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Art History Quiz
Reflection about art appreciation
A reflection on art appreciation
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Critique Paper For my museum selection I decided to attend Texas State University’s Wittliff Collection. When I arrived, there was no one else there besides me and the librarian. To be honest, I probably would have never gone to an art museum if my teacher didn’t require me to. This was my first time attending the Wittliff Collection, thus I asked the librarian, “Is there any other artwork besides Southwestern and Mexican photography?” She answered, “No, the Wittliff is known only for Southwestern and Mexican photography.” I smiled with a sense of embarrassment and continued to view the different photos. As I walked through Wittliff, I became overwhelmed with all of the different types of photography. There were so many amazing pieces that it became difficult to select which one to write about. However, I finally managed to choose three unique photography pieces by Alinka Echeverria, Geoff Winningham, and Keith Carter. I found the photography piece “From the Road to Tepeyac,” by Alinka Echeverria intriguing. This photography piece was a man kneeling down with a sculpture tied to his back. The woman in the statue had a green flag with multiple stars draped around her. This woman appeared to be the Virgin Mary. Underneath the Virgin Mary was an angel with green, white and red wings. The colors on the flag around the Virgin Mary and the angel’s wings represent Mexico. Also, the stars on the flag present the repetition constructed in this photography piece. There is no physical line for the foreground; however, this piece directs the eye from one point to another by implication. When I first saw this photography piece, I questioned why the statue of the Virgin Mary and an angel were on the man’s back. I realized the Virgin Mary and ... ... middle of paper ... ... the cause for all of the bad that had happened. This scene represents guilt and desperateness however, Simba does not fall for it. Scar ends up falling into a pit of fire which represents Hell. The hues that are used to create the fire are a monochromatic of red and orange. In the pit of fire there is no physical line for the foreground. As the story ends, Simba claims the throne and restores the Pride Land. The circle of life continues when Simba and Nala give birth to a newborn cub. The Lion King film is not just an animated Walt Disney film but an inspirational movie. I think this is a good movie for anyone to watch because it has a lot of meaning for example, life lessons. Throughout the movie, there were different examples of life lessons such as hope, justice, and perserverance. I would definitely watch it again and children and adults to watch this movie.
I observed a very unique series of photographs by Vik Muniz called Seeing is Believing. Vik Muniz’s images are not simply photography but are pictures of complicated pieces of art he has produced at earlier times. Utilizing an array of unorthodox materials including granulated sugar, chocolate syrup, sewing thread, cotton, wire, and soil Muniz first creates an image, sculpturally manipulates it and then photographs it. Muniz’s pictures include portraits, landscapes, x-rays, and historical images.
Johnson, Brooks. Photography Speaks: 150 Photographers on their Art.” New York: Aperture Foundation Inc., 2004. Print.
Although the movie The Lion King is often times viewed as nothing more than a child-based movie, in actuality, it contains a much deeper meaning. It is a movie that not only displays the hardships of maturation, and the perplexities associated with growing, but it is also a movie that deals with the search for one's identity and responsibility. As said by director Julie Taymor, "In addition to being a tale about a boy's personal growth, the `Lion King' dramatizes the ritual of the `Circle of Life'." Throughout The Lion King, Simba must endeavor through the cycle of birth, death, and rebirth to take his place in the circle of life, as king of the pridelands.
The National Cowboy and Western Heritage Museum of art exhibits a wide range of collection which covers a period of five century. Looking at an art explores new ideas that enable and inspire to be more creative and develop critical thinking skills. The museum collection offers vivid surprising evidence of cultures from the past. The visit was an educational, cultural and entertaining experience to me. This was a meaningful training to me. A
According to founder and CEO of Bartleby.com, Steven van Leeuwen, the Bartleby Project offers, “the most comprehensive public reference library ever published on the web” (Bartleby.com, 2000, para. 4). The Bartleby Project—the name of which comes from Melville’s classic short story Bartleby, the Scrivener—began as a personal research experiment at Columbia University in which van Leeuwen sought to combine his information systems knowledge with his love of books to create accessible, searchable electronic versions of classic literature and reference works. The first book published on the site was Walt Whitman’s Leaves of Grass in 1994. Following this success, van Leeuwen continued to develop the project privately, becoming Bartleby.com in 1997 and continuing to expand into the impressive collection of classic and modern reference and works of literature that it is today (Hane, 2000).
The art world of photography is changing all the time. Peter Schjeldahl starts out with a very strong and well written paragraph about the world of art. Peter Schjeldahl says, “You can always tell a William Eggleston photograph. It’s the one in color that hits you in the face and leaves you confused and happy, and perhaps convinces you that you don’t understand photography nearly as well as you thought you did”. These couple of sentences are very strong and flow so well together, and they grab the reader’s attention. Peter explains how William Eggleston was known as a great American photographer.
Fuentes Santos, Mónica, Luis Miguel García Mora, Lewis Hine: From the collections of George Eastman House, International Museum of Photography and Film: Nederlands Fotomuseum, Rotterdam, 2013
One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.
Disney movies are all religious based in some way, shape, or form. In the movie “The Lion King” there is a constant father figure throughout the film. In later scenes he comes to Simba and tells him to remember who he is so he can get the courage to take back his home. There are parallel scenes in the Bible about how God talks to his children and guides them from the heavens (The Lion King). These messages put in Disney movies give kids a realization the God will always be there to guide them no matter what age they are. It also inspires that child to be what they want and accomplish anything by having
"A photograph is not merely a substitute for a glance. It is a sharpened vision. It is the revelation of new and important facts." ("Heilbrunn Timeline of Art History."). Sid Grossman, a Photo League photographer expressed this sentiment, summarizing the role photography had on America in the 1940’s and 50’s. During this era, photojournalism climaxed, causing photographers to join the bandwagon or react against it. The question of whether photography can be art was settled a long time ago. Most major museums now have photography departments, and the photographs procure pretty hefty prices. The question of whether photojournalism or documentary photography can be art is now the question at hand. Art collectors are constantly looking to be surprised; today they are excited by images first seen in last week’s newspapers as photojournalism revels in the new status as art “du jour” or “reportage art”.
Masaccio’s famous religious painting, “The Holy Trinity”, is known for the engagement of linear perspective to create an image that goes beyond just paint on canvas, (or should I say wall?) by creating the illusion of depth. This painting addresses many religious concepts by setting up different levels and layers in the constructed space. The characters depicted are made up of four groups of human figures, which include the Trinity (God the father, Jesus, and the Holy Spirit), the Virgin Mary and Saint John, a pair of donors, and a skeleton on a tomb at the bottom of the picture. There is an apparent point of separation, which is made clear due to each group being on separate levels. Their difference in power is fundamental feature in explaining the relationship that is being portrayed between mankind and divinity in this painting. Because of Masaccio’s use and manipulation of perspective and a vanishing point – a new line of finite and infinity is crossed because visual manifestations of a hierarchical division between eternal life above, death below and the living in between are expressed.
I thought that the Lion King was a very good film to watch for all
The verses consist of the appreciation of all of God’s creation such as all the creatures and landscapes of the world. The main idea and message of this painting is to acknowledge the world which is all God’s creation which is shown by the inscriptions on Mary’s cloak, as well as the city in the background of the painting. Also, the idea behind this work revolves around Christ, as God, being the creator of the world, as emphasized by the globe that he is holding in his hand. The globe consists of a crystal sphere with a large, jeweled cross mounted on top of it. The globe, as explained before, represents God’s power of creation, and the cross above represents God’s authority over the mortal world as a heavenly
‘Savage Beauty’ was an exhibition that pushed the boundaries of museology, in its artistic, social and critical undertakings. The questions brought to bear by the exhibition of contemporary art and culture in various situations is something I am interested in researching further with a degree in curating.
Among so many other mediums, it is of particular interest to note that the practice of photography is not simply bound to one side of the spectrum of creative expression. As much as it can be perceived as an emotional piece of art, a photo can also very well be seen as a showcase of the current social world through an objective lens. What it is that truly defines a photo as being either an artistic endeavor or a means for documentation, however, is the context in which it is meant to be viewed by a particular audience. One single picture, after all, could appear drastically different alongside an article in a newspaper than it would if it were to be framed and hung alongside other photos on a museum wall. This idea is especially prevalent in the pieces shown in the exhibition Freedom Now! Forgotten Photographs of the Civil Rights Struggle, wherein several photos are both seen as a standalone piece, as well as how they appeared in magazines or journals on the Civil Rights movement. Through comparing and contrasting several sets of these pictures, each displaying two vastly different ways in which they can be observed, the importance of context in regards to photography comes into full view, giving a larger perspective on what it is that gives a specific piece a certain meaning.