Lu Xun’s Commentary on Traditional Chinese Social Hierarchies

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When Lu Xun was born, Chinese society had been following the same traditions for generations. A pillar of these traditions, strict social hierarchies particularly oppressed women. Instead of having a say in their lives, they were subject to their father, their husbands, their husband’s family, and then even to their sons. Marriages were arranged, and in the event of the death of a husband, the woman would be expected to remain chaste even to the extent of choosing suicide over remarriage. Social hierarchies also restricted the intermingling of classes with strict social rituals separating the elite from the common. During Lu Xun’s early years, however, society had begun to get restless, and many pushed for change. At the forefront of the changing tides in Chinese society, Lu Xun advocated for change in the ancient social hierarchies that had directed Chinese society for generations in his stories “My Old Home” and “New Year’s Sacrifice” which specifically responded to the injustices of the traditional system against women and the arbitrariness of the separation between classes that the hierarchical system imposed.
Lu Xun lived during what came to be known in China as the Republican period. During this period, China underwent major social changes. An emerging iconoclastic intellectual class, one of the most important societal shifts, began to attack traditional Chinese institutions through literature. Lu Xun, a prime example of this intellectual class, targeted traditional social hierarchies and their effects on the lives of women and the separate classes. During the May Fourth Movement, part of the Republican Period, women’s rights advocates sprung up around China pushing for marriage rights for women to choose their hus...

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...rarchies that governed interactions within China. In “New Year’s Sacrifice”, he attacked the expectations and oppressions of women that were a part of traditional society. In “My Old Home”, Lu presented the case of his childhood friend, engaging the sympathies of readers in an effort to turn them against traditional Chinese social divisions. Lu Xun’s writings were characteristic of the May Forth Movement in their iconoclastic nature and push away from traditional social rituals.

Bibliography

Lu Xun, “My Old Home.” In Modern Chinese Stories and Novellas, 1919-1949, edited by Joseph S.
Lau, C.T. Hsia, and Leo Ou-Fan Lee, 11-16. New York: Columbia University Press, 1981.

Lu Xun, “New Year’s Sacrifice,” In Modern Chinese Stories and Novellas, 1919-1949, edited by
Joseph S. Lau, C.T. Hsia, and Leo Ou-Fan Lee, 17-26. New York: Columbia University Press, 1981.

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