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Conceits in Done's poetry
Themes in Done's poetry
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Love and religion are two of the most common topics of poetry, even though many of Donne’s poems are either on love or religion, two different topic, they are connected thru the continuous use of devices such as allusions, metaphors, and puns; providing a bond for each poem yet each for a different context. “The Flea,” “Holy Sonnet VII”, and “A Hymn to God the Father” each have distinct themes, but find common ground by the use of common literary devices.
Donne consistently uses allusions, usually biblical, throughout his poems. Even in an erotic love poem, he manages to insert that “three lives in one flea spare,” alluding to the Christian idea of The Holy Trinity. In “The Flea,” the speaker sheds his religious values by comparing the three bloods mixed inside of the parasite to God, his Son, and the Holy Spirit. This biblical allusion seems like a paradox, since the speakers tries to pursue an unholy deed by using a spiritual thought. Donne’s use of biblical allusions follows into “Holy Sonnet VII,” with the overall apocalyptic visions that are present in the sonnet. The first three lines of the sonnet begin with an allusion to Judgment day, a reminder that the angels will blow their trumpets and then the humans will “arise, arise/ from death, you numberless infinities.” Not only does this allusion provide a reminder for the end of the world, it also serves as an apostrophe by declaring the angels to “blow your trumpets” and starts a conversation in midst of the sonnet. These multiple biblical allusions from “flood” to “fire” serve a remembrance of previous and future happening to the people of earth. Not only are these allusions reminiscence the sayings of God, they are a way to converse with God, for a “devotional poem can be...
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...ugh the puns that Donne uses are either quixotic or spiritual it still in evident in each of his poems.
Works Cited
Donne's "A Hymne to God the Father": New Dimensions
David J. Leigh
Studies in Philology , Vol. 75, No. 1 (Winter, 1978), pp. 84-92
Published by: University of North Carolina Press
Article Stable URL: http://www.jstor.org/stable/4173959
Explicating Donne: "The Apparition" and "The Flea"
Laurence Perrine
College Literature , Vol. 17, No. 1 (Winter, 1990), pp. 1-20
Published by: College Literature
Article Stable URL: http://www.jstor.org/stable/25111839
"Little Worlds Made Cunningly": Significant Form in Donne's "Holy Sonnets" and "Goodfriday, 1613"
Antony F. Bellette
Studies in Philology , Vol. 72, No. 3 (Jul., 1975), pp. 322-347
Published by: University of North Carolina Press
Article Stable URL: http://www.jstor.org/stable/4173878
Donne, John. “Holy Sonnet 5, Holy Sonnet 6, Holy Sonnet 10.” John Donne’s Poetry: A Norton Critical Edition. Ed. Donald R. Dickson. W.W. Norton & Company. New York, London. 2004. (Handout)
When readers reflect on the poetry of the seventeenth century, poets such as John Donne and the
John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.
John Donne?s poem connects flesh and spirit, worldly and religious ideas in a fascinating way between seemingly unrelated topics. He compares sexual intercourse to a bite of a flea and says that now their blood has mixed inside the flea. He also compares the inside of the tiny flea to the entire world, including the couple.
It is quite feasible to state that poetry at its finest is a dazzling and expressive art of words. A poem not only can expose the diplomatic beliefs of societies, but can also articulate passions and sentiments of the author to whom the poem belongs. One of the many fine poems that have been prevalent among the study of literature that is irrefutably powerful is Meditation 17 by John Donne. This poetic essay exposes John Donne’s opinions and beliefs on humanity, and covers much cogitation from religion all the way to death. Of course, the poem has been written so profoundly that one may not grasp it completely at first glimpse, however John Donne does use explicit strategies to better convey his message to readers of all sorts. John Donne utilizes situation, structure, language, and musical devices to enhance the poem and to aid in delivering his message efficiently.
John Donne’s poems are similar in their content. They usually point out at same topics like love, lust, sex and religion; only they are dissimilar in the feelings they express. These subjects reflect the different stages of his life: the lust of his youth, the love of his married middle age, and the piety of the latter part of his life. His poem,’ The Flea’ represents the restless feeling of lust during his youthful days but it comes together with a true respect for women through the metaphysical conceit of the flea as a church in the rhythm of the sexual act.
...al in lines one and two with enjambment between the words “digest” and “my soul.” He even goes so far as to conflate God the Father with depraved man through enjambent and the phrase “robbed man” in line 9. In fact, this line seems to actually serve as a kind of “volta” due to the ultimate extreme of conflation, thus following the traditional Italian sonnet form. This emphasizes the purity of the form as representative of the Trinity in this sonnet. Donne’s use of the form of the poem itself as an embodiment of the Trinity seems to further emphasize the perceived interrelatedness of all things, and therefore supports the mutual statement of love that opens the poem. So, the conflation rises to yet another level, where the poem itself is a resonation of God’s love as a manifestation of the trinity, and Donne takes the role of creator, thus acting in the image of God.
The two poems The Flea and The Sunne Rising capture John Donne’s primary motive to get in bed with women. Donne wrote these poems at an early age, and at that time he was seeking nothing more than a sexual relationship. His poetry depicted clearly how sexist he was at the time and how he used to perceive women as a medium of pleasure. The content of his early poems express an immature and desperate image of Donne, who is dominated by his fixation on the sensuality of women. In The Flea, Donne shows his desperation to have sex by addressing a flea that has sucked the blood of both him and the woman he is persuading. It is quite awkward how the poet uses this obscure image of the flea as a symbol of love and sex to convince the woman that...
The first stanza shows a wide range of fantastical language with the intention of drawing the reader slowly and steadily into the hazy, dreamlike setting. Along with the words like ?fantasy?, ?fables? and ?dreams? come affectionate phrases that effectively show us that the poem is meant to be addressed to a lover, ?Dear love? being the most obvious example. Later on in the poem, the language shifts from drowsy and steady to more intense and complicated, yet less passionate and more doubtful. Donne?s choice in the last stanza to utilize fiery words like ?torches? and phrases ?light and put out? and ?thou cam?st to kindle? depict a sense of overwhelming passion, as uncontrollable as fire. Donne doubts that he can control his lover to continue loving him as fervently as in his dream, which is why his dream lover is ?an angel? while his lover in reality is compared to fire.
In both ‘The Sun Rising’ and ‘The Good Morrow’ Donne presents the experience of love, in a typical Metaphysical style, to engage his reader through sharing his own experiences. These poems show distinctive characteristics of Metaphysical poems which involve colloquial diction, drawing inventive imagery from unconventional sources, passionately analysing relationships and examining feelings. Donne presents the experience of love through conceits, Metaphysical wit, language techniques and imagery, in a confident tone using logical argument. The impact of Donne’s use of direct and idiomatic language shows the reader how he feels about a woman and ultimately love.
John Donne is known as being one of the most famous and influential metaphysical poets. The term “metaphysical," as applied to English and continental European poets of the seventeenth century, was used by Augustan poets John Dryden and Samuel Johnson to reprove those poets for their “unnaturalness.” As Johann Wolfgang von Goethe wrote, however, “The unnatural, that too is natural," and the metaphysical poets continue to be studied and revered for their intricacy and originality. Due to Donne’s personal experiences with spirituality and love, he is able to grasp the true meaning of metaphysical poetry (Brief Guide to Metaphysical Poets). Using all the aspects of metaphysical poetry, Donne creates a mysterious metaphoric poem titled, “The Flea.” Throughout this poem, the use of metaphors and breaks into the separate stanzas allow for the audiences to understand what The Flea is really about. At first glance, many read The Flea as a poem that compares sexual intimacy with an animal, but when broken down, it can be seen that the meaning is much deeper than intimacy, but it
No poem of John Donne's is more widely read or more directly associated with Donne than the tenth of the Holy Sonnets,"Death, be not proud." Donne's reputation as a morbid preacher was well-known. He had a portrait of himself made while posed in a winding-sheet so that he could contemplate a personalized memento of death. Donne draws upon a popular subject in medieval and Renaissance art, Le roi mort or King Death. His fascination with death reaches another plateau with this poem. He almost welcomes it and denounces the process as being neither horrifying nor the "end-all be-all." In a contextual point of view, he works to rupture habitual thinking and bring attention to the intensity and depth of a situation by creating doubt or offering a new aspect of his subject. Donne takes this poem and pours forth an array of visions that directly connects to the contextualist in a look at death, the pa...
John Donne lived in an era when the lyric was at its pinnacle. Poets were writing well-rounded, almost musical poetry on subjects that ranged from all kinds of love to enchantment with nature. Donne could not help but revolt against this excess of fluency and melody. John Donne's style stands in such sharp contrast to the accepted Elizabethan lyrical style that it becomes difficult to accept the fact that his works date from the same era. To highlight this statement, one has to compare a typical Elizabethan lyric to one of Donne's works.
For this reason, it is difficult to decipher which attitude expressed in his poetry is actually Donne's view on love. In `The Flea', it would appear that sexual gratification is the solitary objective of the poem, whereas in poems such as `The Canonisation' love is elevated to a level where it refuses to abate even to the loss of the physical body. Similarly, many of the poems contain a sense of urgency about love, whilst others depict love as utterly unyielding to the passage of time.
Lines 23 – 27. Donne’s approach to the topic plays an important role in the result in which the poem ends. Instead of being utterly romantic and persuading his lover in a kind and tender way, he is straightforward and not afraid to ask her what he wants. To a certain extent, the metaphor of a flea can be deemed as logical in the sense that if a flea bit them both their blood would have already been shared. In this poem, Donne breaks the barriers of Petrarchan poetry when using metaphysical wit and conceit to portray his feelings, making metaphysical poetry much more interesting and challenging.