For the purpose of this study, I will critically examine the representation of homosexuality in Hollywood cinema. I will specifically analyse films from the early 90’s to mid 2000’s from ‘Philadelphia’ to ‘Brokeback Mountain’. This dissertation will argue that over the space of 12 years homosexuality has become an acceptable part of cinema. I will look at early Hollywood’s representation of homosexuality depicting how aesthetically so much has changed. The current paper will predominantly focus on the two films ‘Philadelphia’ and ‘Brokeback Mountain’, by critically analysing the aesthetic differences between each film as well as their overall importance to gay culture.
Early Hollywood cinema and the average American citizen of the time looked at the taboo topic of homosexuality from the same point of view. This viewpoint conveyed was that homosexuality was immoral; therefore it was made illegal to partake in any homosexual acts. Moreover, before the decade of the 1960s, in the laws of sodomy, there was a law that prohibited sexual contact between people of the same sex. Therefore homosexuality was seen as a crime punishable by law. An example of this would be………………………….
Homosexuality was also seen as a mental disorder up until the year 1973 in which it was officially removed from the list of mental disorders from the American Psychological Association. Andra Gault discusses in ‘The Hypocrisy of Hollywood: How the People in Hollywood Hurt the Causes They Try to Champion’, the varying attitudes towards homosexuality. Also discussing the subject of being considered gay because of how one acts that is “Not considered normal for that gender”.
In the book ‘Homosexuality and American Psychiatry: The Politics of Diagnosis’ Ronald Bayer m...
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...s. 90’s television has taken the issue of homosexuality and instead of being melodramatic and too serious, comedy was used to represent homosexual lifestyle. For example television shows such as ‘Queer Eye for Straight Guy’ as well as sitcoms like ‘Will and Grace and ‘Ellen’ made light of gay culture and allowed audiences to associate with the humour without necessarily being homosexual.
‘Flaming Classics’ looks at the film ‘The Wizard of Oz’ entailing it had hidden meanings. This book takes the films perspective from a queer point of view. His description of the word ‘queer’ is not very specific however he does state that the use of the word can cause anxieties from those who do not understand it as the word is still being defined today. By attaching labels to those that do not fit into the typical stereotype of culture it helps others to better comprehend.
Sex and Gender was the subject of the two movies Dreamworlds 3 and Further Off The Straight & Narrow. In Dreamworlds 3 Sex is portrayed as a status of life and happiness in the media. This media displays people as objects that can be manipulated for sexual pleasure. As the media is populated with sex it tiptoes around gender, specifically that of gays or lesbians. The film Further Off The Straight & Narrow emphasized the movement through media gay and lesbian topics. This text analyzes iconic television programs and how they reflect the societal stance during that time. As a member of a generation that has had the topic of these issues prominent I believe they are important but are banal. In this reflection I will be responding to two questions, what would woman driven Dreamworlds look like? And Do you agree with the statement that if you are not on television you don’t exist?
...e social changes brought about this period. He cites the growing sensationalism of sex covered in the media as a prime driver behind the sexual orthodoxy in American culture (Chauncey 1994, 359). During this witch hunt, he draws a silver lining. Using the scholarship of others such as John D’Emilio, he cites that this period brought a greater bond to the gay community by forging brotherhood of adversity which would then come back into play in the 1960’s as an experiential touchstone for the Civil Rights era (Chauncey 1994, 360). Chauncey nestles his own narrative of the gay community in New York within the larger narrative of gay life in America filling in the gaps of secondary sources through his own primary work.
‘Lad flicks’ or ‘lad movies’ is a type of film genre that emerged in the late 1990s. They are defined as a “‘hybrid of “buddy movies”, romantic comedies and “chick flicks”, which centre on the trials and tribulations of a young man as he grows up to become a ‘real man’. ‘Lad flicks’ respond in part to the much-debated ‘crisis in masculinity’” (Benjamin A. Brabon 116). This genre of film explored what it meant to be a ‘real man’ in the twentieth century and in order to do so, they would have to grow up and leave their juvenile ways behind to enter the heterosexual world. Gender relations in ‘lad flicks’ portray masculinity as a troubled, anxious cultural category hiding behind a humorous façade and also rely greatly on a knowing gaze and irony. The two ‘lad flicks’ that will be analyzed are The 40-Year-Old Virgin (Judd Apatow 2005) and Role Models (David Wain 2008).
Released in 1994, 14 years into the AIDS epidemic, the film had a phenomenal response around the world and in Australia. Travelling from Sydney, the three main characters, played by Hugo Weaving, Guy Peirce and Terrance Stamp, travel to Alice Springs for a cabaret show hosted by Mitzi’s wife. The audience is positioned to sympathise with the main characters during their hardships, and good times. The movie confronts different types of masculinity in an extreme environment. The film presents the stereotypical behavior of gay men that is evident in our society.
In the past decades, the struggle for gay rights in the Unites States has taken many forms. Previously, homosexuality was viewed as immoral. Many people also viewed it as pathologic because the American Psychiatric Association classified it as a psychiatric disorder. As a result, many people remained in ‘the closet’ because they were afraid of losing their jobs or being discriminated against in the society. According to David Allyn, though most gays could pass in the heterosexual world, they tended to live in fear and lies because they could not look towards their families for support. At the same time, openly gay establishments were often shut down to keep openly gay people under close scrutiny (Allyn 146). But since the 1960s, people have dedicated themselves in fighting for
To begin with, ‘Down Low’ is a phrase that was coined by members of the African American urban culture during late 1980’s which defines gay men who appear to be straight (Hamilton, 2009). Many characteristics of men living on the down low include individuals (who appear as though they are straight) who are sometimes married with children, members of the clergy, elected officials, ex-convicts, and most notable in a number of low-budget and often overlooked films – straight acting thugs (Hamilton, 2009). It is almost virtually impossible to be appreciative of the drama “Angels in America” without having an understanding about the history of the AIDS crisis as well as a more extensive story of lesbians and gays in the United States of America. While men and women have engaged in homosexual conduct in all times and various cultures, it was only in the twentieth centu...
4. Wilson, Wayne. Sexuality in the Land of Oz. Friday the the 13th films Essay
Prior to the 1950’s, society had already formed the foundation of its bias towards gay men. Scientific and social studies executed by famous scholars, such as Freud and Kinsey, suggested not only that homosexuality is abnormal, but it is prevalent among society (Johnson). Correspondingly, Washington began to grow, which gave way to new government positions, ranging from the lowest corporate level to the highest corporate level; thus, paranoia, regarding homosexual men in the White House, dispersed
The background of homosexuality in the 1940’s and 50’s was harsh, but people started to be opened toward the rights. There were criticisms toward homosexuality in the early days of Milk. Gay men carried the labels of mentally ill or psychopathic. Often times, gay men committed suicide from harsh judgement and criticism that always followed them. Even though population of homosexuality grew and had jobs, they were harassed and beaten by the police. There were a lot of disapproval and hostility of homosexuality. Anita Bryant, a singer, made a campaign to oppose the rights of homosexuals. Christian forces and activists withdrew gay-right legislation which lead to Proposition 6. The harshness from background of homosexuality back in the 1940’s and 50’s took the freedom away from the homosexuals. After the harshness, there came a little bit of hope for the homosexuals in San Francisco. Castro, a city in San Francisco, became the center of gay neighborhood. In 1964, gay men formed Society of Individual Right (SIR), and 1,200 members joined. Homosexuals started having good views when Sipple who was gay saved the president from a gunshot. Finally in 1972, Board of Supervisor banned the discrimination law for homosexuals. Even though in 1940...
Though many consider homosexuality a mental illness, different studies have proven that it is a bi...
The American black comedy The Wolf of Wall Street directed by Martin Scorsese was released December 25, 2013 and stars the likes of Leonardo DiCaprio, Jonah Hill and Margot Robbie. While on face value The Wolf of Wall Street looks like a film about excessive cocaine binges, long evenings filled with men with cigarettes, large portions of alcoholic consumption, having many sexual escapades with various women and even dwarf tossing from time to time, the film is deeply rooted in perception gender within the genre of The Wolf of Wall Street. The word ‘genre’ is rooted into a similar category as
Film scholar and gender theorist Linda Williams begins her article “Film Bodies: Genre, Gender and Excess,” with an anecdote about a dispute between herself and her son, regarding what is considered “gross,” (727) in films. It is this anecdote that invites her readers to understand the motivations and implications of films that fall under the category of “body” genre, namely, horror films, melodramas, (henceforth referred to as “weepies”) and pornography. Williams explains that, in regards to excess, the constant attempts at “determining where to draw the line,” (727) has inspired her and other theorists alike to question the inspirations, motivations, and implications of these “body genre” films. After her own research and consideration, Williams explains that she believes there is “value in thinking about the form, function, and system of seemingly gratuitous excesses in these three genres,” (728) and she will attempt to prove that these films are excessive on purpose, in order to inspire a collective physical effect on the audience that cannot be experienced when watching other genres.
The 1990s saw a surge of gay characters in both television and movies. From Ellen Degeneres and her character Ellen Morgan coming out under much scrutiny on the TV show ‘Ellen,’ to Julia Roberts and Rupert Everett comedically playing off each other in the motion picture ‘My Best Friend’s Wedding.’ Sure, gays and lesbians have been around forever, especially in Hollywood. But never has there been a time to be more out. With the popularity of shows like Will and Grace, which feature leading gay characters, as well as Dawson’s Creek
Thakur, C. (2013). 100 years of cinema: History of the kiss-sexually liberated 1930s to prudish 21st century. Retrieved from http://ibnlive.in.com/news/100-years-of-cinema-history-of-the-kiss--sexually-liberated-1930s-to-prudish-21st-century/373984-8-66.html
middle of paper ... ... Works Cited Adam Sharpiro, Megan Schultz, Christina Roush, Cassandra Schofar, Emily Shilling, Tawnia Simpson, Natalie Sampiller. Portrayal of Homosexuality in Media. 26 March 2014 http://www.bgsu.edu/departments/tcom103fall2004/gp16.pdf>. Huegel, Kelly.