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Sexism in movies essays
Film bodies gender genre and excess
Representations of sexuality in films
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Chicanos and Chicanas are often stereotyped by people based on crude and unfair assumptions but at the same time, these stereotypes are often based on the truth. Movie directors are no exception as they attempt to understand and give representation to entire Chicano/a and Latino/a culture in society. The trailer of the film, La Mission, Che seems to be happy with his life until he realizes his son, Jes, is gay. Che then finds himself in a struggle to accept the homosexuality of his son while at the same time, Jes is struggling to find his own identity and to fit into society. The trailer has distinct ways in how it represents and shows the intersection and issues of gender and sexuality, race and ethics, as well as class. The trailer represents …show more content…
Che’s rejection shows how important masculinity and heterosexuality is to Chicanos and their society. This is also exemplified by the week 6 readings of “Queer in Aztlan” where the author Mario Martinez is also rejected by his parents for being gay. “As soon as the word gay came out of my mouth, my mom started crying and my dad stood up quickly, very upset, and almost turned abusive” (Martinez 234). The parents of Martinez have the same reaction as Che when he finds out Jes being homosexual. Interestingly, both the fathers of Jes and Mario have violent reactions towards the discovery which represents how much homosexuality is rejected in masculine societies. Furthermore, Mario’s father goes on to question what he did wrong as a father and then says he can’t have a homosexual child in his family (Martinez 234). This shows that Che’s reaction to Jes being homosexual is not out of the ordinary as Mario’s father in the readings does the same. Although the trailer of La Mission shows that Che’s reaction is not unordinary, as Mario’s parents reacts the same way, it is also not how all parents react. Mario’s partner, Marco, had parents who were Catholic, like Che is, as seen from Che and Jes praying at the table and the cross in one scene, and yet, his parents …show more content…
In Chicano society, being masculine was extremely important. The trailer shows stereotypical representations of what is supposed to make a masculine man. The trailer of La Mission represents the “masculine” man through the violence and aggression as well as the slang and way these “masculine” men speak. Che is one of the main embodiments of masculinity in this movie with how he dresses, behaves, and speaks. As said in “Golden But Not Brown: Oscar De La Hoya and the Complications of Culture, Manhood, and Boxing”, being masculine was “grounded in bravery, risk taking, violence, bodily strength, and heterosexuality (Delgado 275). Che, after discovering his son’s heterosexuality reacts violently. He physically throws his son out of the house and then the two start to fight almost. “I want you out of my house! From now on you’re dead to me!” is what Che shouts at Jes upon discovering his sexuality. Che violently explodes and disowns his son simply due to the fact that heterosexuality is the norm and being homosexual is not masculine. Later on in the trailer, he also grabs Jes’s partner, Jordan, by the neck and holds him against the wall. His disapproval of his son’s homosexuality shows his value in heterosexuality which is one of the major representations of masculinity. His quick resort to violence is another representation of Che’s masculinity. Another article, “What It Means to be a Man?:
Sandra Cisneros “Never Marry a Mexican” and Junot Diaz’s The Brief Wondrous Life of Oscar Wao are stories that reflect on the cultures in which the characters grew up in. In Never Marry, Clemencia, the narrator, reflects on her past sexual relations as well as her childhood. She speaks of her parents’ marriage and then transitions into her relationship with college professor and his son. In Oscar Wao, Yunior, the narrator, gives a second-hand retelling of Oscar’s experiences in New Jersey growing up as well as in the Dominican Republic. A person’s identity is largely influenced by their culture, this is especially the case in Hispanic cultures. The social constraints that these cultures place on social class, sexuality, and gender norms can be very detrimental to a person’s self-esteem.
The movie, “The Perfect Dictatorship” (“La Dictadura Perfecta”), directed and produced by Luis Estrada and released in 2014, is a political, satirical comedy story of two reporters attempting to repair the image of a corrupt governor after he signs a deal with the boss of their television company, Television Mexicana. That’s one way we could describe the plot of the movie. Another would be that the movie depicts the inherent corruption of the Mexican government and the lengths to which they will go to retain (or regain) their reputation. Equally, we could see the movie as a demonstration of the corruption of the Mexican media and the ways in which the media influences and effects politics. In fact, the
... racial inequality. Macaria never succumbs to this inequality between men or race, but Marcela is the sacrifice of both. Tony succumbs to the stereotype of a race-induced machismo, becoming the villain among the Anglos of Texas and the hero among the Mexican women in his barrio by redeeming their collective virtue.
The author highlights the Latino stereotypes and their effects on those stereotyped and on society. By carrying out a satirical tone, the author is able to manifest how Mexicans are treated; thus, achieving this through the secretary’s rejection of each character represented. The satirical tone elucidates on how people may acknowledge their own prejudices and comprehend how Mexicans feel. Through the Mexican-American character, the author makes it clearly evident of an attempt to end prejudice in itself. The author illuminates the ludicrous hypocrisy behind labeling; this play serves to help society see the injustice of their opinions and to meet their
Carlos and Javier are two men living in the city of Juchit∫n, Mexico. They work at a small hotel just off the z-calo, the main town square. Sometimes they converge with other men outside the hotel to watch people as they walk past in the z-calo. As nearly anywhere in Mexico, the men comment and nudge each other when an attractive woman passes, but Carlos and Javier remain silent throughout the exchange. It is not until an attractive young man walks by that they speak up. ãÃUy, que guapo!ä Carlos exclaims: ãAh, how handsome!äÊ Carlos and Javier are muxeâ, the effeminate male homosexuals of Isthmus Zapotec culture.
As showed in the film, Latino American often misrepresented and underrepresented both in front of and under the camera. American Hispanic often portrayed as lazy, unintelligent, greasy and criminal. Hispanic women often pictured comfortable sexuality as prostitution in film production; while Hispanic actors limit to criminal characters such as drug dealers, gangster, and provide the power for the white American. Audiences have less interaction with Latino in their real world might be easily framed by media images regarding the race and ethnicity. The lack of Hispanic history and culture understanding allows these media portrayals to change and form unfavorable behavior and attitude against Latino communities.
Gender, ethnicity, and sexuality are core components that create a solid identity. In the western world Jolene is known as a bisexual Latina female. She is bisexual because she is sexually attracted to men and women, she is a Latina because she is a mixed company of Puerto Rican and German American, and she is a female because she has the physical attributes of a woman. Although gender, ethnicity, and sexuality are all relating factors, they are also separate units of identity. Gender refers to physical attributes and traits that make one appear to be male or female. Sexuality refers to how one feels about their body, one’s sexual orientation, and one’s sexual attraction for others. Ethnicity refers to a group of people who share the same cultural background and heritage. Lopez uses these three different factors of identity and crafts them together simultaneously to suggest the damage of stereotypes. Throughout the novel, Lopez’s Flaming Iguanas highlights the conformity of sex and gender stereotypes, and addresses the socially constructed stereotypes to challenge the patriarchy and expose the damage it does to one’s search for selfhood. Jolene exemplifies how they damage one’s sense of self as she ventures
The movie Doubt is set in a private Catholic School in 1960s. Sister Aloysius is the principal of the school, and Father Flynn is the clergyman in the church. While the movie deals with some moral dilemmas such as doubt versus certainty, rigidity versus openness and so on, the central theme of the story pivots on accusation on Father Flynn of child molestation. The story has a hanging ending where Father Flynn is proven neither guilty nor proven innocent. Based on the contents of the movie and my own analysis, I believe that certainty plays a bigger role in accusations and I believe that Father Flynn had been falsely blamed and I am also against the rigidity of the society.
For a first example of stereotypes, In “The Myth of the Latin Woman,” Judith Ortiz Cofer writes about the many stereotypes that she, as a Puerto Rican woman, has endured. She opens with a tale of how she had been publicly serenaded—on a London bus, of all places—by, as Cofer puts it, “a young man, obviously fresh from a pub” (187). Later on, she mentions a second random serenade of sorts, this time from a older man in a classy metropolitan hotel. The young man sang “Maria” from West Side Story, the older man first chose a song from Evita, then encored with a crudely-worded song to the tune of “La Bamba.” In both situations, whether it was their intention or not, their actions resulted in alienation of the author, singling her out and thrusting the stereotypes of her lineage in her face. The men may have meant well; they may have felt that what they were doing was good-hearted fun. They may have even been trying to...
...tyle that alludes to the multitude of constantly changing and sometimes even contradictory elements in each characters journey to racially and sexually define themselves. Audre, Miguel and Leticia hold multiple racial and sexual identities in a fluid constant that change depending on their location and social context. Instead of serving as a bridge for their families, these characters break free of their place of origin and connect the multiple elements that inform their realities in order to adapt them to their present. Race and sexuality are inextricably linked. To believe in one true sexual or racial identity allows for a feeling of safety, as the aim is then find a definable, core sense of self; however, these three texts illustrate that a singular form of identity is insufficient at defining the complexity of human racial and sexual experiences.
Bertolt Brecht successfully accomplishes this in his work through his technique called the alienation effect where “he forces the audience to look at everything in a fresh light and, above all, to think” (Barranger, pg. 121). His main goal by using this was for the audience to “absorb his social criticism and to carry new insights out of the theater into their own lives” (Barranger, 121). Valdez applies this technique through his use of the Secretary, representing the American population as a whole, and the stereotypes of the Mexicans. When she is first introduced to Sancho, she comes with a list of criteria for what the Mexican should acquire including: “suave, debonair, dark, but not too dark, beige, American-made and hard-working” (Valdez, p. 1288). From the start of the play, Mexicans are already being stereotyped on how they should look and act to be accepted by Americans and their culture. This gets the audience thinking of their own perception on Mexicans and what qualities they might consider if they were in this situation. From the qualities represented of each of the “models,” the Secretary then denies any quality of the model that isn’t sufficient enough for her liking, and “shops” around until she finds the right
In the film Quinceañera (2006), it shows controversial issues that Latinos are known to displease including teen pregnancy, being gay, and not conforming to the family’s religion. Carlos, one of the movie’s main characters, has been dishonored and kicked out
“There once was a time in this business when I had the eyes of the whole world! But that wasn't good enough for them, oh no! They had to have the ears of the whole world too. So they opened their big mouths and out came talk. Talk! TALK!” (Sunset Boulevard). The film Sunset Boulevard directed by Billy Wilder focuses on a struggling screen writer who is hired to rewrite a silent film star’s script leading to a dysfunctional and fatal relationship. Sunset Boulevard is heavily influenced by the history of cinema starting from the 1930s to 1950 when the film was released.
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
The film, Fruitvale Station, is based upon a true story of a young, unarmed African American male, Oscar, who was shot by a Caucasian BART police officer. The film displays the final twenty-fours of Oscar Grant’s lives going through his struggles, triumphs, and eager search to change his life around. There will be an analysis of the sociological aspects displayed throughout the movie that show racism, prejudice, and discrimination.