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Comparison and differences between characters in Midsummer's Night Dream
Comparison and differences between characters in Midsummer's Night Dream
Comparison and differences between characters in Midsummer's Night Dream
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The Character of Bottom in A Midsummer Night’s Dream
The character of Bottom in Shakespeare’s A Midsummer Night’s Dream is frequently foolish, but he is not a fool. His exuberance and energy are allied to practicality and resourcefulness, with an alarming lack of self-consciousness. He, at any rate, is not at all tongue-tied before the duke, as Theseus has known others to be. We do laugh at Bottom in many situations, but should note that these are situations in which any man might seem ridiculous: amateur theatricals are almost a byword for unintended comedy, whether in planning (1.2) rehearsal (3.1) or performance (5.1); any artisan afflicted with an ass's head and appetites, and beloved of the fairy queen would have difficulty retaining his dignity.
It is true that Bottom by his ambitious speech, his ignorance of music and poetry, and his homely outlook is even more comic than most men in these situations, however. Bottom is, we presume, competent at his craft, and is respected by his fellows. In their view only Bottom can carry off the demanding r"le of Pyramus. They admire his presence, panache and vocal power. Theseus's comment on his "passion" may suggest some exaggeration in the playing, and this would be in keeping with Bottom's character, but we need not suppose the lines are badly-spoken, so much as badly-written. "He that writ it" attracts the most censure from Theseus. It is difficult to see how, given these lines, Bottom could be anything but comic in the performance of the play. And Shakespeare has already indicated that "hard-handed men" who have "never laboured in their minds till now" cannot be expected to perform competently. Theatre should be left to professionals (Bottom would not expect an actor to be ...
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...haracteristics, but in the incongruity of this "mortal grossness", the grotesque, earthy and plain-speaking Bottom, and the beautiful, airy, eloquent and possibly dangerous fairy queen. The "bank whereon the wild thyme blows" and the beautiful fairy song "Philomel with lullaby", as well as the dainty morsels offered by Titania's servants - it is difficult to imagine a more alien creature to all this, than Bottom. We laugh at his ineptitude, at the incongruity of the situation, at the blatant illustration of the gulf between "reason and love"; we are disturbed by the indignity Titania undergoes, alarmed by the danger Bottom may be in, but reassured by his taking it in his stride.
Bottom is a comic counterpart to Theseus and to Oberon: the natural leader in his own world, to whom others defer. And when he encounters their worlds he more than holds his own.
He explains that “I could respond, escape, indulge; embrace or reject earth or the cosmos” (Baca 55). Baca was exploring on an endless journey without any boundaries, in which he could see his past floating around him. He saw his future and what language was doing to him. Baca expresses that “each word steamed with the hot lava juices of my primordial making, and I crawled out of stanzas dripping with birth-blood, reborn and freed from the chaos of my life” (55). Baca was no longer a captive of his own emotions never feeling like a victim of other people’s mockery and intimidation. He was physically in prison but in his poems, he was anywhere that he wanted to be. With the power of words Baca realized he could do anything and soon overcame his fears of
In William Shakespeare’s play, A Midsummer Night’s Dream, the lead of Peter Quince’s play production of the Pyramus and Thisbe is Nick Bottom. Nick Bottom is a very egocentric character, primarily because
The speaker of the poem is six years old in the waiting room of a dentist office, waiting for her aunt’s appointment to finish. Prompted by both the cover of a National Geographic magazine and a scream from her aunt, the speaker begins to question how she got there, who she is, and how she is different from her aunt and the women who came before her.
Nick Bottom, known as a selfish, comedic clown plays a major role in Shakespeare's A Midsummer Night’s Dream. He acts as the center on attention and does not seem to care about others or their opinions. Bottom is assigned the role of Pyramus for the play they are putting on for the duke
...age. Instead of laughing at Bottom, the film generates a feeling of sorrow for his character. When the wine is poured on him when the craftsmen first meet, Bottom takes an obvious emotional blow, so one can see how he would artificially inflate himself with the false perception of being a wonderful actor. When chosen to perform for Thesseus’s wedding, the players are very nervous and turn to Bottom for comfort. They look up to and respect Bottom for his confidence and acting ability, but Bottom later makes a fool of himself in the play by over dramatizing the part of Pyramus, especially when he performs the death of Pyramus. Michael Hoffman’s adaptation of A Midsummer Night’s Dream brings a classical play to a modern audience and makes it an exciting and humorous experience. This is accomplished most notably with the direction he gives to the two characters discussed. The animated humor of Bottom and the slightly more subtle badgering of other characters brought forth by Puck creates a certain amount of attachment to the movie by the viewer. The cinematic version of Shakespeare’s play is well adapted to a modern audience, especially through the characters of Puck and Nick Bottom.
In Bottom, Shakespeare pokes fun at the quirks in himself and in all plays and actors. By doing this, he makes light of the quirks in us all. To begin, the name "Bottom" has negative undertones, like "bottom of the heap," "bottom of the totem pole," and of course, one's behind. Bottom is a metaphorical ass that becomes a literal ass within the play. Bottom's name tells us not to take him too seriously. Additionally, neither William Shakespeare nor Nick Bottom were born to be aristocrats, both had ambitions beyond their particular position in life. It is Bottom's fate to be a weaver, y...
Benedict who founded a group of monks and established a universal order for monks to follow. Adding to this, nuns called each other sisters and monks called each other brother. Moreover, the idea of asceticism was a life of self- denial where monks would descend themselves. Monks would descend themselves from sex, marriage, having a family, greed, processions, because to own and do such things they would be further away from God. Therefore, the universal order monks and nuns lived a lifestyle allowing them to be higher to the gods and live a life of
In contrast a well known animal rights organization known as Peta would argue against this claim. People for Ethical Treatment of Animals wrote Sport Hunting is Cruel and Unnecessary where it makes the argument about population control. It writes that natural predators help maintain balance by killing off the weak or sickly. Furthermore Peta had this to say about the off chance of overpopulation “natural processes work to stabilize the group. Starvation and disease can be tragic, but that nature’s ways of ensuring that healthy, strong animals survive” (Peta). Meanwhile in Missouri white tail deer are starting to show up with a new disease known as chronic wasting disease or also known as CWD for short. This particular disease infects not only Missouri’s white tailed deer but elk as well. Missouri Department of Conservation wrote this about it “CWD is caused by an abnormal protein, called a prion. The disease causes degeneration of brain tissue, which slowly leads to death” (MDC). MDC explain that it can take months or even years for a deer to show any type of symptoms and if a deer isn’t showing symptoms it can possibly be spreading around the disease MDC explains that CWD is ”spread from deer-to-deer and through contact by deer with contaminated soil, food, and water” (MDC). Nonetheless if we do what Peta says and let nature takes
In works of literature and television, most artists have a tendency to employ a minor character that not only serves in the plot’s general progression, but also to create one or more memorable situations in the story that regains the observer’s attention. In John Steinbeck’s famous novella Of Mice and Men, Curley’s wife is a minor character; she serves a purpose to the plot by creating a constant raucous amongst the ranch workers, but eventually leads to her spilling herself wide open about her utter misery within her nuptial arrangement to Curley, which is news to the reader. On Seth MacFarlene’s Family Guy, after a dramatic speech made by Brian to Chris and Peter, a character known as “greased-uped deaf guy” may run through the Griffin’s
Christopher Columbus has a mixed legacy, many know the man to be a ruthless tenacious explorer and master navigator who was the first to discover the new world of Americano, and paved the way for European exploration yet his travels had a multi-century trickle-down effect. A single life that will change history forever by persistence and the will of motivation to explore outside the safe comfort of the banks along Spain. New boundaries were breached and the world will be melodramatically different from actions of a single indusial.
William Shakespeare starts with a seemingly unresolvable conflict in A Midsummer Night’s Dream. The main characters are lovers who are either unrequited in their love or hassled by the love of another. These lovers are inevitably paired. How does Shakespeare make this happen? He creates many subplots that, before long, are all snarled up into a chaotic knot. So, what actions does Shakespeare take to resolve these new quandaries? He ends up trusting a single key entity with his comedy. It’s only then that he introduces a special character into his world: a mischievous fairy whom is known by the name of Puck. Puck is the catalyst for all these subplots and, indeed, for the entirety of Shakespeare’s A Midsummer Night’s Dream. Try to take Puck out of the play. Is there anyway for the play to survive? No, without the character of Puck, A Midsummer Night’s Dream would be very different from the play as it is today.
In A Midsummer Night’s Dream, Shakespeare decides to have a few of the characters act out the story of Pyramus and Thisbe for four other personages. What is curious is that, rather than simply having them quickly act out the short skit, Shakespeare has the characters from A Midsummer Night’s Dream who are watching comment on the playlet as it is being presented by Bottom and his friends, in turn affecting the way it is demonstrated by influencing the ‘characters’. Shakespeare has the audience (Theseus, Demetrius, Hippolyta, and Lysander) bring attention to and complement the moon, wall, and lion, despite the fact that Pyramus and Thisbe are supposed to be the main focus and play the most important roles. Additionally, he has both the comments and the acting de-romanticize Pyramus and Thisbe, who are known for their tragic yet romantic story of love and death. These elements make a mockery of the so-called ‘romantic’ tale of Pyramus and Thisbe, in a way de-romanticizing it by
William Shakespeare, born in 1594, is one of the greatest writers in literature. He dies in 1616 after completing many sonnets and plays. One of which is "A Midsummer Night’s Dream." They say that this play is the most purely romantic of Shakespeare’s comedies. The themes of the play are dreams and reality, love and magic. This extraordinary play is a play-with-in-a-play, which master writers only write successfully. Shakespeare proves here to be a master writer. Critics find it a task to explain the intricateness of the play, audiences find it very pleasing to read and watch. "A Midsummer Night’s Dream" is a comedy combining elements of love, fairies, magic, and dreams. This play is a comedy about five couples who suffer through love’s strange games and the evil behind the devious tricks. This play begins as Theseus, the Duke, is preparing to marry Hippolyta. He woos her with his sword. Hermia is in love with Lysander. Egeus, Hermia’s father, forbids the relationship with Lysander and orders her to marry Demetrius. Demetrius loves Hermia, but she does not love him. On the other hand, Helena is in love with Demetrius. To settle the confusion, Theseus decides that Hermia must marry Demetrius or become a nun. In retaliation to her father’s command, Hermia and Lysander run away together. Amidst all the problems in the human world, Titania and Oberon, the fairy queen and king, continually argue about their various relationships that they have taken part in. (Scott 336) Titania leaves Oberon as a result of the arguments. Oberon is hurt and wants revenge on Titania. So he tells Puck, Oberon’s servant, to put a magic flower juice on her eyelids while she is sleeping. This potion causes the victim to desperately in love with the first creature that they see. Oberon’s plan is carried out, but the potion is also placed on Lysander’s eyes. Lysander awakes to see Helena, who is aimlessly walking through the woods, and instantly falls in love with her. She thinks that he is making fun of her being in love with Demetrius, so she leaves and Lysander follows. This leaves Hermia to wake up alone. Puck now has journeyed to the area where several actors are rehearsing. He uses his magic to turn one of them into a donkey, in hopes that Titania will awake to see it.
Schools across the nation face problems related to their students who gay, lesbian, or transgender feeling uncomfortable with the traditional cisgender housing plan. Some problems include students being afraid of others judging them because of their sexual preference and LGBTQ suicides that have occurred on several campuses (Lockhart, 2010). In response to those problems, gender-neutral housing provides students who are feeling uncomfortable due to how they identity themselves around others with a “necessity of comfort for all students in their college living situations” (Lockhart, 2010). Students with access to gender-neutral housing might become aware of how their peers identify themselves. More specifically, transgender students might feel more comfortable when living with a roommate who would not judge them based their preferred identity ("Gender-inclusive housing at MIT", 2015). Therefore, schools provide gender-neutral housing on their campuses in order to promote gender equality and awareness of LGBTQ people in the nation. However, with the current state of gender-neutral housing, LGBTQ students might find themselves isolated from other students on
As Gibb, et al., point out in their forward to the groundbreaking initial English publication of the Rihla (as The Travels of Ibn Battuta, AD 1325-1354), many of the Arabic sources containing records of the people he mentions and even perhaps corroborating some of his questionable accounts may be lost or simply untranslated. However, additional credence should be lent to Ibn Battuta’s account of Mali for two main reasons: first, Ibn Battuta describes Mali in great detail, mentioning countless names of people he encountered there while relating countless short passages titled, “An Anecdote” (Hamdun and King XIX), and finally, because of the simple fact that Ibn Battuta had to recall details from only a few years back regarding Mali as he dictated the Rihla to his secretary and