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Essays on history of photography
Essay on history of photography
Essays on history of photography
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Victorian's Secret: Sexual Revelations
Art in its various forms has developed throughout history in response to changing political trends, philosophical movements, and even technological advances. With the invention of the camera and its increased use in the Victorian era, photography became a recognized art form. As with most forms of technology that infiltrate society, photography since its creation in 1839 has brought about startlingly negative consequences. There is an ethical, moral question one must ask himself or herself – where should the line be drawn in respect to photographing children? The Victorians captured an incalculable amount of images of dead children, nude children, and children in provocative poses. When an average, modern American views a photograph of a naked or dead child, that person usually experiences feelings of disgust and repulsion, and the image is often destroyed (or at least removed from sight). If a person does not respond in that manner, he or she is deemed a pervert by society. Pornographic images are classified as such because of the sexual connotations associated with them today, which was not the norm throughout history. 1 Sexuality, especially that of children, appeared to be a taboo topic during the Victorian era, but it was not entirely ignored by the culture. Contrary to popular Victorian beliefs, children were in fact sexual creatures, as depicted through photography of the period, Impressionist paintings, and Freudian theories.
Photography developed as an art form primarily in the mid to late 19 th century, partially as an alternative to lengthy sittings for a painted portrait. As a result, many of the early photographs were formal, posed still portraits. Some view...
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...d Colin Ford. Julia Margaret Cameron: The Complete Photographs . Los Angeles, CA: Getty Publications, 2003.
Dunstan, Bernard. Painting Methods of the Impressionists . New York: Watson-Guptill Publications, 1983.
Hardy, Thomas. The Return of the Native . New York, NY: The Modern Library, 2001.
Haworth-Booth, Mark. The Golden Age of British Photography 1839-1900 . England: Aperture Press, 1984.
James, Henry. The Turn of the Screw . New York, NY: Bedford/St. Martin's, 2004.
Pollock, Griselda. Mary Cassatt, Painter of Modern Women . London: Thames and Hudson, Ltd., 1998.
Rosenblum, Naomi . A History of Women Photographers . New York, NY: Abbeville Press Publishers, 2000.
Weaver, Mike. British Photography in the Nineteenth Century: The Fine Art Tradition . New York, NY: Cambridge University Press, 1989.
Johnson, Brooks. Photography Speaks: 150 Photographers on their Art.” New York: Aperture Foundation Inc., 2004. Print.
Intro: Summary, Thesis, Highlighting main points (Text to Text, Text to Self and Text to World) The tale of Native Son by Richard Wright follows the story of a young man by the name of Bigger Thomas who lives in the 1930’s. In the beginning of the story, we meet Bigger a young, angry frustrated black man who lives with his mother, brother and sister in a cramped apartment in New York. The story is narrated in a limited third-person voice that focuses on Bigger Thomas’s thoughts and feelings. The story is told almost exclusively from Bigger’s perspective. In recent years, the
Wilton, 2001, ‘Five Centuries of British Painting, From Holbein to Hodgkin,’ Thames and Hudson, London, 2001.
McNickle, D'Arcy. "A Different World." Native American Literature: A Brief Introduction and Anthology. Ed. Vizenor, Gerald. United States of America: Addison-Wesley Educational Publishers, 1995, 111-119.
Tolmachev, I. (2010, March 15). A history of Photography Part 1: The Beginning. Retrieved Febraury 2014, from tuts+ Photography: http://photography.tutsplus.com/articles/a-history-of-photography-part-1-the-beginning--photo-1908
Whitney Chadwick, Women, Art, and Society 3rd ed. (NY: Thames & Hudson world of art, 2002), 153-160.
Shea, R. 2004. Marcia Myers: Twenty Years Paintings & Works on Paper 1982–2002. Manchester, United States: Hudson Hills.
Love is a wonderful curse that forces us to do unexplainable things. Romeo and Juliet is a famous play written by William Shakespeare, who does an exceptional job in showing the readers what hate, mercy, death, courage, and most importantly what love looks like. This play is about two star-crossed lovers who are both willing to sacrifice their lives just to be with one another. Unfortunately tragedy falls upon the unconditional love Romeo and Juliet have for each other, but along the way they experience immeasurable forgiveness and extraordinary braveness just to be with one another. Sadly enough, love is a cause of violence in the end. Even though the pair spends less time together, it is enough for them to fall in love. It is clearly true
I found the relationship between Macbeth and Lady Macbeth very interesting in the play. In Act I they are completely devoted to each other. Love, respect and trust are the contents of their relationship. The trust in the relationship is revealed right at the beginning when Macbeth sends his wife a letter telling her about the witches and the predictions “This have I thought good to deliver to thee, my dearest partner of greatness, that thee mightst not lose the dues of rejoicing by being ignorant of what greatness is promised thee.'; (I, v, 10-13). The affection between the two is clearly shown when Macbeth salutes his wife with “My dearest love'; (I, v, 58) and also on the letter where he says “…my dearest partner of greatness…';
Owens, Lewis. Other Destinies: Understanding the American Indian Novel. Norman, OK: U Oklahoma P, 1994.
Wright, Richard. Native Son. 1940. New York, NY: First Perennial Classics, a division of HarperCollins Publishers, 1998.
Marrs, Suzanne. Eudora Welty(tm)s Photography: Images into Fiction. Critical Essays on Eudora Welty. W. Craig Turner and Lee Emling Harding. Boston, MA: G.K. Hall, 1989. 288-289.
"A photograph is not merely a substitute for a glance. It is a sharpened vision. It is the revelation of new and important facts." ("Heilbrunn Timeline of Art History."). Sid Grossman, a Photo League photographer expressed this sentiment, summarizing the role photography had on America in the 1940’s and 50’s. During this era, photojournalism climaxed, causing photographers to join the bandwagon or react against it. The question of whether photography can be art was settled a long time ago. Most major museums now have photography departments, and the photographs procure pretty hefty prices. The question of whether photojournalism or documentary photography can be art is now the question at hand. Art collectors are constantly looking to be surprised; today they are excited by images first seen in last week’s newspapers as photojournalism revels in the new status as art “du jour” or “reportage art”.
It is not possible to think clearly about the Silk Road without taking into consideration the whole of Eurasia as its geographical context. Trade along the Silk Road flourished or diminished according to the conditions in China, Byzantium, Persia, and other countries along the way. There was also competition for alternative routes, by land and sea, to absorb long-distance
There were 3 different routes to the Silk Road covering many different countries and civilizations. This cultural diversity was bound to start mixing with so many different people and beliefs mingling every day. They exchanged music, art, architecture and as people settled along the road different cultu...