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An essay on Gloria Anzaldua Borderlands
An essay on Gloria Anzaldua Borderlands
An essay on Gloria Anzaldua Borderlands
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Recommended: An essay on Gloria Anzaldua Borderlands
At the opening of the book Borderlands, La Frontera, Gloria Anzaldua conceptualizes the borderlands as being a burden and a cause of her pain and hopelessness. Anzaldua expresses her feelings towards the boarder using physical traits, but also using non-material descriptions. Anzaldua then goes on to talk about the experiences of oppression and, violence and discrimination of those queer folks of color and how her metaphors used in this book help understand better the meaning of such experiences. She also examines how the queer bodies are marked as locations for all kinds of violence through the power of gender binaries. In the first chapter of her book, Anzaldua explores many aspects of the borderline, and she portrays strong feelings about this matter. The borderline brings many emotions to Anzaldua, right from the start she …show more content…
Her metaphors help the readers understand in a better way how those experiences affect those who are labeled as “queer.” She explains that a queer is someone seen as different than the rest, like the underdog, the abnormal, etc. She quickly dives into the situation by talking about “los atravesados” which translates to “the crossed” the ones who are discriminated. She adds “Los atravesados live here… Gringos in the U.S. Southwest consider the inhabitants of the borderlands transgressors, aliens- whether they possess documents or not,” (Anzaldua pg.3) These lines express how those people are being discriminated against. These lines by the author makes me think about my own personal situation, because being a legal resident of the U.S. gives the chance to be here legally, but it does not take the fact that I am an ‘alien’ and number that will be there unless I become a citizen, so those feelings I understand completely because I have lived that and I see what the author is
In a story of identity and empowerment, Juan Felipe Herrera’s poem “Borderbus” revolves around two Honduran women grappling with their fate regarding a detention center in the United States after crawling up the spine of Mexico from Honduras. While one grapples with their survival, fixated on the notion that their identities are the ultimate determinant for their future, the other remains fixated on maintaining their humanity by insisting instead of coming from nothingness they are everything. Herrera’s poem consists entirely of the dialogue between the two women, utilizing diction and imagery to emphasize one’s sense of isolation and empowerment in the face of adversity and what it takes to survive in America.
In Sueños Americanos: Barrio Youth Negotiating Social and Cultural Identities, Julio Cammarota studies Latina/o youth who live in El Pueblo, and talks about how Proposition 187, the anti-immigrant law, is affecting Latina/o youth in California (Cammarota, 2008, p. 3). In this book review, I will write about the two main points the author is trying to get across. The two main points I will be writing about are how Proposition 187 is affecting the Latina/o community, and about how Latina/o youth are copping in the El Pueblo barrio. Afterward I write about the two main points the author is trying to get across, I will write a brief description of the author and write about the author’s strengths and weaknesses.
Moreover, she feels that the "U.S society is gendered and racialized: it expects certain behavior from women, certain bearings from men, certain comportment from queer mujeres, certain demeanor from queer hombres, certain conduct from disabled, and so on"(65 Anzaldua).
Gloria Anzaldúa was a Chicana, lesbian feminist writer whose work exemplifies both the difficulties and beauty in living as one’s authentic self. She published her most prominent work in 1987, a book titled Borderlands/La Frontera: The New Mestiza. In Borderlands, she write of her own struggle with coming to terms with her identify as a Chicana, an identity that lies at the border between Mexican and American. For instance, she writes,“we are a synergy of two cultures with various degrees of Mexicanness or Angloness. I have so internalized the borderland conflict that sometimes I feel like one cancel out the other and we are zero” However, even as she details this struggle she asserts pride in her identity, declaring, “I will no longer be
“As long as Latino kills Latino… we’ll always be little people,” stated Ernesto Quinonez. This statement comments on the integration of society within an individual’s identity and it’s long lasting effects. The perception of who we are behind closed doors and who we are in public greatly influences our state of mind and our internal well-being. Throughout Quinonez’s Bodega Dreams, the reader can clearly see how one’s traditional culture and perception of private vs. public image is valued amongst the characters. At times, the reader may notice an internal struggle within multiple characters. The thought of going against what may be considered “normal” can be quite nerve-racking for
Mexico, once home to ancient cultures like the Maya and Aztec which ruled vast territory expanding from present day South America all the way up north to present day western United States now reduced to roughly half its size. The cause of this dramatic loss of land was contributed to the expansion of the United States and secession of southern provinces, now Central America. The loss of land not only affected Mexico’s presence of power but also affected hundreds of thousands of native people. This was just the beginning of what would come to be known as the land struggle and the fight for land grants, something the United States government would not acknowledge nor recognize.
Reyna Grande 's novel, Across a Hundred Mountains, focuses on the dynamic of the development and rethinking of the concept of a traditional Latino patriarchal family built up around male dominance. In low income and uneducated cultures, there are set of roles that throughout time have been passed by from generation to generation. These gender roles most often consist of the men being the breadwinner for the family. While the women stay home to cook, clean, and raise the children. Women are treated as possessions with limited rights and resources. Throughout the novel, Grandes challenges gender roles in the story of a young woman named Juana who, despite all adversity, fights stereotypes and is able to rewrite her own ending.
Martinez, Demetria. 2002. “Solidarity”. Border Women: Writing from la Frontera.. Castillo, Debra A & María Socorro Tabuenca Córdoba. Minneapolis: University of Minnesota Press, 168- 188.
In the short reading “Like Mexicans” Gary Soto is undecided about what route he should pursue when moving on into the future. In his early teens his grandmother told him to become a barber and to marry a Mexican girl, Soto’s mother told him this as well. When Soto was in his twenties he ended up falling in love with a Japanese woman named Carolyn. Towards the end of the story Soto realized that the reason his mom wanted him to marry a Mexican girl was because they are in the same social class as him. At the end of the story when Soto is at Carolyn’s house he perceived that her family was different, but they were just like Mexicans because they were poor. Throughout this story Soto crossed three life changes: Culture, food,
The poem "La Migra" by Pat Mora carries the main idea of how power can lead to abuse. Mora shows how abuse is represented in the treatment of the Mexican woman by a border patrol agent in her poem and how this picture resembles how mankind treats animals. With the bilingual addition to Mora's poem, when the Mexican woman says, "Agua dulce, brota aqui, aqui, aqui" (lines 33-34), she is presenting the conflict of a language barrier, just like the one between animals and humans, where it is not communicated what is needed and what is unfair. Mora uses the power of language to bring her characters to life. When something is taken to the point of abuse, the actions are identical, like when the border patrol agent says, "I can touch you whenever I want but do not complain too much because I've got boots and kick" (lines 12-14). The table turns at the end, when the Mexican woman takes control of the situation with power. It does not matter how the abuse started; in the end, it is always the same---someone taking control over someone else. Abuse of power is demonstrated through "La Migr...
La Migra is a poem about two children a girl and a boy, who are playing a game about Mexicans crossing the American border. This poem is divided in two stanzas, because it expresses two different points of view; the girls point of view that is pretty much as the point of view an Hispanic or any immigrant would have, and the boys point of view that would be the point of view a racist border patrol or just anyone racist would have. Change in the point of view of the two children implies realism into the poem La Migra. The main point of this poem is to remind the reader about human feelings, and remind the reader about illegal immigration into the United States. Pat Mora uses Image, blank verse, and anaphora to develop her theme of immigration
Gender, ethnicity, and sexuality are core components that create a solid identity. In the western world Jolene is known as a bisexual Latina female. She is bisexual because she is sexually attracted to men and women, she is a Latina because she is a mixed company of Puerto Rican and German American, and she is a female because she has the physical attributes of a woman. Although gender, ethnicity, and sexuality are all relating factors, they are also separate units of identity. Gender refers to physical attributes and traits that make one appear to be male or female. Sexuality refers to how one feels about their body, one’s sexual orientation, and one’s sexual attraction for others. Ethnicity refers to a group of people who share the same cultural background and heritage. Lopez uses these three different factors of identity and crafts them together simultaneously to suggest the damage of stereotypes. Throughout the novel, Lopez’s Flaming Iguanas highlights the conformity of sex and gender stereotypes, and addresses the socially constructed stereotypes to challenge the patriarchy and expose the damage it does to one’s search for selfhood. Jolene exemplifies how they damage one’s sense of self as she ventures
The contrast between the Mexican world versus the Anglo world has led Anzaldua to a new form of self and consciousness in which she calls the “New Mestiza” (one that recognizes and understands her duality of race). Anzaldua lives in a constant place of duality where she is on the opposite end of a border that is home to those that are considered “the queer, the troublesome, the mongrel and the mulato” (25). It is the inevitable and grueling clash of two very distinct cultures that produces the fear of the “unknown”; ultimately resulting in alienation and social hierarchy. Anzaldua, as an undocumented woman, is at the bottom of the hierarchy. Not only is she a woman that is openly queer, she is also carrying the burden of being “undocumented”. Women of the borderlands are forced to carry two degrading labels: their gender that makes them seem nothing more than a body and their “legal” status in this world. Many of these women only have two options due to their lack of English speaking abilities: either leave their homeland – or submit themselves to the constant objectification and oppression. According to Anzaldua, Mestizo culture was created by men because many of its traditions encourage women to become “subservient to males” (39). Although Coatlicue is a powerful Aztec figure, in a male-dominated society, she was still seen
Racism comes from different cultural values, ethnic backgrounds, as well as the physical appearances. The conflict of racism occurs when the majority group of society feels that the different cultures and values of the minority group bring deviance to the society. The novel, set in Topanga Canyon, starts out with an major accident that occurs and involves Delaney Mossbacher, a middle-class working man, and Cándido Rincón, an illegal Mexican immigrant. Delaney accidentally hits Cándido with his car and only pays Cándido twenty dollars for treatment. As the novel progresses, Delaney and his wife accuse the factors that corrupt the society on those illegal immigrants based on their class rank and their backgrounds. In The Tortilla Curtain, Boyle
The struggle to find a place inside an un-welcoming America has forced the Latino to recreate one. The Latino feels out of place, torn from the womb inside of America's reality because she would rather use it than know it (Paz 226-227). In response, the Mexican women planted the seeds of home inside the corral*. These tended and potted plants became her burrow of solace and place of acceptance. In the comfort of the suns slices and underneath the orange scents, the women were free. Still the questions pounded in the rhythm of street side whispers. The outside stare thundered in pulses, you are different it said. Instead of listening she tried to instill within her children the pride of language, song, and culture. Her roots weave soul into the stubborn soil and strength grew with each blossom of the fig tree (Goldsmith).