Pop Culture In The 1980s

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An era of variation and economic growth, the 1980s was the decade of consumerism and financial successes. Thus, the yuppie culture (Young Upwardly Mobile Professional Person) was born: comprising young self-indulgent, well-paid professionals, living an affluent lifestyle. Due to the expansion of the middle classes, materialism, style and technology were at the forefront: alongside a society controlled by popular culture and icons. The decade was determined by many factors including world events, politics, society, demographic and economic data, technological developments, influential icons, television, music and movies at the side of leading art and design movements. All these crucial components governed the fashion of this generation.Without …show more content…

At the forefront of pop culture, fashion distinctly identified diversity in trends. The 1980s commenced a considerable amount of dominating styles all at once. MTV showcased fashion movements directly associated with music. Fans would depict their idols personal style, that were advertised in music videos. Madonna was the pioneer for cone bras, fingerless lace gloves and an assemblage of rubber bracelets. She determined the way women dressed in the 1980s, through her adventurous avenue to fashion. Her rebellious nature promoted underwear as outerwear, exhibiting crinoline and lace bustiers. After realising ‘Like a Virgin’ social boundaries were broken due to the sexual context and religious metaphors depicted in her virginal wedding dress (Voller, 1992). MTV’s audience, primarily teenagers, were fuelled by an impression of revolt, soon after the punk movement …show more content…

"Design, 1975–present". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/dsgn4/hd_dsgn4.htm (October 2004)

http://italychronicles.com/italian-design-focus-on-the-memphis-design-movement/

During the 1980s, designers and architects backfired against the order of modernism. Instead, they devolved into Neo-Classical elements and structures. Decoration revolutionised architecture, interior furniture and accessories into a visionary reality.

Ettore Sottsass formed The Memphis Group, founded in Milan in 1981, preceding an exemplary avenue to design. Surface dormant held a prime importance, during 1981 to 1987, to their Postmodern fabric, furniture, ceramics, metal and glass forms (Adlin, J, 2004).
The Memphis design movement enclosed Post-Modernist design, confronting previous attitudes towards favourable designs, through their use of enduring contemporary products in the 1980s.
Their distinctive design echoed the dull unpolished designs from the 1970s. In response to this they produced vibrantly daring pieces which mirrored the 1980s era. The boundaries between high and low-class design were challenged by political statements which were established by The Memphis Group in their practice (Feroleto, P,

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