Personal Narrative: My Art Career

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Many artists say that they were born to do art, that it was always in their blood and that they cannot remember a time that art was not a part of their lives. For me, this was exactly the opposite. I was always trying to do my best in science and mathematics and art was not even on my radar until I was a freshman in high school where I met my first inspiration for art, Zack Smithey. I was lucky enough to have Mr. Smithey as a guide for the start of my art career all four years in high school and he really pushed me to develop my portrait work. He helped me develop the foundation of my artwork, but at that point I was merely duplicating what I was seen and really had not developed an aesthetic of my own. For me, art was a challenge for me to …show more content…

My favorite at that time was Peter Mohrbacher who does fantasy paintings and his videos really pushed me into more of the digital style because it was easier for me to learn by making mistakes easily changed in my work. After I decided that I would go the digital route I went all out and was fascinated with all the different programs I could learn and from there I was hooked and at the end of the semester I decided that Mizzou's classrooms were too large for me to learn what I wanted to and at the end of the semester I started to look for other collages. But while I was learning the programs I never really stopped to think about what my style was and how I would choose to do my artwork until I stumbled across the YouTube channel, Draw with Jazza. It amazes me how so many of these digital artist will spend so much time answering my questions and how fast they reply. From Jazza I learned to develop my personal style and that made me enjoy what I do even more because now I have a goal to be the best at what I …show more content…

I worked around this my sending small portions, in this case the buttons of the jacket, to the background on the lower half of the piece while on the upper half I sent the subject's main skin tone to the background using the hair lines to shape the upper half of the face and the lower background to shape the lower half of the face. In the Cowboy piece, I mimicked some of the features that I used in the Archaeologist because they shared some of the same qualities in the hat and the shape of the tunic on the cowboy did lots to shape the lower half of the figure without any other help. For the Marine piece I decided to remove the entire jacket from the lower half and just use the detail lines to outline where the jacket would be as well as using the buttons to add additional context clues. And in the upper half I decided to send the brass accent on the hat to the background because it was completely framed by the white part of the hat. Moving on to the Musician, I decided to fade the subject's hair to the background in the top half because the shape of the head fills in the shape and defines that widow's peak without having to add the hair itself and in the lower half I sent the undershirt to the background because that really was not the main focus of the piece and the jacket framed the part I took out. In the Pirate I used accent colors

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