Hawthorne read the unfinished manuscript to his wife and she asked how it was going to end. Hawthorne was not quite sure how he was going to let the story end. It has been said that Beatrice's dilemma may have been a reflection of Sophia's (Hawthorne's wife) sheltered years when she was younger at home with her mother. While Giovanni's failure to save Beatrice or himself is a tragic reversal of Nathaniel's and Sophia's happiness together (Newman 258).
As the poem progresses, the flower blooms underneath the touch of the man, representing that their passion for each other allows her spirit to bloom just as a flower does. Philip Jason notes the effectiveness of Williams’ metaphor to Queen Anne’s lace, writing, “…it is mainly through metaphor that he transforms his observation, his still life, into a dynamic field of action that reveals the life and energy hidden.” Just as Jason proves, the metaph...
Because of flowers’ popularity in Victorian England, Wilde’s use of floral imagery was purposeful and had some effect on the audience as a whole. Even stylistically, the language of the novel is flowery and dream-like. The question is why did Oscar Wilde use floral imagery in The Pic...
Thomas Hobbs and John Locke have two very opposing viewpoints on human nature. Locke believes that human nature is innately good; Hobbs thinks that human nature knows right from wrong, but is naturally evil and that no man is entirely “good”. Nathaniel Hawthorne, author of the classic novel The Scarlet Letter, believes that every man is innately good and Hawthorne shows that everyone has a natural good side by Hester’s complex character, Chillingworth’s actions and Dimmesdale’s selfless personality.
The Scarlet Letter is a blend of realism, symbolism, and allegory. Nathaniel Hawthorne uses historical settings for this fictional novel and even gives historical background information for the inspiration of the story of Hester Prynne in the introduction of The Scarlet Letter, ‘The Custom-House’. The psychological exploration of the characters and the author’s use of realistic dialogue only add to the realism of the novel. The most obvious symbol of the novel is the actual scarlet letter ‘A’ that Hester wears on her chest every day, but Hawthorne also uses Hester’s daughter Pearl and their surroundings as symbols as well. Allegory is present as well in The Scarlet Letter and is created through the character types of several characters in the novel.