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Conceits in john donne poetry
Conceits in john donne poetry
Conceits in john donne poetry
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The Flea
The narrator in The Flea is a youthful man trying to convince a young woman to give her virginity to him. He tries to do this by comparing their relationship to a flea that is in the room. The flea bites them both and Donne explains to her that this is symbolic of both of their worlds combining into one. He says that the flea is now the realm of love, lust, and marriage. At first this poem seems to be just about love, commitment from a male to a female, who says no his lustful desires. However, a deeper look than just the superficial reveals that the male in this poem is actually revealing a valid point to his lady: that the loss of innocence, such as her virginity, does not constitute a loss of her honor.
At first, this poem seems to be simply about a young, sexually hungry man who is trying to convince a girl to give into his sexual wishes. She denies the ?wanna be? lover because she believes that the act of intercourse before marriage is a dishonorable sin in the eyes of the church. The lady ends up killing the flea and symbolically killing the false world the man had constructed in the flea. She then says that neither of them are any worse by killing the flea, which the male agrees with. The man concludes his point by granting that the death of the flea does not really have any consequences, just like her fears to loose her respectability and honor. His main point in all his talk about the flea is to show her that her honor will not be ruined if she yields to him.
John Donne?s poem connects flesh and spirit, worldly and religious ideas in a fascinating way between seemingly unrelated topics. He compares sexual intercourse to a bite of a flea and says that now their blood has mixed inside the flea. He also compares the inside of the tiny flea to the entire world, including the couple.
The speaker in the poem has clear divergent desires that are incompatible. In the fist line of the second stanza, the speaker describes one of the dogs the man is walking, saying,”The small sleek one wants to stop docile to the imploring soul of the trashbasket,” The personification of the trashbasket as an “imploring soul” emphasizes the attachment the trashbasket is trying to draw the dog into. Not only is the trashbasket seeming to make an attempt to lure it in, but the speaker also describes the dog as “docile”, or being submissive towards the trashbasket, unable to say no, or restrain itself. The apeal of the trashbasket along with the submissiveness of the dog causes a passionate and compelling attachment between the two. Near the end of the second stanza, the
John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.
Much debate has arisen over the years about the moral suitability of taking part in sexual intercourse before being married to your true love. In John Donne's “The Flea” this topic is brought up when the speaker of the poem is trying to convince his addressee to partake in sexual intercourse with him although they are not married, by showing her that the act would be no more sinful or shameful than the bite of a flea. He uses the flea as a conceit in three main ways: first, after they have both been bitten, the flea now represents their union by the mixing of bodily fluids. Second, the flea represents innocence and the potential child they may bear together. Finally, he tries to prove that once she yields to his seduction she will have lost no more honour than when she killed the flea.
Donne’s view of women and marriage although seemingly attempting to break free of his society’s ideologies, ironically appears in The Flea to be subservient to the demands of the 17th century’s cultural superstructure
How can it be remotely possible to spend thirty thousand years on observing a woman’s body? It seems to me as if he is just telling her what she wants to hear as long as he gets what he wants- which is to get into bed with her. The fallacy is even more apparent once line 20 ends because the mood switches immediately from “loving” to a grotesque, dark tone. The speaker goes on about how if she doesn’t lose her “long preserv’d virginity” to him, then the only way she will lose it is in her grave to the worms crawling inside her. How can that be a portrayal of love? The mere thought of that is absolutely grim. What it really does is negate all of the sweet, exaggerated things he mentioned in the first third of the poem.
The two poems The Flea and The Sunne Rising capture John Donne’s primary motive to get in bed with women. Donne wrote these poems at an early age, and at that time he was seeking nothing more than a sexual relationship. His poetry depicted clearly how sexist he was at the time and how he used to perceive women as a medium of pleasure. The content of his early poems express an immature and desperate image of Donne, who is dominated by his fixation on the sensuality of women. In The Flea, Donne shows his desperation to have sex by addressing a flea that has sucked the blood of both him and the woman he is persuading. It is quite awkward how the poet uses this obscure image of the flea as a symbol of love and sex to convince the woman that...
As a result of their impassioned love, the poem’s speaker and his lover transcend material constraints and the limitations of their low rank, as well feeling that they are at the center of the universe. Donne’s personification of the sun, his use of anti-courtier rhetoric that expands on the anti-authoritative sentiment directed at the sun, and his metaphysical conceit that raises the lovers above nobility and wealth, all reveal the transcendent quality of love.
In both ‘The Sun Rising’ and ‘The Good Morrow’ Donne presents the experience of love, in a typical Metaphysical style, to engage his reader through sharing his own experiences. These poems show distinctive characteristics of Metaphysical poems which involve colloquial diction, drawing inventive imagery from unconventional sources, passionately analysing relationships and examining feelings. Donne presents the experience of love through conceits, Metaphysical wit, language techniques and imagery, in a confident tone using logical argument. The impact of Donne’s use of direct and idiomatic language shows the reader how he feels about a woman and ultimately love.
Love and religion are two of the most common topics of poetry, even though many of Donne’s poems are either on love or religion, two different topic, they are connected thru the continuous use of devices such as allusions, metaphors, and puns; providing a bond for each poem yet each for a different context. “The Flea,” “Holy Sonnet VII”, and “A Hymn to God the Father” each have distinct themes, but find common ground by the use of common literary devices.
“The Flea” John Donne observes a typical bar, every Saturday night sweat drenched bodies emitting alcohol and pheromones from every pore, exchange conversation, pleasantries, and yes even sex (perhaps not directly in view but certainly eluded to). Is this animalistic, barbaric behavior acceptable? Should sex be taken so lightheartedly? Or do we take it too seriously, guarding sex like it was the Holy Grail, or the secret to life itself? These questions may be to deep and pointed for most to approach, yet John Donne in his poem “The Flea” wades through them like the kiddy pool. In this clever poem Donne uses a flea, blood, and the murder of the flea as an analogy for the oldest most primal exchange, sex. Donne, through symbolic images, not only questions the validity of coveting virginity but also the importance of sex as it pertains to life. The metaphors in “The Flea” are plentiful, but the symbols repeated throughout the poem are clear, beginning with the most prevalent, and the flea. This small parasitic creature is chalk full of symbolic meaning. During the time this poem was written (the Renaissance) the flea was use in many poems about sex. I derive that in this particular poem the flea is symbolic of the act of sex from the speaker’s remark in the beginning, “Mark but this flea, and mark in this, how little that which deniest me is” the flea is small and inconsequential, his lady denies him sex, which the speaker believes is also petty. The flea is described as a marriage temple and a carrier of life, but in the next stanza as something insignificant and small. The speaker applies a certain duality to the flea and therefore to sex. The metaphor develops more as it relates to the other symbols. Blood is used more than once a...
...oing so, he is saying he this lady deserves to be praised in such a foolish way, and he would be the fool to do so. (prof. zichy. Lecture) When the tone of the second stanza shifts towards a serious note, the man begins threatening the poor woman with images of “worms shall try That long-preserved virginity”. The change of tine from playful to threatening makes the speaker look extremely foolish. He does not realize these threats may potentially scare the lady away from him thus contradicting his seduction prior.
John Donne, an English poet and clergyman, was one of the greatest metaphysical poets. His poetry was marked by conceits and lush imagery. The Flea is an excellent example of how he was able to establish a parallel between two very different things. In this poem, the speaker tries to seduce a young woman by comparing the consequences of their lovemaking with those of an insignificant fleabite. He uses the flea as an argument to illustrate that the physical relationship he desires is not in itself a significant event, because a similar union has already taken place within the flea. However, if we look beneath the surface level of the poem, Donne uses the presence of the flea as a comparison to the presence of a baby, thus making the sub textual plot about aborting the baby.
The author then turns into his second argument or tactic of urging that is less “genteel”(Evans) and “more graphic”(Evans), as he seems to become increasingly desperate. In the second stanza he is using fear, almost threatening her, as he portrays what would happen if they allowed time to run out. He warns “her beauty shall no more be found” and alludes to her dying a virgin. Certain necessity arises as he begins to relate death, ashes and worms to his loss of lust and time.
Donne is valuable not simply as a representative writer but also as a highly unique one. He was a man of contradictions: As a minister in the Anglican Church, Donne possessed a deep spirituality that pairs his thoughts and feelings throughout his lifetime. Donne also possessed a sensual outlook on life, sensation, and experi...
Lines thirty-seven and thirty-eight allude to Andrew Marvell's To His Coy Mistress. Marvell's poem is one of seduction. Through it, he attempts to get his lady to go to bed with him. He tells her that there is really no point in coquetting, that there is little enough time in life as it is, don't waste time not sleeping with him.