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Race and sexual orientation essay
Multicultural literature
Multicultural literature
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Race, gender and sexuality have complex intersections; race decides how gender, sexual orientation and other aspects of identification are experienced, developed and practiced. Identity can be understood as a fragmentary sense of self that undergoes constant change. In Zami: A New Spelling of My Name, Trace Elements of Random Tea Parties and The Rain God, the main characters forge plural identities by becoming aware of their ethnic and cultural heritages while discovering personally relevant sexual orientation labels, then reaching out and connecting to that specific community in some way. Instead of identifying a ‘true’ lesbian, Chicano or African-American identity, this paper will explore a process of self-definition that is multifaceted and challenges a monolithic form of identity, creating a hybrid sense of self with the possibility to access different spheres that provides the characters in these texts with new perspectives. Audre Lorde, Miguel Chico and Leticia Marisol Estrella Torez exist in a space that is in-between two worlds, but by integrating elements of their cultures and adapting them to their individual present circumstances, they are able to disrupt rigid sexual and racial categories and enable the formation of polymorphous identities which are subject to constant change.
Racial identity is developed early in life, and serves as a lens for interpreting, understanding, and participating in the world as well as a way of connecting and identifying with others. Racial and ethnic minority men and women who identify or express sexuality outside of the heterosexual model must confront the norms and expectations of both the majority and minority cultures in which they live. In Zami: A New Spelling of My Name, Audre L...
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...tyle that alludes to the multitude of constantly changing and sometimes even contradictory elements in each characters journey to racially and sexually define themselves. Audre, Miguel and Leticia hold multiple racial and sexual identities in a fluid constant that change depending on their location and social context. Instead of serving as a bridge for their families, these characters break free of their place of origin and connect the multiple elements that inform their realities in order to adapt them to their present. Race and sexuality are inextricably linked. To believe in one true sexual or racial identity allows for a feeling of safety, as the aim is then find a definable, core sense of self; however, these three texts illustrate that a singular form of identity is insufficient at defining the complexity of human racial and sexual experiences.
Okita and Cisneros’ stories are written from very different standpoints, and from first glance do not even appear related, yet through all of this emerges the idea that you can create your own identity. This common theme would not be achievable if it were not for the eloquent use of literary devices such as tone, mood, and shifts by Okita and Cisneros. Not only do Okita and Cisneros’ works bring together a common theme they manage to bring to light the very real problem of racism in America, that has existed since it’s very foundation, in an attempt to bring about change. Although Both authors used a wide variety of literary techniques to write their works they show that commonalities can be found in the most different of
Just as their father wanted, the girls kept their Dominican roots alive and never forgot where they came from. This novel, “How the Garcia Girls Lost Their Accents”, is a coming of age novel, where four girls learn through experience how it is like to grow up in a tough time period. In America, the girls had the freedom to attempt almost whatever they wanted because they were free from the constricting rule of the patriarchy that ruled the Dominican Republic. All four were growing up but took separate paths during life to get to where they are as adults. Through the use of multiple narrators, Alvarez creates different perspectives throughout the story. The girls have come a long way from their mother’s color coding system when they were identity less to the women they are today. Each sister fought and conquered some sort of internal or external battle, helping them to overcome obstacles given by society that marked them as different. As adults, the sisters can keep their Dominican roots alive while living in the United States through
She explains how Mexican and Chicano literature, music, and film is alienated; their culture is considered shameful by Americans. They are forced to internalize their pride in their culture. This conflict creates an issue in a dual culture society. They can neither identify with North American culture or with the Mexican culture.
Junot Diaz’s novel The Brief Wondrous Life of Oscar Wao is focused on the hyper-masculine culture of the Dominican, and many argue that his portrayal of the slew of women in the novel is misogynistic because they are often silenced by the plot and kept out of the narration (Matsui). However, Diaz crafts strong women, and it is society that views them as objects. The novel recognizes the masculine lens of the culture while still examining the lives of resilient women. In this way, the novel showcases a feminist stance and critiques the misogynist culture it is set in by showcasing the strength and depth of these women that help to shape the narrative while acknowledging that it is the limits society places on them because of their sexuality
This novel is a story of a Chicano family. Sofi, her husband Domingo together with their four daughters – Esperanza, Fe, Caridad, and Loca live in the little town of Tome, New Mexico. The story focuses on the struggles of Sofi, the death of her daughters and the problems of their town. Sofi endures all the hardships and problems that come her way. Her marriage is deteriorating; her daughters are dying one by one. But, she endures it all and comes out stronger and more enlightened than ever. Sofi is a woman that never gives up no matter how poorly life treats her. The author- Ana Castillo mixes religion, super natural occurrences, sex, laughter and heartbreak in this novel. The novel is tragic, with no happy ending but at the same time funny and inspiring. It is full of the victory of the human spirit. The names of Sofi’s first three daughters denote the three major Christian ideals (Hope, Faith and Charity).
...e, history, and blood. The specific commingling that emerges, however, has common roots in its very diversity. Throughout her tale Menchaca's allegiance is clearly to her race, and while the bias comes through, the history she traces is never the less compelling. The strongest achievement of this book is that it fundamentally shifts the gaze of its reader by reifying race and celebrating its complexity.
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
“As long as Latino kills Latino… we’ll always be little people,” stated Ernesto Quinonez. This statement comments on the integration of society within an individual’s identity and it’s long lasting effects. The perception of who we are behind closed doors and who we are in public greatly influences our state of mind and our internal well-being. Throughout Quinonez’s Bodega Dreams, the reader can clearly see how one’s traditional culture and perception of private vs. public image is valued amongst the characters. At times, the reader may notice an internal struggle within multiple characters. The thought of going against what may be considered “normal” can be quite nerve-racking for
Black and Female: The Challenge of weaving an identity.? Journal of Adolescents July 1995 19. 466.
Among the most prominent are strains of racism/classism, belonging and dislocation, death and meaning and self-identity, and sexual awakening. In a slim 187 pages the author competently weaves social commentary (via the seemingly innocent adolescent perspective) into a moving narrative that only occasionally veers toward the pedantic.
Queer Latino/as encompass both of these states of being, which often clash with each other and society in general, creating a “busy street with lots of foot traffic”(Servera, 141). Using concepts like “homemaking,” “choreographies of hope” and clear examples throughout
In today’s society the high influx of interracial marriages between Black and White individuals has resulted in the biracial population increasing significantly over the past 30 years (Roth, 2005). According to the 2010 census, the number of American children that categorize themselves as biracial has increased to 4.2 million, making it the quickest emergent youth group in the United States (Census, 2010). This has led to interest in the biracial population; recent literature has shown that amongst many studies, “individuals perceive the relationship between their mixed parentage and their self identity differently” (Rockquemore & Brunsma, 2002). This is significant in the area of child development and family studies because self-identity begins to surface during child development, the dynamics of biracial children brings up the question as to how they construct their racial identity. Due to the understanding in recent literature that being biracial can lead to feeling between both racial categories while dually feeling marginalized (Rockquemore et al., 2002); this paper will examine the nature of racial identity formation and the consequences’ black/white biracial identity can have on individuals to further address the need for additional research and attention on the biracial experience.
Her metaphors help the readers understand in a better way how those experiences affect those who are labeled as “queer.” She explains that a queer is someone seen as different than the rest, like the underdog, the abnormal, etc. She quickly dives into the situation by talking about “los atravesados” which translates to “the crossed” the ones who are discriminated. She adds “Los atravesados live here… Gringos in the U.S. Southwest consider the inhabitants of the borderlands transgressors, aliens- whether they possess documents or not,” (Anzaldua pg.3) These lines express how those people are being discriminated against. These lines by the author makes me think about my own personal situation, because being a legal resident of the U.S. gives the chance to be here legally, but it does not take the fact that I am an ‘alien’ and number that will be there unless I become a citizen, so those feelings I understand completely because I have lived that and I see what the author is
Any serious study of sexuality/ sexualities and the politics perpetually at play in determining the complex diverse connotations of these terms must necessarily start with a consideration of notions of identity and identity formation, sexual or otherwise.
The eternal endeavor of obtaining a realistic sense of selfhood is depicted for all struggling women of color in Gloria Anzaldua’s “Borderlands/La Frontera” (1987). Anzaldua illustrates the oppressing realities of her world – one that sets limitations for the minority. Albeit the obvious restraints against the white majority (the physical borderland between the U.S. and Mexico), there is a constant and overwhelming emotional battle against the psychological “borderlands” instilled in Anzaldua as she desperately seeks recognition as an openly queer Mestiza woman. With being a Mestiza comes a lot of cultural stereotypes that more than often try to define ones’ role in the world – especially if you are those whom have privilege above the “others”.