Theorist Laura Mulvey is notorious for her claims about the nature of cinematic enjoyment. In “Visual Pleasure and Narrative Cinema”, she concludes that a spectator experiences two main pleasures in viewing conventional Hollywood films: (1) a voyeuristic pleasure, constituted from considering a female figure in an objectified, sexual way, and (2) a narcissistic pleasure, arising from identification with a male protagonist and his ‘gaze’. (Mulvey 62) Central to her argument is Mulvey’s emphasis on
A Deconstructive Glance at Edgar Allan Poe's The City in the Sea Always mesmerizing, Edgar Allan Poe's poems range from deep and depressing to dark and grotesque. Certainly this is true of his poem “The City in the Sea,” which is dark in tone and ambiguous meaning. What does it mean, and where did Poe come up with his concept? There are many possible answers to this question, and interpretations include the phallic and yonic symbols of Freudian theory and the idea of biblical cities as source
Due to a lack of primary source information in relation to the abundance of secondary source material regarding Aspasia and her influence within rhetorical history, tackling the question concerning the amount of influence she held is difficult and, therefore, tackling the question of whether or not her influence was gender-related is more challenging. When grappling with the latter, a significant amount of feminist scholars provide a pool of information, as they see it, to draw from. Scholars like
such as Doryphoros (fig. 5-42) may not seem very great in a single glance. In fact, you may not notice any differences in that one glance. Yet, if you were to look at them closely, you can see that these two statues actually have very little in common. The first glance you’ve taken at those two statues, you just see a man standing there. They are not doing anything in particular, just standing there. That was only in the first glance of course. Now take a good look at each one. In the archaic Greek
reads lines such as this, one cannot help but think that the poet must have been very, very happy, and that, in fact, the tone of the poem is light and filled with joy. However, this is not the case in John Keats’s poem, Ode on a Grecian Urn. At first glance, the tone of the poem seems light and flowery. However, when one looks deeper into the poem to find its underlying meanings, one discovers that the tone of the poem is very morbid. This is because the poem has two separate levels. Keats’s Ode on a
slope of the steep. It causes the reader to take another glance at the poem to visualize what is going on with their mind and imagine that they are there watching "The king of men" ride his horse to Hela's abode. The second example is found in the second paragraph. Right against the eastern gate, By the moss-grown pile he sate; Where long of yore to sleep was laid the dust of the prophetic maid ("Odin", lines 17-20). Now we take a glance at the voice of Odin, the mighty god of war. Fix onto the
Analysis of "My Papa's Waltz" This poem has a kept form. Even at a glance, it has a set form. It consists of four quatrains, each line being an iambic tritameter. The poem is about a young boy waltzing with his father. One can assume that the speaker is a young boy, or perhaps the poet reminiscing his youth. The father dances around in a haphazard manner, knocking over pans in the kitchen. Upon first glance, the tone is humorous. The picture one immediately forms is rather comical with the
The Powerful Message of Jubilate Agno Jubilate Agno is Christopher Smart's poem which illustrates at first glance a testament to his religious obsession and his deteriorated mental state. The other side of this poem shows a man trying to keep his sanity in an insane place. William Stead sees the work as "a spiritual diary of his thoughts, memories, and prayers, during the darkest years of his life" (Stead 17). Jubilate Agno focuses on God with daily occurrences weaving their way into the
J.D. Salinger's A Perfect Day for Bananafish At first glance, J.D. Salinger's short story 'A Perfect Day for Bananafish' is the story of a psychically-torn war veteran whose post-traumatic stress moves him to take his own life while on a second honeymoon with his wife. Indeed, that is the story, but that first glance does not reveal the inner motives and symbolic pathways Seymour Glass takes to reach the final decision to end his life. The carefully placed details and minute innuendoes are deliberate
odor which nobody can quite determine the source of, and the white, vinyl tile floor is covered in a layer of disgusting things one can only dream of. Still, for some reason it remains a haven to about twelve percent of the student body. At first glance, it does not look like anything special, but when you open that big, gray door and step into the “band world” it becomes clear that it really is an amazing and wonderful place. It feels like the center of the universe. In the band room, everybody
Recommendations." Online. Internet.25 Sept. 1998. (www.futureofchildren.org) Campbell, Dr. Neil. "Low Birth Weight Babies: Facts Sheets for Health Professionals." Online. Internet. 26 Sept. 1998. (http://hna.ffh.vic.gov.au). "Low Birth Weight At a Glance." Children and Family Canada. Online. Internet. 25 Sept. 1998. (www.cfc-efc.ca). "Low Birth Weight Babies..." Baby World. Online. Internet. 25 Sept. 1998. (www.babyworld.com). Zaichkin, Jeanette RNC, MN. Newborn Intensive Care: What Every
An Analysis of Dickinson’s "I Felt a Funeral in My Brain" Emily Dickinson was a poet who used many different devices to develop her poetry, which made her style quite unique. A glance at one of her poems may lead one to believe that she was quite a simple poet, although a closer examination of her verse would uncover the complexity it contains. Dickinson’s poem " I felt a Funeral, in my Brain", is a prime example of complicity embodied by simple style and language. In this piece, Dickinson chronicles
story entitled The Mask of the Red Death is an artistic example of vivid symbolism. Throughout the sinister tale Poe writes in a style that appeals to all five senses and captivates the reader's curiosity until the story's dour conclusion. Upon first glance, the story seems to be a complex tale of good versus evil. If the reader were to examine the story more deeply, they would then discover that the plot and symbolism intertwined throughout the narrative is no more than a simple metaphor for life and
moral of the play is not merely the consequences of attempting to circumvent one's fate. The running theme of the play is blindness, and Oedipus is blind the way through, comparable in every way to Sampson of the Bible. A quick-witted man at first glance, Oedipus soon showed himself to be arrogant and narrow-minded in his dealings with Tiresias, Creon, and the Old Man. After solving the puzzle of the Sphinx, he went on to unknowingly kill his father and try to save another city. His destiny was laid
Robert Frost's Love and a Question Robert Frost's poetry has a confortable and familiar nature at first glance, but this author is known for dealing with human tragedies and fears often in a symbolic manner. He uses poetry to express his reaction to the complexities of life and his acceptance of his burdens. Although his work is rooted in New England region, he is a far reaching poet who's work spans metaphysical and psychological topics. One can often notice these under the surface of
Paradise Lost is an epic of epic proportions! It chronologs the designs of Satan, the fall of the angels, the creation and subsequent fall of man from paradise, and finally ends with some hope for a paradise regained. At first glance it seems to be two epics rolled into one. The book begins right away introducing us to the would be protagonist, Satan, up against an indominable force, God. We are made to sympathise with Satan's plight and almost admire him or hope for his success. There is a certain
story's antagonist, represents Satan in the story. Indeed, Arnold Friend is an allegorical devil figure for the main reason that he tempts Connie, the protagonist, into riding off with him in his car. Oates characterizes Arnold Friend at first glance as “a boy with shaggy, black hair, in a convertible jalopy painted gold”(581). She lets the reader know that Arnold is not a teenager when Connie begins to notice the features such as the painted eyelashes, his shaggy hair which looked like a wig
Personification of Oppression in Jane Eyre At first glance and under insufficient scrutiny, the persona of Jane Eyre reflects a slightly expanded Cinderella character. But Jane Eyre's personality and life delve much deeper than a superfluous "rags to riches" story. Her identity is as complex as literature can convey and her characteristics are manifested through several subtle parallels. These parallels relate to objects and nature, but mostly to one particular individual in the novel. A seemingly
his own determination and strength. This book is highly recommended for many reasons, including the insightful views expressed on religion and life, the interesting facts on zoology, and the author's unique talent in making something that at first glance seemed totally unrealistic become reality - humor inserted along the way! First of all, it is obvious that Pi Patel learns to have a very open mind when it comes to religion as he has embraced three of them, resulting in a unique Hindu-Christian-Muslim
the data in a manor that is searchable. Two of the major search engines are Google.com and Msn.com. Both offer great search engines and services, but have different styles and appeal to different audiences looking for different things. At first glance it may appear Msn is better than Google because it offers much more links than Google does. However, a text box and a button is basically all the user needs to search for what s/he is looking for, everything else is extra. Therefore Google has the