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To his coy mistress eroticism
To his coy mistress eroticism
To his coy mistress reply from his coy mistress
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“To His Coy Mistress” by Andrew Marvell is a descriptive poem spoken by a man who attempts to seduce a woman into sleeping with him. Noticeably the speaker’s idea of typical courtship is extremely skewed. The speaker mocks the lady and threatens her. This is not what one would find a very effective way of temptation. While “To His Coy Mistress” might appear at first sight to be a poem of seduction, it is really a dramatic meditation on the fact that we live constrained by “world and time,” and a prescription for what to do about it.
The first stanza sets the tone of mockery. The speaker uses metaphors, hyperboles, irony and imagery to seduce his coy mistress. He begins his poem of seduction with an insult: “Had we but world enough, and time, / This coyness, lady, were no crime.” He calls her a criminal for being so reluctant when they are constrained by world and time. To him, it is a misconduct to not jump right into his arms when they have so little time to live. Since this lady does not immediately throw herself upon him, he tries his hand at flattery. “My vegetable love should grow” is a slightly exaggerated image of his love. He uses it to compare how a vegetable, if nourished and cared for, will continue to grow, just like his love for this lady even if it is slowly. He asks her to imagine an incomprehensible amount of time when he says “Two hundred to adore each breast/ But thirty thousand to the rest” The effect of this imagery is to bring her outside of the immediate moment. Many of the hyperboles are so outrageous; the tone of mockery is predominant over the tone of seduction.
The speaker seems to have become anxious in the second stanza. The first couplet “But at my back I always hear / Time’s wingèd chariot hurrying ...
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...oing so, he is saying he this lady deserves to be praised in such a foolish way, and he would be the fool to do so. (prof. zichy. Lecture) When the tone of the second stanza shifts towards a serious note, the man begins threatening the poor woman with images of “worms shall try That long-preserved virginity”. The change of tine from playful to threatening makes the speaker look extremely foolish. He does not realize these threats may potentially scare the lady away from him thus contradicting his seduction prior.
Even though the speaker of “To His Coy Mistress” has an intense fear of growing old, he does have a few valid points of interest in his attempted seduction. Carpe diem, to seize the day, is his remedy for being constrained by world and time. He believes they should live in the here and now, and enjoy life while they can, before their bodies restrict them.
The first stanza describes the depth of despair that the speaker is feeling, without further explanation on its causes. The short length of the lines add a sense of incompleteness and hesitance the speaker feels towards his/ her emotions. This is successful in sparking the interest of the readers, as it makes the readers wonder about the events that lead to these emotions. The second and third stanza describe the agony the speaker is in, and the long lines work to add a sense of longing and the outpouring emotion the speaker is struggling with. The last stanza, again structured with short lines, finally reveals the speaker 's innermost desire to "make love" to the person the speaker is in love
The them of “To the Virgins, to Make Much of Time” and “To His Coy Mistress” is carpe diem. The carpe diem them states, “life is brief, so let us seize the day.” In “To the Virgins, to Make Much of Time” Herrick simply states:
There is a similar theme running through both of the poems, in which both mistresses are refusing to partake in sexual intercourse with both of the poets. The way in which both poets present their argument is quite different as Marvell is writing from a perspective from which he is depicting his mistress as being 'coy', and essentially, mean, in refusing him sex, and Donne is comparing the blood lost by a flea bite to the blood that would be united during sex. Marvell immediately makes clear his thoughts in the poem when he says, "Had we but world enough, and time/ This coyness, Lady were no crime", he is conveying the 'carpe diem' idea that there is not enough time for her to be 'coy' and refuse him sexual intercourse and he justifies this thought when he suggests when she is dead, in ?thy marble vault?, and ?worms shall try that long preserved virginity?. He is using the idea of worms crawling all over and in her corpse as a way of saying that the worms are going to take her virginity if she waits until death. Donne justifies his bid for her virginity in a much longer and more methodical way, he uses the idea of the flea taking her blood and mixing it with his, ?It suck?d me first, and now sucks thee?, and then...
Throughout his life... was a man self-haunted, unable to escape from his own drama, unable to find any window that would not give him back the image of himself. Even the mistress of his most passionate love-verses, who must (one supposes) have been a real person, remains for him a mere abstraction of sex: a thing given. He does not see her --does not apparently want to see her; for it is not of her that he writes, but of his relation to her; not of love, but of himself loving.
Response to His Coy Mistress Andrew Marvell's "To His Coy Mistress" is the charming depiction of a man who has seemingly been working very hard at seducing his mistress. Owing to Marvell's use of the word "coy," we have a clear picture of the kind of woman his mistress is. She has been encouraging his advances to a certain point, but then when he gets too close, she backs off, and resists those same advances. Evidently, this has been going on for quite some time, as Marvell now feels it necessary to broach the topic in this poem. He begins in the first stanza by gently explaining that his mistress's coyness would not be a "crime" if there were "world enough, and time…" (l.2).
During the 17th century, certain poets wrote poems with the specific purpose of persuading a woman to have sexual intercourse with them. Three of these seduction poems utilize several strategies to do this: Andrew Marvell’s “To His Coy Mistress,” and Donne’s “A Valediction: Forbidden Mourning” and “The Flea.” Some of the reasoning used by both poets is similar to the reasoning used today by men to convince women to have sexual intercourse with them. These gimmicks vary from poem to poem but coincide with modern day rationalization. The tactics used in 17th century seduction poems are relevant and similar to the seduction tactics used in the 21st century.
The logical argument for the "carpe diem" theme is built up from beginning to end. At the start, the first stanza of the poem is full of flattery. This is the appeal of pathos. The speaker uses the mistress's emotions and vanity to gain her attention. By complimenting her on her beauty and the kind of love she deserves, he's getting her attention.
The poem being in sonnet form, is ironic as naturally sonnets are about love and its emotions, “In the park” however, highlights the absence of love within the protagonist and portrays a certain harshness of character emotion from change that has already taken place. The beginning of the poem presents the audience with a woman seamlessly trapped by domesticity, suffocated with motherhood and the role given to it by society. Her children “whine and bicker”, draw “aimless patterns in the dirt” - the patterns symbolising the woman’s life and showing her internal and honest thoughts. Bringing attention away from the so called ‘maternal love’, the second stanza links to the first by enjambment in which a person whom was once meaningful in her life as more of a romantic love, is now nothing but ‘someone’ who gives her just a ‘casual nod’. They converse in such a clichéd manner with language of no meaning or emotion using phrases such as “how nice” and “et cetera” which puts across the façade being held, the tone making it clear to the reader she regrets not being able to avoid it as she’s clearly ashamed and embarrassed of what she has become – of how motherhood has consumed her. This external superficial appearance being upheld continues in the last stanza as they both mouth hypocritical statements – the woman’s in particular completely juxtaposing her initial thoughts about her three children in the first stanza. The man enquires about the names and age of her children in whom he evidently has no interest in, and the woman replies with “It’s so sweet…to watch them grow”, her pride leading her to give her past lover a positive impression of her life trying to hide how consumed she really feels by her role and identity loss. The resolution of the poems form, “They have eaten me
After I read “ A Handbook of Critical Approaches to Literature” I was able to get a different perspective on the poem. Once I read the poem again I saw the difference in my opinion from the first intial writing to this paper. Being able to read and able to open my eyes; to not judge a poem by its title. To be able to see a different outlook to the poem. It helped being able to see the different educational opions about “ To His Coy Mistress.”
In the poem “To His Coy Mistress”, the speaker is trying to seduce his wife. In the assumption the mistress is his wife; she is being bashful towards losing her virginity. The speaker, which is the mistress’s husband, develops a carefully constructed argument where the speaker seeks to persuade his lady to surrender her virginity to him.
By using the words “youthful hue”, the speaker applies connotations of being beautiful, a form of flattery intended for the mistress. Then, he proceeds his connotative flattery with the phrase, “morning dew”. This phrase is used in context to describe her appearance, implying the connotation of freshness in her beauty. The positive correlation between giving up the mistress’s apparent coyness and her being gorgeous directly targets the want on the mistress to be beautiful. Simply, the speaker saying that the only way he can be satisfied with her looks while engaging in intercourse is by agreeing to sleep with him now. After expressing how beautiful he thinks the mistress is, he speaks of how experiencing intercourse with him will be like. Again, the speaker utilizes diction to provide an overarching theme of charm to further the impression that beauty and sex are affiliated with each other. The speaker says “sweetness” to initiate feelings of delight and pleasantness in relation to copulation with him. In addition, he adds a sense of relief and intense accomplishment with his choice of phrasing in, “tear our pleasures”. The words, “tear” and “pleasures” used together in this phrase provides intense emotion. The speaker hands the reader connotations of passion that describe a vivid emotional description of his wanted coitus. Marvell precisely chooses words and phrases
One of the last seventeenth century metaphysical poets, Andrew Marvell is known for his complex and allusive poetry (Press 208). In “to His Coy Mistress,” Marvell incorporates his belief in Neo-Platonism by focusing on the idea of carpe diem, which means, “seize the day” (208). He focuses attention on the transience of life and the inevitability of death to emphasize the urgency that men have to persuade women to engage in the act of sexual intercourse (Masterplots II 2209). In taking the idea of carpe diem and incorporating his Neo-Platonism beliefs, Andrew Marvell uses “To His Coy Mistress” as a warning to women of the male attitude towards love and relationships.
The narrator shows that he really loves the woman in “To His Coy Mistress” by saying he wants her for life. His statement of “My vegetable love should grow/… more slow” (363) means he will provide her with a love filled with nurture, stability and life. He also reminds the girl of how her looks will not always be with her by saying “Thy beauty shall no more be found” (364) and later says how he will be with her. The idea of time chasing them seems like an urge to get on with things, as well. He really wants to start life with
The formalistic approach to an open text allows the reader to devour the poem or story and break down all the characteristics that make it unique. The reader is able to hear the text rather than read it, and can eventually derive a general understanding or gist of the text. "According to the Handbook of Critical Approaches to Literature "when all the words, phrases, metaphors, images, and symbols are examined in terms of each other and of the whole, any literary text worth our efforts will display its own internal logic" (Geurin 75)." When utilizing the formalistic approach, the reader must search in and out of the lines for point of view, form, imagery, structure, symbolism, style, texture, and so on. Using the general theme of time, it is important to focus on structure, style, and imagery found in Andrew Marvell's poem "To His Coy Mistress".
Despite the speaker’s best attempt at convincing the woman to have sexual relations with him through his metaphor of the flea, he would appear to be unsuccessful at the end of the poem. His far-fetched and cynical approach belittles both the woman’s virginity and sexual relations outside of marriage in general, and only highlight his lust for her. However, the poem’s metaphysical characteristics which include the primary use of a conceit through the flea, hyperbole, ironic wit to balance the plot between a serious and humorous nature, and an argumentative structure, allow Donne to create a satirical narrative to address the subject of sexual relations outside of marriage.