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Keats ode to a nightingale and ode to a grecian urn
Keats ode to a nightingale and ode to a grecian urn
Ode on a grecian urn romanticism essay
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“More happy love! more happy, happy love!” (Keats, line 25). When one reads lines such as this, one cannot help but think that the poet must have been very, very happy, and that, in fact, the tone of the poem is light and filled with joy. However, this is not the case in John Keats’s poem, Ode on a Grecian Urn. At first glance, the tone of the poem seems light and flowery. However, when one looks deeper into the poem to find its underlying meanings, one discovers that the tone of the poem is very morbid. This is because the poem has two separate levels. Keats’s Ode on a Grecian Urn has a superficial level of happiness and joy, which acts as a façade for a deeper level of morbidity and death, most likely because of the fact that Keats was dying as he wrote this poem.
First of all, when one starts to read this poem, one cannot help but think that the tone is one of happiness. In fact, in the third stanza, Keats uses the word happy five times. The language of the poem is very flowery and beautiful, and it has the effect of lightening the deeper mood of the poem. For example, in the line “A flowery tale more sweetly than our rhyme:” (Keats, line 4), Keats is talking about the tale told by the urn. He is disguising it as sweet and flowery when, in reality, it is dark. The urn is symbolic of death. Another example is the lines “Forever warm and still to be enjoyed. Forever panting, and forever young:” (Keats, lines 26-27). In these two lines Keats is talking about the immortali...
John Keats’s illness caused him to write about his unfulfillment as a writer. In an analysis of Keats’s works, Cody Brotter states that Keats’s poems are “conscious of itself as the poem[s] of a poet.” The poems are written in the context of Keats tragically short and painful life. In his ...
Keats’ poetry explores many issues and themes, accompanied by language and technique that clearly demonstrates the romantic era. His poems ‘Ode to a Nightingale’ and ‘Bright Star’ examine themes such as mortality and idealism of love. Mortality were common themes that were presented in these poems as Keats’ has used his imagination in order to touch each of the five senses. He also explores the idea that the nightingale’s song allows Keats to travel in a world of beauty. Keats draws from mythology and christianity to further develop these ideas. Keats’ wrote ‘Ode To A Nightingale’ as an immortal bird’s song that enabled him to escape reality and live only to admire the beauty of nature around him. ‘Bright Star’ also discusses the immortal as Keats shows a sense of yearning to be like a star in it’s steadfast abilities. The visual representation reveal these ideas as each image reflects Keats’ obsession with nature and how through this mindset he was able
This allows for a smooth transition in his description of the ritual that marks a soldier’s death. To draw attention to the tears “in their eyes”, which could be in the eyes of the dead soldier or of their brothers at war, they are connected to the “glimmer of good-byes”, to represent the quick mourning for the soldiers (10-11). The connection here is furthered with the use of enjambment at the end of the tenth line; with no grammatical separation, the thought smoothly transitions from one line to the other. On the other hand, Keats uses the exact Shakespearean rhyme In the sonnets “When I Have Fears that I May Cease to Be”, by John Keats, and “Anthem for Doomed Youth”, by Wilfred Owen, the poets’ use of formal elements create distinctions to mark the speakers’ thoughts and build upon the situation.
Throughout Keats’s work, there are clear connections between the effect of the senses on emotion. Keats tends to apply synesthetic to his analogies with the interactions with man and the world to create different views and understandings. By doing this, Keats can arouse different emotions to the work by which he intends for the reader to determine on their own, based on how they perceive it. This is most notable in Keats’s Ode to a Nightingale, for example, “Tasting of Flora, and Country Green” (827). Keats accentuates emotion also through his relationship with poetry, and death.
Imagery and symbolism merged to express his imagination, he became a unique poet in an evolving world where Romanticism was quickly expanding globally, not into a movement, but a way of thinking. Keats’ mother and brother, and eventually he too, passed away of tuberculosis. At the time of his brother 's passing, he developed ‘La Belle Dame sans Merci’. ‘La Belle’ expressed Keats’ intellect and creativity, although at the same time he himself expressed his angst and depression for the loss of his brother. His poem ‘Bright Star’ was written in a part of his life in which a woman had influenced Keats’ greatly, so much in fact that he was driven to write ‘Bright Star’ in appreciation and celebration of the love of his life. These poems reflect Keats’ intellect, originality, creativity, and his ability to merge the contextual aspects of his life and his imagination with the ideals and concepts of Romanticism to create powerful
...s the speaker in the ode. Thus we see he became inspired to write this song of praise to autumn. He shows that anything can inspire someone to write, not just the beauty of spring. Thus we see the imagery Keats employs move from the scenic and joyous picture portrayed in the first stanza, to the harvest time in the second and finally we are confronted with the melancholy images in the last stanza. One realises, Keats was inspired by many things to complete this ode. Thus, we see influences of the Pastoral period, Greek myth and nature. Keats challenges the idea that spring usually inspires music, by showing the reader all the different places one draws inspiration from. Thus anything can inspire music or a musician if he allows it too. In addition, Keats believed that music does not just have to invoke feelings of joy, but it is still music if it makes one feel sad.
Keats, through his use of sensual imagery, draws readers into the real world where there will ultimately be decay and death. The sound devices in this stanza further develop the sensual imagery and... ... middle of paper ... ... ecian Urn”, “To Autumn” takes place in the real world and does not mention immortality. In “Ode on a Grecian Urn”, Keats attempts to grasp the apparent immortality of the urn he is observing.
He likens his poetry to nature also. He uses "words, like weeds..." (5.9) to envelope himself from the pain. His poem is "this poor flower of poesy" (8.18) but he writes it anyway since it once pleased his dead friend. "I go to plant it on his tomb./ That if it can it there may bloom,/ Or dying, there at least may die" (8.22-24). At this point he is considering the possibility of life continuing, at least through his poetry. Yet he does not seem to care about this possibility strongly. If there is no life within his poetry, then he feels its proper place is dead with his friend. Further into the poem, the immediate frenzy of grief has subsided, and he reflects upon his grief more calmly. "Calm is the morn without a sound,/ Calm as to suit a calmer grief, And only through the faded leaf/ The chestnut pattering to the ground" (11.1-4).
In Keats “Ode to a Nightingale” we see the sense embodied through a variety of different literary techniques and in particular his use of synaesthesia imagery. The dejected downhearted nature of the poem promotes emotion in the reader even before noting poetic devices at work. The structure of the meter is regular and adds to the depth of this poe...
In order to experience true sorrow one must feel true joy to see the beauty of melancholy. However, Keats’s poem is not all dark imagery, for interwoven into this poem is an emerging possibility of resurrection and the chance at a new life. The speaker in this poem starts by strongly advising against the actions and as the poem continues urges a person to take different actions. In this poem, the speaker tells of how to embrace life by needing the experience of melancholy to appreciate the true joy and beauty of
Arguably one of John Keats’ most famous poems, “Ode to a nightingale” in and of itself is an allegory on the frail, conflicting aspects of life while also standing as a commentary on the want to escape life’s problems and the unavoidability of death. Keats’ poem utilizes a heavy amount of symbolism, simile and allusion to idealize nature as a perfect, almost mystical, world that holds no problems while using imagery taken from nature, combined with alliteration and assonance, to idealize the dream of escape from the problems life often presents; more specifically, aging and our inevitable deaths by allowing the reader to feel as if they are experiencing the speaker’s experience listening to the nightingale.
...storal” (45, p.1848). The urn’s eternity only exists artistically and does not reflect human life because only the urn “shou remain” forever (47, p.1848). Keats contrasts the ephemeral nature of human life with the longevity of the urn. In last two lines, Keats declares, “beauty is truth, truth beauty” (29, p.1848) embodying both sides of his perspective. By establishing a relationship between beauty and truth, Keats acknowledges that like truth, the beauty of the Grecian urn is unchangeable and that the ability accept reality is beautiful.
John Keats employs word choices and word order to illustrate his contemplative and sympathetic tone. The tone could be interpreted as pessimistic and depressing because the majority of the poem focuses on Keats’ fear of death. However, if the reader views the last two lines of the poem in light which brings redemption, one might see that Keats merely wants to express the importance of this dominant fear in his life. He does not desire for his audience to focus on death, but to realize that man does not have control of when it comes. The poet uses poetic diction, a popular technique of the early nineteenth century. The poem also demonstrates formal diction that Keats is often known for. Although Keats meant for most of his words to interpret with denotative meanings, he does present a few examples of allusion and connotation. His connotations include “teeming,” defined as plen...
Specifically, he makes an allusion to the nightingale through the disorientation he feels from listening to it. In stanzas 1 and 2, he talks about the “heart aches…drowsy numbness pains” as if he was “drunk”. Also in stanzas 25 and 30, Keats provides a vivid imagery of the scenery to allow the reader to picture the nightingale’s actions. For instance, in stanzas 60-69 Keats talks about collaborating with the nightingale at night. Specifically, the idea of being deep in the forest, whereas the flowers and plants are distant but able to smell from afar makes him ponder about the idea of dying into the nightingale singing and darkness a suitable idea.
"Ode on a Grecian Urn" discuses the idea of immortality in a picture, and how if a moment is captured on an urn then does it exist always? It seems the theme of this poem came from a phrase of Leonardo DiVinci: "Cosa bella mortal passa e non d'arte." Translated, this means mortal beauties pass away, but not those of art. "Ah, happy, happy boughs! That cannot shed your leaves, nor ever bid the spring adieu." Keats uses personification in this example to make the tree branches seem like they are happy and enjoying the situation. In the third stanza the word "forever" is repeated: "And, happy melodist, unwearied. Forever piping songs forever new. More happy love, more happy, happy love. Forever warm and still to be enjoyed. Forever panting, and forever young." This repitition is done to draw attention to the word forever which makes the reader appreciate the true meaning of the poem, which is the debate over immortality and death and what immortality means.