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Fashion in america 1920
Fashion in america 1920
Fashion in america 1920
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In the 19th century play, FASHION, Anna Mowatt develops the character plot as a contrast and comparison between being “natural” and “artificial in a world becoming preoccupied with fashion, and being fashionable. In the head notes, it was stated that Daniel Havens said FASHION is “the ugly image of the American Dream gone sour.” (Watt and Richardson) Fashion has a complex definition. The word ‘fashion’ can mean anything from the type of clothes you wear, how you communicate with others, the place you live, how you present yourself, or who you associate yourself with. In FASHION, Mowatt took a comical yet sober look at the definitions of “fashion,” applied it to real life in 1845, and through her characters, provides a mirror with which an audience/reader can evaluate themselves. I do not believe updating this play would be difficult because America has continued down the fast and destructive path in an effort to keep up with the “fashions” of the day.
Updating for Today’s Audience: If I were re-writing the play, FASHION, I would mirror Mowatt in her analysis of middle class ‘wanna-bees.’ I would also take a look at how even those in the poorer economic classes have their versions of being “in fashion.” America’s system of capitalism provides a bottomless pit for those who seek wealth, status and belonging in their communities. People in today’s middle class are working anywhere from 40 to 80 hours a week trying to seek more wealth in order to provide a more “comfortable life” for themselves and their family. Many, even though they already possess all the needs to live a comfortable life, are always looking to gain a higher status in society, and have a strong desire to reach the next level of wealth. Even people in the poorer ...
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...nd in very different parts of the country. My experience points to the fact that one is not better than the other…simply different. Both the city and the country have great things to offer, and they both have disadvantages; it all depends on what a person is looking for in their life.
FASHION is a play that permeates throughout the centuries. Its themes about fashion and our treatment of it speak strongly to each subsequent generation in America. What is important to us? What matters most to us? How do we want others to see us? How do we want others to accept us? It would be just as easy to produce the play contemporarily today with just a few adjustments. The audience would certainly understand it, and many would see themselves within it.
Works Cited
Watt, Stephen and Richardson, Gary A. American Drama: Colonial to Contemporary. Mason: Centage Learning, 2003.
Wardle, Irving. "American Theater Since 1945." American Literature Since 1900: Penguin History of Literature, Vol 9. Ed. Marcus Cunliff. USA: Penguin, 1994. 205-236
If we didn’t have fashion then a lot of people wouldn’t have jobs because there are a whole bunch of fashion designers out there, also all of the celebrities wouldn’t have name brand clothing because there would be no way to make them because we wouldn’t have designers. Fashion of the 1920’s played a very big role in today’s fashion. Including the material our clothing is made out of also the styles of clothing we wear. Many things women wear today first came from fashion in the 1920's. Flappers, shoe styles, and accessories are a few things that we wear today have came from. Many celebrities still wear some things that people wore in the 1920's including flappers. Have you ever wondered what the amazing fashion of the 1920's was like?
The early nineteenth century which was in the Regency Era consisted of harsh judgments towards what was believed to be a “wealthy” look and what was considered to be “proper.” In Austen’s Pride and Prejudice, the clothing is more than just a fashion statement, it determines how they are perceived and their overall rank and social class in society. Therefore, fashion represents the importance of self appearance during that time.
Elizabethan fashion was the start of fashion itself. This was the time of Christopher Columbus and other explorers who united the world. International trade routes had been discovered and global trade had officially began. Before the sixteenth and seventeenth centuries, people just wore clothes to keep warm and to conceal themselves. Attire was plain and simple; it did not have flair or style. New fabrics and dyes were now readily available from all over the world. The Elizabethan Era was the first time the wealthy began to invest large sums of money and time into their clothing. Apparel distinguished the rich from the destitute. Both genders cared significantly about their clothing; it was not just a women’s hobby. The monarchs of the world during the sixteenth and seventeenth centuries headed this new desire for gorgeous clothing, especially Queen Elizabeth herself. The Sumptuary laws were passed to keep certain styles specifically for the monarchs and nobility. The common people were prohibited from wearing those styles. The exquisite designs and shapes of clothing reflected the monarch’s influence on society and the novel Renaissance desire for a specific body shape; there were dissimilarities in attire among the people of different social classes due to the Sumptuary restrictions.
Downer, Alan S. American Drama and Its Critics. Chicago, University of Chicago Press [1965]. pp. 218-239.
Gainor, J. Ellen., Stanton B. Garner, and Martin Puchner. The Norton Anthology of Drama, Shorter Edition. New York: W. W. Norton &, 2010. Print.
The Chronicle of Western Fashion: From Ancient times to the Present Day.
Fashion in the 21st century is a big business, as its production employs millions of people and generates billions of dollars in revenue. Fashion has for the past century been, and is still today, used as an indicator of social change and progress, as it changes with the social norms of the society and the political changes of the world (Finkelstein 3). Works Cited Finkelstein, Joanne. A.S.A. & Co. Fashion: An Introduction to Fashion. New York: New York University Press, 1998.
Freeman S. (2004). In Style: Femininity and Fashion since the Victorian Era. Journal of Women's History; 16(4): 191–206
For many centuries clothing was used namely as a form of symbolising one’s ascribed class and social honour. A good example of this was evident in Feudal European times when sumptuary laws were created in order to regulate and specify the clothing that could be worn by certain classes. In 1463 Edward IV went so far as to ‘[declare] that purple silk was to be the prerogative of the aristocracy’ (Finkelstein 1991, pg. 137). As purple dye and silk were both very expensive and sought after this declaration demonstrated quite simply that those who were in possession of such materials should command respect and were of high social standing. Eventually these laws were abolished as, instead of ‘confining people to their designated rank, the laws provoked an intense interest in fashion and a desire to transgress the codes, both in the process of prestigious emulation and as an act of rebellion’ (Craik, 1994, pg. 205). This abolition allowed groups and individuals to establish their own chosen style or ‘marker’ in order to indicate their place within society. By allowing such freedom, ascribed social status gave way to that which was achieved. This not only meant that many more people were able to engage in the ever-expanding culture of ‘Haute couture’ but also that honour was no longer perceived as a birth right but rather as something that could to be obtained. Such a shift in symbolism provided a way for those of not so noble a birth to portray themselves as the latter through a variety of means such as renting or stealing clothes and buying counterfeit copies (a common occurrence in today’s society also).
In the early 1800s, France was the sole fashion capital of the world; everyone who was anyone looked towards Paris for inspiration (DeJean, 35). French fashion authority was not disputed until the late twentieth century when Italy emerged as a major fashion hub (DeJean, 80). During the nineteenth century, mass produced clothing was beginning to be marketed and the appearance of department stores was on the rise (Stearns, 211). High fashion looks were being adapted and sold into “midlevel stores” so that the greater public could have what was once only available to the social elite (DeJean, 38). People were obsessed with expensive fashions; wealthy parents were advised not the let their children run around in expensive clothing. People would wait for children dressed in expensive clothing to walk by and then they would kidnap them and steal their clothes to sell for money (DeJean, 39). Accessories were another obsession of France‘s fashion; they felt no outfit was complete without something like jewelry or a shrug to finish off the look and make it all around polished (DeJean, 61). As designers put lines together, marketing began to become important to fashion in the nineteenth century; fashion plates came into use as a way to show off fashion l...
One major issue affecting many people trying to make the decision on where to live is their quality of life in either extreme. Health, education, transportation are three major concerns that many consider. In a city, pollution surrounds you wherever you step whether on the streets of a busy financial district or on the lawn of a large park. Pollution could possibly cause health problems later in life. In the country, pollution is scarce. Fresh air, rolling green hills, a few pieces of litter here and there but pretty much everything is clean, and wow! No smog, you can see the stars! In the country, childhood education, kindergarten through twelfth grade, is significantly better than in a large city; smaller class sizes and larger budgets create excellent learning environments. In cities, public schools are often plagued with very large classes packed into small spaces. Teachers with low pay, and little or no dedication are thrown into classrooms to teach, resulting in poor education. Transportation is very accessible in city environments. Public transportation, by way of subways, busses and ferries, are cheap and easy ways of getting around a metropolis, whether going out to work, school, or for a night on the town. In the country, everyone needs to have access to his or her own vehicle. A commute to work or school is about an average of forty-five minutes!
Working environments, for instance, vary among people who live in the cities and those in the country. City dwellers generally have a commute, sometimes a long, arduous and congested jaunt. Jobs are more plentiful in a city setting; however, the fast paced working environment in the city can cause great displeasure. Some would dispute, though, that it would be easier to get another job because the market is higher. Although I agree the job market is greater in the city, likewise, so is the number of prospective job seekers.
middle of paper ... ... It also analyzed the influences of modern dresses. As Palmer and Clark (2005) mentioned earlier, both decades are the classic era in fashion history.
Clothing has been around for thousands of years; almost as long as the modern human has. At first, it served the practical purpose of protection from the elements; but, as life for early humans stopped being a constant struggle to survive, they started noticing how they looked and the concept of fashion began to take shape. These first few garments were typically dyed draped cloth that was pinned at the shoulder and/or waist. This was seen in many ancient civilizations around the world, Greek and Roman the most notable. Over time, clothing began to get more and more complex and formed to the body’s shape, eventually leading up to the tailored style we now have today. However, the sophisticated world of Haute Couture; or high fashion, can distinctly trace its roots to Paris during the mid-19th century. Clothing from there was thought to be superior to those from anywhere else, and women began to come from all over Europe just to buy dresses. This was probably due in part to one notable dressm...