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Keats' theory of aesthetics in ode on a grecian urn
Keats' theory of aesthetics in ode on a grecian urn
Keats' theory of aesthetics in ode on a grecian urn
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Renowned poet of the Romantic era, John Keats, is known for his thought provoking poem “Ode on a Grecian Urn”. Within this poem, Keats analyzes an urn depicting various scenes from history. While Keats contemplation of the beauty of the urn is apparent throughout the work, there is a particular stanza that is particularly noteworthy. The fifth, and final, stanza of Keats’ “Ode on a Grecian Urn” states,
“O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say’s
“Beauty is truth, truth beauty,”—that is all
Ye know on earth and all ye need to know” (Greenblatt, lines 41-50).
This specific stanza is exceedingly significant due to the purpose it serves of bringing Keats’ contemplations on eternity and mortality through the urn to a final resolution, the way in which the final stanza serves to exemplify the harmony of pleasure and pain found throughout Keats’ poem, as well as the controversial nature surrounding the many interpretations of the final couplet of the stanza.
Throughout his poem, Keats’ utilizes the use of paradoxes to illustrate his reflections on eternity and mortality. In the second stanza of the poem Keats states “Heard melodies are sweet, but those unheard/Are sweeter; therefore ye soft pipes, play on” (Greenblatt lines 11-12). In presenting this paradox of the heard and unheard, Keats is implying the silent music from the instruments depicted on the urn is far more pleasant than the discernible music from a real instrument due to the p...
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... In “Ode on Grecian Urn”, Keats contemplates the various forms of eternity and the concept of mortality through the visions depicted on an urn. The fifth, and final, stanza of the poem states,
“O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say’s
“Beauty is truth, truth beauty,”—that is all
Ye know on earth and all ye need to know” (Greenblatt, lines 41-50).
This stanza is the most notable stanza of Keats’ poem due to its ability to bring Keats’ reflections on various forms of eternity and mortality through the urn to a resolution, as well as provide the controversial final couplet
...he imagery of the more intensely-felt passages in the middle of the poem. Perhaps the poet is like someone at their journey's end, `all passion spent', recollecting in tranquillity some intimations of mortality?
This essay is anchored on the goal of looking closer and scrutinizing the said poem. It is divided into subheadings for the discussion of the analysis of each of the poem’s stanzas.
John Keats’s illness caused him to write about his unfulfillment as a writer. In an analysis of Keats’s works, Cody Brotter states that Keats’s poems are “conscious of itself as the poem[s] of a poet.” The poems are written in the context of Keats tragically short and painful life. In his ...
...tion between loneliness and death. The first three lines of each stanza in this poem generally have four feet, while the last line have only two or three. This change calls attention to the last line, in which Keats makes references to images.
Keats’ poetry explores many issues and themes, accompanied by language and technique that clearly demonstrates the romantic era. His poems ‘Ode to a Nightingale’ and ‘Bright Star’ examine themes such as mortality and idealism of love. Mortality were common themes that were presented in these poems as Keats’ has used his imagination in order to touch each of the five senses. He also explores the idea that the nightingale’s song allows Keats to travel in a world of beauty. Keats draws from mythology and christianity to further develop these ideas. Keats’ wrote ‘Ode To A Nightingale’ as an immortal bird’s song that enabled him to escape reality and live only to admire the beauty of nature around him. ‘Bright Star’ also discusses the immortal as Keats shows a sense of yearning to be like a star in it’s steadfast abilities. The visual representation reveal these ideas as each image reflects Keats’ obsession with nature and how through this mindset he was able
A. E. Houseman and John Keats are two poets who have wrote many poems about death. In particular, I will be speaking about Houseman’s “To An Athlete Dying Young,” and John Keats “When I have fears that I may cease to be.” Houseman speaks about a young athlete who died shortly after winning a race. Many people would think that this was a life that was short lived; however, Houseman believes this is the best way to go. If you die at your prime, that is how people will remember you, and no one will break your record. Keats speaks about some things that he wants in life: success, face, love, etc. He believes these things are crucial to the value of one’s life, and he realizes his death is coming soon, and he will not be able to fulfill these things.
"Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too." So often, people look back upon their youth and wish that they still had it before them. Our natural tendency is to fear old age, to see it as the precursor to death, rather than a time of life, desirable in its own right. However, in John Keats' poem, To Autumn, he urges us not to take this view, but to see old age as a beautiful and enviable state of life, rather than something to be feared.
This allows for a smooth transition in his description of the ritual that marks a soldier’s death. To draw attention to the tears “in their eyes”, which could be in the eyes of the dead soldier or of their brothers at war, they are connected to the “glimmer of good-byes”, to represent the quick mourning for the soldiers (10-11). The connection here is furthered with the use of enjambment at the end of the tenth line; with no grammatical separation, the thought smoothly transitions from one line to the other. On the other hand, Keats uses the exact Shakespearean rhyme In the sonnets “When I Have Fears that I May Cease to Be”, by John Keats, and “Anthem for Doomed Youth”, by Wilfred Owen, the poets’ use of formal elements create distinctions to mark the speakers’ thoughts and build upon the situation.
Throughout Keats’s work, there are clear connections between the effect of the senses on emotion. Keats tends to apply synesthetic to his analogies with the interactions with man and the world to create different views and understandings. By doing this, Keats can arouse different emotions to the work by which he intends for the reader to determine on their own, based on how they perceive it. This is most notable in Keats’s Ode to a Nightingale, for example, “Tasting of Flora, and Country Green” (827). Keats accentuates emotion also through his relationship with poetry, and death.
In Keats “Ode to a Nightingale” we see the sense embodied through a variety of different literary techniques and in particular his use of synaesthesia imagery. The dejected downhearted nature of the poem promotes emotion in the reader even before noting poetic devices at work. The structure of the meter is regular and adds to the depth of this poe...
This opposition shows Keats highlighting the delicate correspondence between happiness, death and melancholy having humanistic traits. In order to experience true sorrow, one must feel true joy to see the beauty of melancholy. However, Keats’s poem is not all dark imagery, for interwoven into this poem is an emerging possibility of resurrection and the chance at a new life. The speaker in this poem starts by strongly advising against the actions and as the poem continues urges a person to take different actions.
Arguably one of John Keats’ most famous poems, “Ode to a nightingale” in and of itself is an allegory on the frail, conflicting aspects of life while also standing as a commentary on the want to escape life’s problems and the unavoidability of death. Keats’ poem utilizes a heavy amount of symbolism, simile and allusion to idealize nature as a perfect, almost mystical, world that holds no problems while using imagery taken from nature, combined with alliteration and assonance, to idealize the dream of escape from the problems life often presents; more specifically, aging and our inevitable deaths by allowing the reader to feel as if they are experiencing the speaker’s experience listening to the nightingale.
...storal” (45, p.1848). The urn’s eternity only exists artistically and does not reflect human life because only the urn “shou remain” forever (47, p.1848). Keats contrasts the ephemeral nature of human life with the longevity of the urn. In last two lines, Keats declares, “beauty is truth, truth beauty” (29, p.1848) embodying both sides of his perspective. By establishing a relationship between beauty and truth, Keats acknowledges that like truth, the beauty of the Grecian urn is unchangeable and that the ability accept reality is beautiful.
The third stanza marks a solid transition into Keats’ open and almost (excessive) praising of the goddess. While this isn’t too remarkable as the entire poem is focused on lavishing Psyche with extraordinary praise heaping complementary metaphor upon complementary metaphor onto her.Keats makes sure that it is clear nothing can compare to Psyche’s perfection. Keats allows this repetition to build on itself, driving the point even more home.
In “Ode to A Nightingale,” a prominent significance to Keats is his idea of the conflicted interplay in human life of living and death, mortal and immortal, and feeling versus the lack of feeling or inability to feel. “The ideal condition towards which Keats always strives because it is his ideal, is one in which mortal and immortal,…beauty and truth are one” (Wasserman). The narrator plunges into a dreamlike state when hearing a nightingale sing. As the nightingale sings, he shares its elation and feels the conflicting response of agony when he comes down from his dreamlike ecstasy and realizes that unlike the nightingale in his imagination, “Thou was not born for death, immortal Bird,” his life is finite (61). “Where palsy shakes a few, sad last gray hairs, where youth grows pale, and spectre-thin, and dies” (25-26).