I work in multiple mediums, primarily painting, collage and photography, often combining them into mixed-media pieces. Photography has always been a part of my work, playing many roles from inspiration, to source material, to an end in itself. In recent years, I have expanded my photography based work to include the construction of digitally assembled photographic collages. While I embrace digital photography in my work, I continue to use film-based photography and processes, alongside digital technology. I view my use of digital software, particularly in the construction of the photographic collages, as an continuation and expansion of film photography and darkroom techniques, such as the use of in-camera or darkroom processes to construct
double/multiple exposure images and photomontages. The digital process allows me to assemble and manipulate multiple layers and fragments of information and images, and to control the degree and manner of integration with one another; offering new possibilities for the visual creation, destruction, and manipulation of space, time, form, meaning, narrative, and perception. My piece, “Cave Drawings (a Brief History of Everything)”, included in this book, is an example of this recent photographic collage work. At the core of all of my work, beyond what medium I use and any hopes or intentions for a particular piece, is my desire to create work with an emotional, intellectual, physical, and analytical depth, which engages and challenges the viewer—and myself—and rewards those who invest time with the work.
For my museum selection I decided to attend Texas State University’s Wittliff Collection. When I arrived, there was no one else there besides me and the librarian. To be honest, I probably would have never gone to an art museum if my teacher didn’t require me to. This was my first time attending the Wittliff Collection, thus I asked the librarian, “Is there any other artwork besides Southwestern and Mexican photography?” She answered, “No, the Wittliff is known only for Southwestern and Mexican photography.” I smiled with a sense of embarrassment and continued to view the different photos. As I walked through Wittliff, I became overwhelmed with all of the different types of photography. There were so many amazing pieces that it became difficult to select which one to write about. However, I finally managed to choose three unique photography pieces by Alinka Echeverria, Geoff Winningham, and Keith Carter.
Johnson, Brooks. Photography Speaks: 150 Photographers on their Art.” New York: Aperture Foundation Inc., 2004. Print.
Pictures and images are interesting to look at for what they appear to be, but how they came to be is just as important. Some artists create their work through mediums. Mediums are the materials and techniques used to create pictures, and give it unique and creative characteristics. In Claudia Rankine’s book, Citizen, there are many images using mediums. Mel Chin is one of the artists whose work is incorporated into Rankine’s book through a simple, yet effective use of mediums.
Photography developed as an art form primarily in the mid to late 19 th century, partially as an alternative to lengthy sittings for a painted portrait. As a result, many of the early photographs were formal, posed still portraits. Some view...
A. Students use mixed media to create a collage that represents the diversity of the different cultures that interest them. They can use the book series Count Your Way Through Africa (through Korea, China, Germany, India, Israel, Italy, Japan, Mexico, Russia and the Arab world) for a reference.
Every person has had a significant moment in their life in which they can state is the reason for a change in the way they’re living: a moment that has influenced the person greatly in many different aspects of life. If it wasn’t for “this” there would be no “that” type of significant life experience. Many of the occurrences we experience in our lifetime often seem minute in significance, but may become very relevant at a later date. We rarely can predict how a situation will affect and shape our lives until after it occurs and takes its place in history. Afterwards we are able to trace back to that situation and gain a clear understanding of it and its importance. All of this is more so popular with writers than anyone else, they tend to use past experiences in their life to give their works more authenticity in describing their picture. There are very few aspects that contrast their work to their actual lives.
Whilst the relationship which the photograph bears to its subject may be entirely different to the relationship which the painting bears to its subject, this does not necessarily entail that one must reject the photograph as an equally worthy object of aesthetic appreciation. As a final remark, in addition to photography’s capacity to arouse an interest in the subject photographed in a manner that transcends face-to-face viewing, the fact that the photograph boasts the ability to suspend its subject in time is also indicative of its transcendence of face-to-face viewing. If one takes an aesthetic interest in Vivian Maier’s photographs of children playing in a street in the 1950’s, for instance, this would evidently not be equivalent to viewing the same subjects directly in the present moment. As such, the photograph’s ‘distance’ from its subject, both physical and temporal, is perhaps further reason to distinguish it from face-to-face seeing, and may be indicative of its worth as a visual art form. Thus, contra Scruton, paintings and photographs are equally worthy of aesthetic appreciation as visual art forms, and photographic transparency is not synonymous with photographic
I spent most of my high school career depressed and anxious about everything. I was lost alone and some days it was it was hard to get out of bed. I was happier with my friends that was only a temporary satisfaction. I found myself through Art: writing, poetry, or short stories Art help me express myself. My art screamed more than I could have ever said. Art give me the confidence in the person I convey through right. Being creative lowered my anxiety and maybe feel like I could be myself.
Throughout my life, I have loved to draw. Due to my love of drawing, I decided to take a career in something that has to do with art. A few things have happened in my life that has caused me to take this path. Three people that I have interacted in some way, are the reason for my choices.
Gustave Caillebotte, however, was an Impressionist that did not rely on painting en plein-air. He turned towards the innovation that was photography, invented during the mid 1930’s, to guide him i...
Hello. The zine that you either have in your hands or are veiwing digitally, is the first zine I have ever made. I am quite proud of this. The theme of this zine, as the title suggests, is about growth. For me, I grew as a photographer immensely over the year 2017. I first began photography in strange way. My grandmother gave me a box of old 35mm Kodachrome slides, asking me if I had any way to digitize them. At that time, I was about twelve or so. I knew that the only way to digitize them cheaply was via a method I researched online in which you "scanned" the photos with a DSLR. I scanned all the slides, and by the end of it all, I knew the ins and outs of the camera pretty well. That summer, my family took a trip to the western states and
Photojournalism plays a critical role in the way we capture and understand the reality of a particular moment in time. As a way of documenting history, the ability to create meaning through images contributes to a transparent media through exacting the truth of a moment. By capturing the surreal world and presenting it in a narrative that is relatable to its audience, allows the image to create a fair and accurate representation of reality.
It is clear that art is a creative process spanning across various discipline’s, platforms and genres; weather we talk about a canvas painting, a collage of stills placed strategically placed on a wall or in research case a piece of audio or video or a combination of both being manipulated by a performer/viewer (PV) in a specific space.
My thoughts on my photograph being taken in particular have changed drastically over time. When I was younger, I literally gave no thought to my photo being taken, I barely even remember them being taken. When I look at the photographs of my childhood, I remember the moment in which they were taken, but I don't remember the photo actually being taken. Now I always know when someone is taking a picture of me, sort of like a sixth sense. I think the reason behind that is that when I was younger I loved my photo being taken and now I hide from the camera. Mostly because of insecurities and knowing how quickly a photo can travel now through the internet and social media.
Without a doubt, being a highly respected photographer would be my dream career. The type of job that wouldn 't feel like a job because it is one of my favorite hobbies. Growing up I always noticed how much longer I took to take a picture of someone than when they did the same for me. I soon realized that I actually had a passion for getting the right shot that I understood that not every pictures the same and that certain angles made others look better in places. The praise I received for taking a lot of these pictures motivated me. I liked that I hardly ever got told to take these pictures over and I loved that I was always the one chosen to take them time after time. Once I understood that I had this passion for photography I made sure a camera was the first thing on my Christmas list that year. I also knew that there was nothing but room for improvement, so i sought out private lessons which I worked and saved up for.