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John Done and the metaphysical poetry
John Done and the metaphysical poetry
The poetry of john donne as a reflection of society
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John Donne is known as being one of the most famous and influential metaphysical poets. The term “metaphysical," as applied to English and continental European poets of the seventeenth century, was used by Augustan poets John Dryden and Samuel Johnson to reprove those poets for their “unnaturalness.” As Johann Wolfgang von Goethe wrote, however, “The unnatural, that too is natural," and the metaphysical poets continue to be studied and revered for their intricacy and originality. Due to Donne’s personal experiences with spirituality and love, he is able to grasp the true meaning of metaphysical poetry (Brief Guide to Metaphysical Poets). Using all the aspects of metaphysical poetry, Donne creates a mysterious metaphoric poem titled, “The Flea.” Throughout this poem, the use of metaphors and breaks into the separate stanzas allow for the audiences to understand what The Flea is really about. At first glance, many read The Flea as a poem that compares sexual intimacy with an animal, but when broken down, it can be seen that the meaning is much deeper than intimacy, but it …show more content…
However, before diving into the true meaning of the poem, it is quite important to scan it as a whole; therefore, looking for the structure, the rhyme scheme/meter, and the overall message of the poem as a whole. The Flea, as stated previously, is a metaphysical poem. This states that the poem does not follow an exact form, in some ways it can be looked at as sort of a free verse form of poetry, but with a rhyme scheme. When looking at the poem as a whole, it can be stated that the rhymes are very weak. For example, the rhyming of “this” to “is” and “said” to “maidenhead,” are expected and somewhat easy. While the message is clear as to what is happening, if better word choices had been made, then the poem might not feel as
John Donne's, "The Flea," is a persuasive poem in which the speaker is attempting to establish a sexual union with his significant other. However, based on the woman's rejection, the speaker twists his argument, making that which he requests seem insignificant. John Donne brings out and shapes this meaning through his collaborative use of conceit, rhythm, and rhyme scheme. In the beginning, Donne uses the flea as a conceit, to represent a sexual union with his significant other. For instance, in the first stanza a flea bites the speaker and woman. He responds to this incident by saying, "And in this flea our bloods mingled be."
John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.
John Donne?s poem connects flesh and spirit, worldly and religious ideas in a fascinating way between seemingly unrelated topics. He compares sexual intercourse to a bite of a flea and says that now their blood has mixed inside the flea. He also compares the inside of the tiny flea to the entire world, including the couple.
Following a unique poetic language of the Renaissance, John Donne's The Flea' is a poem illustrating the metaphor of a flea to represent the sexual act and relations between a man and woman. Portrayed through language, imagery, and structure John Donne's poem is one of conceit and seduction, as the speaker (assumed to be a man) follows a consistent pattern of persuasion to have premarital sex with a woman.
In the 17th century Britain a ’new wave’ of poets emerged, the one that would later be labelled the metaphysical poets. They had a very unique style that is very energetic, paradoxical, often enough to completely boggle the reader, and in a way entertaining for the way they hid their real point at times. How many times have we thought of them innocent, often thinking them to be saints and such? Certainly, in a way they are, but to enjoy reading them we have to be fully aware of the possible peiorativeness of their poems. But it’s not the only thing they wrote about. They also criticized the society although less likely. In my contrastive analysis I chose to analyse Richard Lovelace’s works, and make an attempt to assess what he was.
Donne, John. "The Flea." The Complete English Poems. Ed.A.J.Smith. New York: Penguin Group, 1996. 58-9. Kindle E-Book.
[8-16] Donne, John. “From Meditation 17”. Excerpt from McDougal Litell’s “The Language of Literature”, Page 455. McDougal Litell Inc., 2000.
John Donne’s poems are similar in their content. They usually point out at same topics like love, lust, sex and religion; only they are dissimilar in the feelings they express. These subjects reflect the different stages of his life: the lust of his youth, the love of his married middle age, and the piety of the latter part of his life. His poem,’ The Flea’ represents the restless feeling of lust during his youthful days but it comes together with a true respect for women through the metaphysical conceit of the flea as a church in the rhythm of the sexual act.
Andrew Marvell and John Donne both wrote “carpe diem” poetry full of vivid imagery and metaphysical conceits. This message can be clearly seen in the poems "To His Coy Mistress" by Marvell and Donne’s "Flea." Though both poems take a similar approach to the topic addressed, it is Marvell that writes more thoughtfully and carefully, coercing instead of Donne’s seemed demandingegging.
In the poem “The Flea,” Donne uses conceit in order to develop his motif with greater depth to his audience. Donne tries to provoke thoughts in readers’ mind and make them to think about the situation. John Donne uses the flea in order to pursue a young lady. “O stay three lives in one flea spare, Where we almost, yea, more than married are” (10-11). “The Flea” cannot be compared to the traditional metaphor of love.
In 'Twickernham Garden ' Donne cleverly uses a spider as the conceit of the poem to comment on the nature of love, to emphasise that just like a spider love traps you insidiously and leaves you helpless. As well as that there is religious connotations to transubstantiation and manna and serpents. By doing this Donne finds another way to create an effective poem in emphasising his meaning and thoughts. The Major conceit in 'A Valediction Forbidding Mourning ' is that of a compass. Samuel Johnson a fellow poet, who coined the term metaphysical poetry criticised Donne by stating that 'the poem 's compass analogy highlights the violence used by metaphysical poets to force the most heterogeneous ideas together. Disagreeing with this statement, Donne 's use of the compass to reinforce the idea that their souls are like the legs of the compass, even though they will physically separate he will always come back as they create something perfect 'Thy firmness makes my circle just and make me end where I begun '. The conceit reassures his lover that it is inevitable that he will return because they are joined spiritually, mentally and physically, and their love is strong because he will always come back to
The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The content of his earlier works focused on pursuing women for his sexual desires, which contrasts heavily with his latter work. John Donne’s desire for physical pleasure subsides and he seeks to gain an emotional bond with women, as expressed in his later poetry.
In both ‘The Sun Rising’ and ‘The Good Morrow’ Donne presents the experience of love, in a typical Metaphysical style, to engage his reader through sharing his own experiences. These poems show distinctive characteristics of Metaphysical poems which involve colloquial diction, drawing inventive imagery from unconventional sources, passionately analysing relationships and examining feelings. Donne presents the experience of love through conceits, Metaphysical wit, language techniques and imagery, in a confident tone using logical argument. The impact of Donne’s use of direct and idiomatic language shows the reader how he feels about a woman and ultimately love.
John Donne, an English poet and clergyman, was one of the greatest metaphysical poets. His poetry was marked by conceits and lush imagery. The Flea is an excellent example of how he was able to establish a parallel between two very different things. In this poem, the speaker tries to seduce a young woman by comparing the consequences of their lovemaking with those of an insignificant fleabite. He uses the flea as an argument to illustrate that the physical relationship he desires is not in itself a significant event, because a similar union has already taken place within the flea. However, if we look beneath the surface level of the poem, Donne uses the presence of the flea as a comparison to the presence of a baby, thus making the sub textual plot about aborting the baby.
As readers, what we learn from Donne is that we should embrace our differences, rise above the hatred, and live our lives full of compassion, empathy, and hope. Upon reading this poem, I revel in his youthful aspirations and laugh at his ridiculously outlandish attempts. This piece, in particular, shows the happy, softer side of Donne. I thoroughly enjoyed reading The Flea. It inspired images of two swordfighters engaged in combat, the fancy footwork from said swordfight, and the point and counter-point of each blow of the sword as it hits the other fighter. Even though the lady never actually speaks, I sense she is just as witty and humorous as the speaker himself. She starts on the moral high ground, much higher ground than the speaker, stands for her beliefs, and, hopefully in the end, she does not give into his ridiculous attempts to woo her. That being said, the lady both intrigues and delights the reader at the same time. As the reader, you want to know who the woman is, is she of higher social rank than the speaker, and in what environment does this exciting and illicit conversation take place. One can almost hear her soft yet, respectful sighs of indifference and see the look of utter hopelessness on her face as she politely listens and responds to the speaker. In some ways, because of her steadfastness she becomes the heroine of the