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Rudyard Kipling, The White Man's Burden imperialism
Rudyard kipling the white man's burden
What is kipling's attitude towards imperialism
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Recommended: Rudyard Kipling, The White Man's Burden imperialism
Kipling’s Notions of Race in Plain Tales from the Hills
"No other Western writer has ever known India as Kipling knew it"
"nobody can teach you British India better than Rudyard Kipling"
"There will always be plenty in Kipling that I will find difficult to forgive; but there is also enough truth in these stories to make them impossible to ignore".
Salman Rushdie, "Kipling", from Imaginary Homelands, London: Granta Books, 1991, 74-80.
It may be discerned from the quotes displayed above that Rushdie, a writer not renowned for suffering fools gladly, accords Kipling some epistemological superiority. Yet when examining images of race and blood in Kipling, the critic turns most frequently to Kim, and I contend that the short stories of Plain Tales from the Hills have been undeservedly neglected in favour of the longer novel. This brief essay examines issues of alterity, going native, empire and blood in Plain Tales from the Hills.
The short story "Lispeth" is a particularly rich field from which to examine notions of alterity. Kipling’s narrator points out that "It takes a great deal of Christianity to wipe out uncivilized Eastern instincts"(4). It would be tempting, given the author’s reputation as a right-wing apologist for empire, to take this comment at face value. However, I believe that "Lispeth", as a text, is centrally critical of the British in India. The missionaries and the young Briton that Lispeth idolises are repeatedly shown as being racially arrogant and duplicitous. Witness the Chaplain’s wife’s description of Lispeth’s love as a "barbarous and indelicate folly", while maintaining that the deceitful "Englishman,… was of a superior clay". Similarly, after the Chaplain’s wife says that "There is no law w...
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...ived from England, he was uneasy about many of the central pillars of the British will to power in India, such as the police, government, and missionary church. Kipling is guilty of a middle-class tendency to romanticise private soldiers and racial stereotypes, such as Mulvaney, or the "woild" and "dissolute" Pathan. Yet he should not be dismissed as unworthy of further study, and the common critical tendency that consigns him, along with Edmund Burke, to the dustbin of right-wing writers is intellectually weak, unquestioning and manifestly uncritical
Useful Links:
Imperial Archive Website: http://www.qub.ac.uk/english/imperial/imperial.htm
Kipling Society Webpage http://www.kipling.org.uk/
The Victorian Web: http://landow.stg.brown.edu/victorian/kipling/kiplingov.html
Bibliography:
Kipling, Rudyard. Plain Tales from the Hills. London: Penguin, 1994.
In it, he claims that the “white man’s burden” is the responsibility to colonize and civilize less advanced countries. In this case, Kipling urges America to imperialize the Philippines, however the goal still stood true in American citizen’s minds with regards to all races, indigenous or otherwise. These ideals stood out to Americans in this time, and may have pushed many of them to further support reformation and colonization of the Native
Wilkie Collins’s The Moonstone has been read as an archetypal piece of imperial propaganda, and yet it seems to lend itself to an alternate reading in which it represents a distinct challenge to the colonial mindset. The majority of the tale is set in England but the Indian location of the prologue and epilogue explicitly root The Moonstone within the context of the colonial experience in India. Far from being incidental embellishments, these two sections provide the opening and the closure of the story. Significantly, the thefts of the eponymous jewel is carried out by a series of upper-class Englishmen, starting with John Herncastle. It is hugely relevant that he steals the moonstone during the siege of Seringapatam in 1799, an event which consolidated the dominance of the East India Company in colonial India. The Moonstone first appeared in serial form on January 4th 1868 by which time myths and facts about the British termed ‘mutiny’ of 1857 were firmly entrenched in the national consciousness. Amidst the widespread repercussions of the events of the mutiny was a loss of former power on the part of the same company. Through his evocation of these memories Wilkie Collins seems to link looting and violence with colonial maladministration.
Impacted by her love to read and write she used situations that she experienced or read about in newspapers to create every piece of her novel. An example in her historical context was the customs that she witnessed on a trip to Afghanistan it states “she observed behaviors that concerned her -- a man who only spoke to her partner and not to her, and the existence of the full-body coverings for women, known in Afghanistan as chadors.” This quote shows two specific ideals that you also see in the Handmaid 's tale, the lack of female equality and the clothing that women wore. Atwood was obviously greatly affected by both of these things because they are major parts of the society and the storyline. Another quote from the historical context of Margaret Atwood describes an event that happened in the US during the time Atwood was a politically aware individual it states “a group known as the “Moral Majority” -- or a group of Christian fundamentalists led by the preacher Jerry Falwell. The Moral Majority promoted an agenda that was focused on religiously inspired views, such as outlawing abortion, opposing recognition of homosexuality and the Equal Rights Amendment (a law that would guarantee equal rights for women), enforcing a “traditional” view of family life (with the man as the head of the household), and censoring any media that did not fit the views they had.” Again this quote shows a few of the major ideals of the society in The Handmaid 's Tale. The agenda of religiously inspired views and the enforcement of a traditional family. Atwood put these into her book to show how if these people had gotten control over the government what our future could possibly look
Creighton conveyed himself as an elusive member of the boring Ethnological Survey. Kipling wrote that he would be content among the old order in London as much as he was in India. He displayed a calm structured demeanor that came from the very structured English way of life. He patiently approached Kim and saw valu...
Supply and demand is defined as the relationship between the quantity that producers wish to sell at various prices and the quantity of a commodity that consumers wish to buy. In the functioning of an economy, supply and demand plays an important role in the economic decisions in which a company or individual may make.
In recent years, the debate over the merits versus the racial shortcomings of Joseph Conrad's Heart of Darkness has raged hot. Many, notably David Denby and Chinua Achebe, have come down on one side or another of the issue. I contend, with the help of the written opinions of Denby and Achebe, that Heart of Darkness, while racist in its views, is nonetheless a valuable and commendable work of art.
Margaret Atwood's "The Handmaid's Tale": A Contextual Dystopia, David Ketterer, Science Fiction Studies, Vol. 16, No. 2 (Jul., 1989), pp. 209-217
...st writers. It's obvious that Atwood intentionally set herself apart from these writers with The Handmaid's Tale. At times, she seems to disagree with them completely, such as when she shows pornography in a favorable manner. At other times, she portrays feminists themselves as the powerful women they would like to be seen as, but it's always with full disclosure of their human frailty. Atwood never bashes feminism. Instead, she shows both sides of it. Like everything else in the novel, feminism is shown to have good and bad elements. Even in Atwood's brave new world, there is no black and white.
To think of "the two-sided man" is to think of the self-searching protagonist of Rudyard Kipling's Kim. "Burned black" and yet white, Irish and yet 'Little Friend of All the World', British and yet native, ruler and yet servant, Kipling's multi-faceted Kim must find his place in the social order of a society that he resides in but is not truly connected to (51). Moreover, what he must also do is recognize that his two identities do not have to come together to form one; it may be more advantageous to keep the two separate from one another. Thus, his quest to find the "Red Bull on a green field" accomplishes two-fold: it allows Kim to find his identity and Kipling to convey his feelings on imperialist presence in India (49). It may be argued that Kipling chooses England over India, elevating the righteousness and appropriateness of British rule over the lowly and needy Indian nation. To say this, however, would be incorrect, for Kim also celebrates the beauty and exoticness of India, its native languages and culture, showing that as much as British customs are praised so too is the Indian way of life. Thus, the identity that Kim forges for himself does not value British over Indian ideologies or blend the two into one hybrid mixture. What he does do, instead, is hold each as a separate, equally important entity. To use the term 'postcolonial' in Kim would therefore suggest the need to develop British and Indian identities in a way that the distinct characteristics of each group are retained and yet equally r...
People tend to make race a bigger deal than what it is, and in literature race is seen to be even more exaggerated. Even within literary texts we are able to see stratification, degradation and accommodation due to race. Through these texts we are revealed perceptions of race that people had at that time. The portrayal of racism within William Blake’s, “The Little Black Boy” and Rudyard Kipling’s, “The White Man’s Burden” show the racist views that culture had and influenced, especially on worth/purpose, and what was considered moral and immoral.
The Handmaid’s Tale was written by Margaret Atwood and published in 1986. The Handmaid’s Tale is a very controversial book, it deals with feminism, rights, religion and so forth. In The Handmaid’s Tale, The Commander is the “head” of the house and basically owns the Handmaid’s. The social groups that are marginalized, excluded, or silenced are the women in Gilead. Not only are the women marginalized, excluded, or silenced, but almost every citizen that is not part of the government is.
Leo exhaled, his breath twirled in the moonlight. His cool golden skin undertone was pale olive from the frigid wind. He glanced at the moon and shook his long curly dark mane that sent snowflakes upon his winter-coat and boots. He walked cautiously down a cul-de-sac he was all to familiar with. The streetlights flicker as he clenches his gun as he walks past deserted home after deserted home. These homes once housed familiar faces of friends he grew up with, now abandoned with boarded up windows and doors that creak open from gusts of wind. Cars buried in snow, windows busted and tires that are flat create a obstacle course that blockade the cracked cement road. The silence makes his skin hair stand on end and goose bumps begin to form on his back, his eyes fully dilated and the only sound is the crunch of snow beneath his feet. He pauses at a house with a hand painted sign of doom eyes watery from what he is witnessing.
It's a pretty bleak picture he paints, cloaked in finery and delight but at the core full of stoic acceptance of misery, hardship and death. While there is a good deal of this that Kipling probably believed, even a casual examination of his own life suggests that this book is more of a bare-bones explication of the fundamental issues than a fully fleshed out portrait of how an artist ought to live.
A Passage to India was the direct outcome of his own experiences in India as secretary and companion to the Maharaja of Dewas Senior. Though Kipling had already treated the India of the Raj in his Kim, it was Forster who gave a sympathetic portrait of India under the foreign rule. "The novel offers a distinctly less generous and complacent picture of the Raj and its servants than had Kipling" (Sanders, page 490). The novel's title was taken from Walt Whitman f...
“If history were taught in the form of stories, it would never be forgotten.” –Rudyard Kipling. Rudyard Kipling was born on December 30, 1865 at Bombay, India. Kipling spent the first six years of his idyllic life in India until his family moved back to England in 1871. After six months of living in England his parents abandoned him and his three year old sister, leaving them with the Holloway family, which in turn mistreated him physically and psychologically, this left him with a sense of betrayal and scars mentally, but it was then Kipling started to grow a love for literature. Between 1878 and 1882 he attended the United Services College at Westward Ho in north Devon. The College was a new and very rough boarding school where, nearsighted and physically frail, he was once again teased and bullied, but where, nevertheless, he developed fierce loyalties. In 1882 Kipling returned to India, where he spent the next seven years working in various capacities as a journalist and editor. Kipling also started writing about India itself and the Anglo-Indian society, This is where Kipling's admiration began to one day be a part of the British military. By 1890 Kipling returned to England and was a well know poet as well as an author. Kipling was the highest paid poet of his time by the age of 32. Rudyard Kipling’s incredible support for the British war effort caused his poems, such as Boots, The Last of the Light Brigade, and Tommy, to convey the theme that soldiers are rarely seen as heroes until freedom is at stake.