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Metaphysical elements in Done's poetry
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Metaphysical wit and conceit are two of the most famous literary devices used in the seventeenth century by poets such as John Donne. Emerging out of the Petrarchan era, metaphysical poetry brought a whole new way of expression and imagery dealing with emotional, physical and spiritual issues of that time. In this essay I will critically analyse the poem, The Flea written by John Donne in which he makes light of his sexual intentions with his lover.
In the first stanza of the poem, Donne tries to convince his lover to have sexual intercourse with him. At first one would not realize that this is his intention because he uses a flea to describe sex which is a very far-fetched description of the act hence this poem being metaphysical. Using a conceit he belittles the impact of sex and the power it has over him even though it may be untrue. Knowing that she has thought about it before, he assures her that by withholding sex from him is something so small that it does not give her power in the relationship.
‘Mark but this flea, and mark in this
How little that which thou deniest me is;
It suck’d me first, and now sucks thee,’
(Lines 1 – 3)
He encourages her to give in to his demand by making the act seem trivial, insignificant and nothing to be ashamed of. He implies that if their blood can be shared by a flea, why not they share it with each other. A sense of humour is evident as he ridicules the mindsets of sex before marriage being a sin.
‘And in this flea our two bloods mingled be.
Thou know’st that this cannot be said
A sin, nor shame, nor loss of maidenhead’
(Lines 5 - 7)
He then goes on to persuade her into considering it by describing the passion that they would encounter. He aims to arouse her sexu...
... middle of paper ...
... be intimate with his lover.
‘Yet thou triumph’st, and say’st that thou
Find’st not thyself nor me the weaker now.
‘Tis true; then learn how false fears be;
Just so much honour, when thou yield’st to me,
Will waste, as this flea’s death took life from thee.’
(Lines 23 – 27)
Donne’s approach to the topic plays an important role in the result in which the poem ended. Instead of being utterly romantic and persuading his lover in a kind and tender way, he is straightforward and not afraid to ask of her what he wants. To a certain extent the metaphor of a flea can be deemed as logical in the sense that if a flea bit them both their blood would have already been shared. In this poem Donne breaks the barriers of Petrarchan poetry when using metaphysical wit and conceit to portray his feelings making metaphysical poetry much more interesting and challenging.
She is to fall for him and belong to him, not the other way around. Additionally, the line is not written as a question or a suggestion, but as a command. The command further adds to the sense of subservience and the sexism. The sexism comes into play since she, as the woman, is supposed to listen to his command and move from her current life to live with him in his.
He is suggesting that they are united in this flea and ,thus, would equally be united in intimacy. In addition, he states, "This flea is you and I, and this our marriage bed, and marriage temple is." The speaker is suggesting that through the flea the two are married. Again, the flea represents marriage, union, and consummation through intimacy. However, the woman crushes the flea, thus, refusing his request, and states that neither she nor he is weakened by its death.
When readers reflect on the poetry of the seventeenth century, poets such as John Donne and the
The poets integrated ?metaphysical conceits? as focal parts of these poems. Along with these, they used effective language as a basis for their convincing arguments, they included subjects of periodical importance (e.g. ?courtship? and ?religion?), and use very clever structures that are manipulated in order to make the poem read in the desired way. The very clear indication of the theme in question was strongly aided by the way in which the personas portrayed the emotions they felt and the way they showed their attitudes towards the subject. Considering all these factors, the poets made critical arguments to the mistresses in order to alter their views, thus changing their minds, on denying the poets the sex that they desired so strongly.
John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.
She is willing to sacrifice an understanding lover for something that maybe a one night stand or worse. It is difficult to comprehend her decision, especially because of her extended session of “mulling” (Farley 2).... ... middle of paper ... ...
It is quite feasible to state that poetry at its finest is a dazzling and expressive art of words. A poem not only can expose the diplomatic beliefs of societies, but can also articulate passions and sentiments of the author to whom the poem belongs. One of the many fine poems that have been prevalent among the study of literature that is irrefutably powerful is Meditation 17 by John Donne. This poetic essay exposes John Donne’s opinions and beliefs on humanity, and covers much cogitation from religion all the way to death. Of course, the poem has been written so profoundly that one may not grasp it completely at first glimpse, however John Donne does use explicit strategies to better convey his message to readers of all sorts. John Donne utilizes situation, structure, language, and musical devices to enhance the poem and to aid in delivering his message efficiently.
The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The content of his earlier works focused on pursuing women for his sexual desires, which contrasts heavily with his latter work. John Donne’s desire for physical pleasure subsides and he seeks to gain an emotional bond with women, as expressed in his later poetry.
In both ‘The Sun Rising’ and ‘The Good Morrow’ Donne presents the experience of love, in a typical Metaphysical style, to engage his reader through sharing his own experiences. These poems show distinctive characteristics of Metaphysical poems which involve colloquial diction, drawing inventive imagery from unconventional sources, passionately analysing relationships and examining feelings. Donne presents the experience of love through conceits, Metaphysical wit, language techniques and imagery, in a confident tone using logical argument. The impact of Donne’s use of direct and idiomatic language shows the reader how he feels about a woman and ultimately love.
The speaker states that the flea represents marriage, and “marriage is a temple” (13). Religious beliefs may state that a couple should be married before having sex. The speaker is attempting to convince his love that it would not be a sin to sleep with him because the flea already portrays a marriage. By using this
Journal 7 “The Flea” by John Donne is a poem first published in 1633. The poem is a nine-line stanzas which rhyming scheme in each stanza. The lines in the poem switch back and forth between iambic pentameter and iambic tetrameter. The poem is written in old style English, which to me leaves room for open interpretation. In my opinion, the speaker uses the flea as a sign for him and his love to be romantic and to pursue her to give him more of her.
John Donne, an English poet and clergyman, was one of the greatest metaphysical poets. His poetry was marked by conceits and lush imagery. The Flea is an excellent example of how he was able to establish a parallel between two very different things. In this poem, the speaker tries to seduce a young woman by comparing the consequences of their lovemaking with those of an insignificant fleabite. He uses the flea as an argument to illustrate that the physical relationship he desires is not in itself a significant event, because a similar union has already taken place within the flea. However, if we look beneath the surface level of the poem, Donne uses the presence of the flea as a comparison to the presence of a baby, thus making the sub textual plot about aborting the baby.
The speaker begins by describing how the flea sucked his blood and his lover’s blood. He uses the illusion that since the flea has both his and his lover’s blood that they are connected in some special way. He described the flea as being a symbol of both himself and his lover in the following quote: “The flea is you and I.” The speaker carries on to how the lover should not kill the flea because she would be committing three murders.
John Donne is known as being one of the most famous and influential metaphysical poets. The term “metaphysical," as applied to English and continental European poets of the seventeenth century, was used by Augustan poets John Dryden and Samuel Johnson to reprove those poets for their “unnaturalness.” As Johann Wolfgang von Goethe wrote, however, “The unnatural, that too is natural," and the metaphysical poets continue to be studied and revered for their intricacy and originality. Due to Donne’s personal experiences with spirituality and love, he is able to grasp the true meaning of metaphysical poetry (Brief Guide to Metaphysical Poets). Using all the aspects of metaphysical poetry, Donne creates a mysterious metaphoric poem titled, “The Flea.” Throughout this poem, the use of metaphors and breaks into the separate stanzas allow for the audiences to understand what The Flea is really about. At first glance, many read The Flea as a poem that compares sexual intimacy with an animal, but when broken down, it can be seen that the meaning is much deeper than intimacy, but it
The man insists that he don’t want her to do it if he makes her feel that way. At this point she has clearly caught the hint that his is something that it really wants done. You can tell at this point she is frustrated about the situation because she walks off. As she walk off and look into the mountains the says “We can have all this” insinuating that she saying it to please him.