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Example of personal statement essay
Personal statement essay sample
Personal statement essay sample
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Personal Statement: MFA in Curating A good curator has the potential to shape a person’s approach to art and culture. In 2011, Andrew Bolton’s stunning presentation of fashion as art, in ‘Alexander McQueen: Savage Beauty’ opened my eyes to the work of a designer that would become the backbone to the majority of my undergraduate study. Aged 18, I traveled to New York where I visited the exhibition at the Metropolitan Museum of Art. Four years later, when ‘Savage Beauty’ was showing once again - this time at the V&A, curated by Claire Wilcox - I wrote my dissertation on the complex relationship between art and fashion through a detailed analysis of the exhibition which gave me my biggest passion. ‘Savage Beauty’ was an exhibition that pushed the boundaries of museology, in its artistic, social and critical undertakings. The questions brought to bear by the exhibition of contemporary art and culture in various situations is something I am interested in researching further with a degree in curating. Having graduated, with a 2:1 degree in History of Art, Design and Film with English …show more content…
During my final year at Kingston, I took the initiative to contact the museum for work experience. Whilst I will admit it was my interest in Alexander McQueen that prompted me to contact the archives initially, after two years - continuing to volunteer whilst completing my degree and working full time - I am now strongly interested in pursuing a career in curating. I wish to develop my experience at CSM by continuing to learn with further academic study and the opportunities this course offers. I began, initially at CSM, as a volunteer archives assistant, learning how best to organise, accession and catalogue items in the collection. I have proven myself to be a committed, capable and reliable intern, and am responsible for assisting the curator and senior members of staff with their activities and
In Stephen Weil’s essay, he argues “the museum’s role has transformed from one of mastery to one of service” (Weil, 196). According to him, museums have changed their mission from one that cultures the public to one that serves
With works in every known medium, from every part of the world, throughout all points in history, exploring the vast collection of the Museum of Modern Art was an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historical collection, reflecting the development of a number of art forms in Western Europe. The department's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and glass, jewelry, and tapestries. The gallery attracted my appreciation of the realistic qualities of the human body often portrayed in sculpture.
It was a shock. The pediatric psychiatrist diagnosed me with a novel maladaptive behavior syndrome known as attention deficit disorder (ADD). My condition has notably hindered my ability to concentrate, organize, and execute both in the classroom and within social spheres. However, I have tried to meet the challenges posed by this mysterious syndrome through a number of approaches. Although they have been arduous, I have improved my control over the consequences of this disorder.
Professor LaFleur in lecture on November 11 mentioned, “Museums were extremely powerful in shaping the way people saw the world” (Lecture 007). This same reasoning is why Fusco and Pena embark on this ethnographic journey. By displaying “A Savage Performance”, we see that they are subverting the past notions of ethnography. Ethnographic museums as the ones Sara Baartman was displayed in served a purpose and created a certain kind of discourse. “Discourse do not simply reflect reality, or innocently designate objects; rather they constitute them in specific contexts according to particular relations of power” (Lidchi, p. 185). Lidchi goes on to say that ethnography was created by the dominant culture in the imperial c...
“Art Museums and the Ritual of Citizenship” by Carol Duncan: A Response to Western Cultural Imperialism and the “Ritual” of Modernity in European/American Museums
As the tour of the museum began, it was easily noticed that all of the objects on display were placed behind thick glass cases. Many plaques inside of the case provide the visitor with information about the specific case that is being looked at. In most cases the plaques didn’t so much provide an elaboration on the pieces, but rather expand upon the historical context of the pieces. Also, the plaques shed light onto muc...
Educational Background: He studied English and History at the University of New South Wales, and graduated with a bachelors of art and a diploma of education
There are a lot of reasons why I chose to pursue pharmacy as my career and they all point to the most important reason: pharmacy is a great fit for my life and is something I have become increasingly passionate about. It started when I was researching careers with my parents and my dad suggested pharmacy and, simply put, it sparked my interest because at the time it was one of the few things I thought I would not hate doing. A healthcare career has always been where I put myself in the future, mainly because most of my family members are in the healthcare field. However, I have never been one that could directly help the wounded or deal with anything gory, but am very intrigued by the growing science of pharmacy. As I continue exploring pharmacy, the more I enjoy learning about it and feel like I could excel in this career.
One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.
Please discuss the following items in the order given. Briefly respond to all areas listed.
The questionable influence and dominance of western culture is at the forefront of a new form of seemingly ephemeral diplomatic history that is termed ‘new internationalism’. Internationalism itself is not really a new concept, and is basically a system based on equality for all people and cultures on a global scale. In the global art world ‘new internationalism’ is an active topic and was the focus of a 1994 INIVA Symposium entitled, A New International Symposium. The topics discussed included: Recording the International; Art, History and the Modern Museum; Beyond Diversity and Difference; Curatorship and International Exhibitions.1 During his lecture at the symposium, sculptor, essayist and poet Jimmie Durham puts forth the idea that, “…Europeans seem to think that, as art is their invention, effective art is within a developed vocabulary and accent…”2 This kind of statement emphasizes the enormous task of disuniting ‘actual’ art history from that recorded under the influence of western culture, and it demonstrates the long-standing influence of imperial thinking.
In Confronting Images, Didi-Huberman considers disadvantages he sees in the academic approach of art history, and offers an alternative method for engaging art. His approach concentrates on that which is ‘visual’ long before coming to conclusive knowledge. Drawing support from the field of psycho analytics (Lacan, Freud, and Kant and Panofsky), Didi-Huberman argues that viewers connect with art through what he might describe as an instance of receptivity, as opposed to a linear, step-by-step analytical process. He underscores the perceptive mode of engaging the imagery of a painting or other work of art, which he argues comes before any rational ‘knowing’, thinking, or discerning. In other words, Didi-Huberman believes one’s mind ‘sees’ well before realizing and processing the object being looked at, let alone before understanding it. Well before the observer can gain any useful insights by scrutinizing and decoding what she sees, she is absorbed by the work of art in an irrational and unpredictable way. What Didi-Huberman is s...
New museology is the modernisation of museums. New museums are made to be more interactive and more interesting for the visitors. Displays in the museums are no longer covered in glass and people are encouraged to look more closely and interact with displays. The museums are brighter are the displays...
I began to get fascinated by our capitalist world’s economy at a very early age of my life. Growing up, I was incredibly curious to unravel how systems function, and this curiosity developed into a burning desire to learn how processes and organizations operate and run our world. As I started my first job, I realized how much I needed to be better acquainted with the science of money making and the scientific approaches to money management. Later on in my life, being within a company system, I wanted to see the big picture by learning where such a company stands in the midst of all other business interactions locally and internationally. Being involved in the company’s practices I started analyzing the methods used by my managers, the causes and consequences of their managerial choices.
My interest in public interest law, nonprofit advocacy, and social justice began at a very young age. My passion was influenced by my upbringing, as well as my journey down a path different from what my family and culture envisioned. It is this same divergent path that has led me to me to pursue the legal profession today.