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Rural living compared to city living
Urban living vs rural living
Urban living vs rural living
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. Living in a state of psychological poverty occurs when a person or group of people compare themselves to other individuals or societies, and coveting what they have. It is a metaphor describing the feeling of having everything you need—and having nothing at the same time. It could be the lack of stimulus an individual wants, possessions, or envious relationships, and is most commonly associated with financial poverty as a result of happenstance or tragedy. In relation to Bobbie Ann Mason’s story, psychological poverty represents her feelings of inferiority towards people living in larger towns. She believed they had far more leisure time, largely because they had no need to make their own food or clothing. This was the life she wished to lead, but was held back due to her circumstances. Mason’s feelings were perpetuated even further when she was given a chance to work in town at a diner with her mother. She savored every fizzy sip of cola, every bite of a juicy hamburger, and every new song that played on the jukebox; these were things she felt were a wealth to behold. …show more content…
When Mason described the three different types of clothing she had growing up, it brought to mind a respect for tradition among country dwellers. Country folk may not possess a great deal of money or materialistic wealth, but what they lack in “things” they make up for in a wealth of respect and love for what they do have. Being country is a humble way of life, and the clothes they wore and took great care of were no exception to this rule. They valued every thread and made great use of materials, and were careful not to disrespect the hands that made them. Others may have tossed these garments aside as rags because they were not purchased from a store or catalog. The imagery of what these sets of clothing must have looked like—utilitarian, dressy, and school uniform—conveys the intricate work that went into every stitch of fabric. Consistency, it seems, is the key to their style of
On the twenty-first of August, our Wearable History class took a trip to downtown Bowling Green, to visit Mosaic Confinement Studio. The studio had an old-fashioned vibe, and was like a vintage-garment haven. There, we were asked to choose a piece that we thought was vintage, identify the time period it actually came from, and also take some additional notes on the style and the garment’s details. After searching through multiple racks, the first piece I found was a lace blazer. It turned out to only be vintage-inspired, so I went searching again. I came across a few other pieces, but nothing was really jumping out at me. Eventually, I came across a lavender dress that immediately made me think of Julia Roberts in “Mystic Pizza”, and I knew I found my garment.
Victorian Fashion refers to the styles and clothing worn before and during the Civil War era of the United States, 1860-1900. This era was filled with a very difficult way of dressing oneself and to deviate from this line of dress was unheard of, and worthy of being outcaste. Victorian women’s clothing was layers, heavy, and barely manageable to even wear. Many different articles made up the full garment such as the undergarments, the skirt, top, shoes, accessories, and even the hair. How did women ready themselves for the day in this era and how did they deal with all the cumbersome attire?
The quilts were pieced together by Mama, Grandma Dee, and Big Dee symbolizing a long line of relatives. The quilts made from scraps of dresses worn by Grandma Dee, Grandpa Jarrell’s Paisley shirts, and Great Grandpa Ezra’s Civil War uniform represented the family heritage and values, and had been promised to Mama to Maggie when she married. However, Dee does not understand the love put into the making of the quilts, neither does she understand the significance of the quilts as part of her family heritage. It is evident she does not understand the significance of the quilt, having been offered one when went away to college declaring them “as old-fashioned” and “out of style”. She does not care about the value of the quilts to her family, rather she sees it as a work of art, valuable as an African heritage but not as a family heirloom. She wants the quilts because they are handmade, not stitched with around the borders. She tells Mama, “Maggie can’t appreciate these quilts!... She’d probably be backward enough to put them to everyday use… But, they’re priceless!.. Maggie would put them on her the bed and in five years they’d be in rags. Less than that!” (317). The quilt signifies the family pride and history, which is important to Mama. She makes the decision to give the quilt to Maggie who will appreciate it more than Dee, to whom she says, “God knows I been saving ‘em for long enough with
Clothing is a necessity that is need throughout life for protection and comfort, especially in a lifestyle that leads one to have direct contact with the outside environment and a life in the fields. With the low income that a sharecropper and his family had to work with, being fashionable was not one of their top priorities. Even having sufficient clothing at all was a struggle for the family. The clothing that they did have was “coarse, crude, and not warm enough” (Gentry 138). The typical attire for men was “denim overalls”, and...
Mama is hoping that Maggie will use the quilt as a practical everyday item. She sees the quilts for their functional use that they were made to use in everyday life. Meanwhile, Dee finds this absurd. She thinks they are too valuable and priceless to be using as everyday necessities. Instead she will hang them. These two ideas of how to use the quilts are in complete contrast of one another. Mama finds them practical, Dee finds them fashiona...
“I am a large, big boned woman with rough, man-working hands” Mama describes of herself in the short story Everyday Use by Alice Walker. Mama, who additionally takes the role of narrator, is a lady who comes from a wealth of heritage and tough roots. She is never vain, never boastful and most certainly never selfish. She speaks only of her two daughters who she cares deeply for. She analyzes the way she has raised them and how much she has cared too much or too little for them, yet most of all how much they value their family. Mama never speaks of herself, other than one paragraph where she describes what she does. “My fat keeps me hot in zero weather. I can work outside all day, breaking ice to get water for washing” (Walker, 60). She does not need to tell readers who she is, for her descriptions of what she does and how her family interacts, denotes all the reader needs to know. Although Mama narrates this story rather bleakly, she gives readers a sense of love and sense of her inner strength to continue heritage through “Everyday Use”.
Not having food, clothes, a roof over your head, money, or a job. It means living a lower quality of life than the average person. Poverty can be someone’s choice of lifestyle. They may spend all their money on fancy materialistic items rather than on basic human needs. Tressie McMillan Cottom’s article, “The Logic of Stupid Poor People”, states how there are two types of poor people. One that tries to be acceptable, and one tries to be presentable. “...‘Acceptable’ is about gaining access to a limited set of rewards granted upon group membership (Cottom 4).” Cottom believes that people living in poverty should strive to appear acceptable rather than presentable. Being acceptable is the logical way of going about being in poverty. It’s actually trying to make yourself be better rather than just trying to be the bare minimum that society wants. People living in poverty are usually perceived as not knowing how to manage money because most people living in poverty spend their money on expensive cars and accessories. They purchase these expensive items in order to seem like they are not
...dia of Clothing and Fashion. Ed. Valerie Steele. Vol. 2. Detroit: Charles Scribner's Sons, 2005. 88-89. U.S. History in Context. Web. 5 Mar. 2014.
Merriam Webster defines poverty as the state of lacking a usual or socially acceptable amount of money or material possessions. The United States Census Bureau identifies poverty as a lack of goods and services commonly taken for granted by members of mainstream society. Professor Gene Nichol, however, defines poverty from an emotional, yet som...
In the 19th century play, FASHION, Anna Mowatt develops the character plot as a contrast and comparison between being “natural” and “artificial in a world becoming preoccupied with fashion, and being fashionable. In the head notes, it was stated that Daniel Havens said FASHION is “the ugly image of the American Dream gone sour.” (Watt and Richardson) Fashion has a complex definition. The word ‘fashion’ can mean anything from the type of clothes you wear, how you communicate with others, the place you live, how you present yourself, or who you associate yourself with. In FASHION, Mowatt took a comical yet sober look at the definitions of “fashion,” applied it to real life in 1845, and through her characters, provides a mirror with which an audience/reader can evaluate themselves. I do not believe updating this play would be difficult because America has continued down the fast and destructive path in an effort to keep up with the “fashions” of the day.
The quilts play an important role in depicting symbolism of heritage because they signify Dee’s family origins. For instance, Dees’ significant family members all have pieces of their fabric sown on to the quilts as a remembrance of who they were and their importance in the family. Nevertheless, Dee is overlooking important facets of her family history because she does not see the quilts her ancestors made as valuable, hand-made, pieces of fabric that should be passed down and taken care of to keep their history alive. As Mama stated, “In both of them were scraps of dresses Grandma Dee had worn fifty years and more years ago. Bits and pieces of Grandpa Jarrell’s paisley shirts. And one teeny faded blue piece, about the size of a penny matchbox, that was from Great Grandpa Ezra’s uniform that he wore in the civil war.” (1129). Despite her family’s history, Dee continues to misinterpret the...
Köln: Taschen, 2006. Print. The. Mackenzie, Mairi. .isms: Understanding Fashion.
middle of paper ... ... It also analyzed the influences of modern dresses. As Palmer and Clark (2005) mentioned earlier, both decades are the classic era in fashion history.
Clothing has been around for thousands of years; almost as long as the modern human has. At first, it served the practical purpose of protection from the elements; but, as life for early humans stopped being a constant struggle to survive, they started noticing how they looked and the concept of fashion began to take shape. These first few garments were typically dyed draped cloth that was pinned at the shoulder and/or waist. This was seen in many ancient civilizations around the world, Greek and Roman the most notable. Over time, clothing began to get more and more complex and formed to the body’s shape, eventually leading up to the tailored style we now have today. However, the sophisticated world of Haute Couture; or high fashion, can distinctly trace its roots to Paris during the mid-19th century. Clothing from there was thought to be superior to those from anywhere else, and women began to come from all over Europe just to buy dresses. This was probably due in part to one notable dressm...
Poverty is a global epidemic that contributes to the deaths of millions each year. However, poverty is more prominent in some areas around the world than others. The Oxford dictionary defines poverty as the state or condition of having little or no money, goods, or means of support, but it’s so much more. Poverty can be defined as being hungry, lacking shelter, being unable to go to school, being unable to see a doctor, or being powerless and having a lack of freedom. The reason behind the many descriptions of poverty is that poverty has many faces, and its definition changes depending on the place and time, however the effects of poverty on the poor are always the same.