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Conceit of john donne poems
The flea by john donne analysis
The flea by john donne analysis
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John Donne: A Poet Out of His Time
"The first poet in the world in some things," applauded Ben Jonson of his friend, John Donne (Donne, John Donne: A Selection of His Poetry 11). In the midst of the stylized and often frivolous verses of the Elizabethan and cavalier poets, John Donne's work emerges as startling, intellectual, and honest to human nature and emotion- classifying him as the first of the modern poets. Through an exploration of Donne's "The Sun Rising" and "The Flea", we shall reveal Donne's innovative style and technique, and how this repels him from the poetic orthodoxy of the seventeenth century and towards the style of the modern age.
0 "Busy old fool, unruly sun,/ Why dost thou thus?" Donne audaciously denounces the sun itself, a heavenly body worshipped through the ages, in his poem, "The Sun Rising". Moreover, Donne employs an interesting conceit: he uses the routine, everyday phenomena of the rising sun as the basis for a love poem, love being extraordinary, new, and often once-in-a-lifetime. Donne goes on dramatically and arrogantly to thre...
Everett, Nicholas From The Oxford Companion to Twentieth-century Poetry in English. Ed. Ian Hamiltong. Oxford: Oxford University Press, 1994. Copyright 1994 by Oxford University Press.
Donne, John. “Holy Sonnet 5, Holy Sonnet 6, Holy Sonnet 10.” John Donne’s Poetry: A Norton Critical Edition. Ed. Donald R. Dickson. W.W. Norton & Company. New York, London. 2004. (Handout)
John Donne's, "The Flea," is a persuasive poem in which the speaker is attempting to establish a sexual union with his significant other. However, based on the woman's rejection, the speaker twists his argument, making that which he requests seem insignificant. John Donne brings out and shapes this meaning through his collaborative use of conceit, rhythm, and rhyme scheme. In the beginning, Donne uses the flea as a conceit, to represent a sexual union with his significant other. For instance, in the first stanza a flea bites the speaker and woman. He responds to this incident by saying, "And in this flea our bloods mingled be."
When readers reflect on the poetry of the seventeenth century, poets such as John Donne and the
John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.
A different type of love is seen prior to Scene Five. It is the more
John Donne?s poem connects flesh and spirit, worldly and religious ideas in a fascinating way between seemingly unrelated topics. He compares sexual intercourse to a bite of a flea and says that now their blood has mixed inside the flea. He also compares the inside of the tiny flea to the entire world, including the couple.
During Shakespeare's period, social status was the main focus of life. Everything was made around social status. Who was acceptable to talk to, who was acceptable to marriage, and who even how they treated others. Women had to live to strict ways of life. The father controls the daughter, she is accepted to do as her father says and what he pleases. A women must always have a man in charge of her, the father picks out her husband to which the future husband will help higher the social status that they have already. Shakespeare uses Hero and Beatrice to demonstrate the dangers of love at first sight vs. the benefits of a relationship based on mutual understating.
John Donne, a member of metaphysical school in the Seventeenth century, exhibited his brilliant talent in poetry. In "The Flea," he showed the passion to his mistress via persuasive attitude. The tone might straightforwardly create playfulness or sinfulness; yet, the poem contains none of either. What impress readers most is situation and device. The situation between the speaker and the audience is persuasion, love or marriage. As to device, the notable parts are diction and rhetoric skills. Furthermore, unique characteristics of this poem are also an important element of his persuasive tone.
It is quite feasible to state that poetry at its finest is a dazzling and expressive art of words. A poem not only can expose the diplomatic beliefs of societies, but can also articulate passions and sentiments of the author to whom the poem belongs. One of the many fine poems that have been prevalent among the study of literature that is irrefutably powerful is Meditation 17 by John Donne. This poetic essay exposes John Donne’s opinions and beliefs on humanity, and covers much cogitation from religion all the way to death. Of course, the poem has been written so profoundly that one may not grasp it completely at first glimpse, however John Donne does use explicit strategies to better convey his message to readers of all sorts. John Donne utilizes situation, structure, language, and musical devices to enhance the poem and to aid in delivering his message efficiently.
The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The content of his earlier works focused on pursuing women for his sexual desires, which contrasts heavily with his latter work. John Donne’s desire for physical pleasure subsides and he seeks to gain an emotional bond with women, as expressed in his later poetry.
In both ‘The Sun Rising’ and ‘The Good Morrow’ Donne presents the experience of love, in a typical Metaphysical style, to engage his reader through sharing his own experiences. These poems show distinctive characteristics of Metaphysical poems which involve colloquial diction, drawing inventive imagery from unconventional sources, passionately analysing relationships and examining feelings. Donne presents the experience of love through conceits, Metaphysical wit, language techniques and imagery, in a confident tone using logical argument. The impact of Donne’s use of direct and idiomatic language shows the reader how he feels about a woman and ultimately love.
John Doone was born on c. 1572 in London,England. There was strong anti-catholicism during this period which affected Doone greatly. At eleven years of age he attended Oxford University and later attended the University of Cambridge, but he had no possibility of graduating with a degree from either university since he was born in a catholic family. Religion played a great and passionate role from the start of Doones early years til his death. (Biography.com)
John Donne is known as being one of the most famous and influential metaphysical poets. The term “metaphysical," as applied to English and continental European poets of the seventeenth century, was used by Augustan poets John Dryden and Samuel Johnson to reprove those poets for their “unnaturalness.” As Johann Wolfgang von Goethe wrote, however, “The unnatural, that too is natural," and the metaphysical poets continue to be studied and revered for their intricacy and originality. Due to Donne’s personal experiences with spirituality and love, he is able to grasp the true meaning of metaphysical poetry (Brief Guide to Metaphysical Poets). Using all the aspects of metaphysical poetry, Donne creates a mysterious metaphoric poem titled, “The Flea.” Throughout this poem, the use of metaphors and breaks into the separate stanzas allow for the audiences to understand what The Flea is really about. At first glance, many read The Flea as a poem that compares sexual intimacy with an animal, but when broken down, it can be seen that the meaning is much deeper than intimacy, but it
As William Wordsworth so rightly said, “Poetry is the first and last of all knowledge-it is as immortal as the heart of man”. Its themes are the simplest experiences of life: sorrow and joy, love and hate, peace and war. Yet they are equally the boldest formations, the most complex classifications and studies of reason if the poet is able to carry sensation into these poems, forming them into passionate experiences through vivid and moving imagery. For uncertain or inexperienced readers not prepared for understatement and subtleties, Donne’s poetry acts as a vivid recruiting device. Such readers need to be grabbed by the shoulders and shaken by the strenuousness of Donne’s metaphysical conceits in order to truly delight in the style and theme of a poem. Donne’s far-fetched analogies that challenge ordinary logic are enjoyable to readers, much like solving a challenging puzzle. While other poets may charm or touch hearts with their simple pleasure, Donne is a poet who truly teaches and delights through the work he gives his reader. His style thrills readers who solve his puzzle and are inducted into a secret society of theme and meaning. Though his dazzle and extravagance are not for the uncommitted, as his work requires some research (cosmology, cartography, contemporary politics, law, logic, physiology, etc.), his poetry is united by a sense of urgency of mind and spirit. Though Ben Johnson predicted Donne’s poetry would perish for want of “being understood”, it is this very want that results from his use of the metaphysical that allows him to effectively teach and delight his audiences.