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John donne holy sonnet analysis
John donne as a lyric poet
John donne holy sonnet analysis
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Poetry of the seventeenth century is among some of the best ever written, however, there is more uncertainty when dealing with particular subjects. The topics, for the most part, are more serious and there is the impression that the poets are earnestly uncertain about their choices. The poets themselves do not want to make any definite lines between what they believe and what could be the reality. John Donne's poems discussing women and religion are among the most noticeable examples of the deliberate use of ambiguity in seventeenth-century poetry.
It is evident by reading John Donne's poetry that he was a man of intense passion; even in his most light-hearted poems are the suggestions of resentment. In Donne's religious poems from "Holy Sonnets" there is still a sense of ambiguity and hesitance. In the poem which begins "Thou hast made me" the speaker is aware of his sins and that he is a sinful man. He is also conscious of the necessity for God's mercy during his final judgment. "Despair behind, and Death before doth cast / Such terror, and my feeble flesh doth waste" (44). Here, the speaker fears a rapidly approaching death, possibly because he feels that his sins are too profound to be forgiven. The speaker in the poem says that he is being tempted by the devil: "But our old subtle foe so tempteth me" (44). This is a difficult position to be in for a Christian, doubting the truth of God and heaven will only lead to eternal damnation. The reappearance of the word "may" also shows the degree of uncertainty in this poem by the speaker. "Thy grace may wing me to prevent his art" (44). The speaker is not certain that he will, or deserves to receive the grace of God to help him defy Satan. There is always a struggle between su...
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..., however, with the man's rationale taking over. He admits that he could dispute with what the woman may be thinking, but he may very well have the same feelings in the morning. Since the man is the only speaker throughout the poem, he is left only to speculate what the woman could be thinking, and the woman's actual opinion is never accounted for. The constant speculation shows the speaker's uncertainty throughout the situation.
In many of John Donne's poems he shows a level of uncertainty. He either shows ambiguity to voice his own anxieties or perhaps to reassure others who may have the same concerns regarding life and women as he does. In many seventeenth-century poems, there is the sense that the poets were more critical about what those in the sixteenth-century knew for sure.
Works Cited
Wandio, Gerald, ed. Poetry of the English Renaissance. 2004.
Donne, John. “Holy Sonnet 5, Holy Sonnet 6, Holy Sonnet 10.” John Donne’s Poetry: A Norton Critical Edition. Ed. Donald R. Dickson. W.W. Norton & Company. New York, London. 2004. (Handout)
When readers reflect on the poetry of the seventeenth century, poets such as John Donne and the
John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.
Comparing Philosophies of Donne's To His Mistress and Herrick's Corrina Going A-Maying. The seventeenth century in England produced two varying schools of poetic philosophy which included the metaphysical and the cavalier. While the metaphysical poets, comprised of the artists who followed John Donne's use of the metaphysical conceit, tended to reinforce the traditional forms of love and devotion, the cavalier poets, led by Ben Johnson, intellectualized the themes of their poetry. Both metaphysical and cavalier poets such as John Donne and Robert Herrick experimented with poetry of seduction, dramatic verse from a male lover attempting to persuade his beloved.
It is quite feasible to state that poetry at its finest is a dazzling and expressive art of words. A poem not only can expose the diplomatic beliefs of societies, but can also articulate passions and sentiments of the author to whom the poem belongs. One of the many fine poems that have been prevalent among the study of literature that is irrefutably powerful is Meditation 17 by John Donne. This poetic essay exposes John Donne’s opinions and beliefs on humanity, and covers much cogitation from religion all the way to death. Of course, the poem has been written so profoundly that one may not grasp it completely at first glimpse, however John Donne does use explicit strategies to better convey his message to readers of all sorts. John Donne utilizes situation, structure, language, and musical devices to enhance the poem and to aid in delivering his message efficiently.
John Donne’s poems are similar in their content. They usually point out at same topics like love, lust, sex and religion; only they are dissimilar in the feelings they express. These subjects reflect the different stages of his life: the lust of his youth, the love of his married middle age, and the piety of the latter part of his life. His poem,’ The Flea’ represents the restless feeling of lust during his youthful days but it comes together with a true respect for women through the metaphysical conceit of the flea as a church in the rhythm of the sexual act.
that Donne wrote [the poem] when he was a young man about town in Elizabethan
The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The content of his earlier works focused on pursuing women for his sexual desires, which contrasts heavily with his latter work. John Donne’s desire for physical pleasure subsides and he seeks to gain an emotional bond with women, as expressed in his later poetry.
John Donne an English metaphysical poet and 16th century preacher made his name through his poems on love and his technique of creating opposing imagery through allegory and language (Ribes, 2007). Once Donne renounced his catholic faith and made a commitment to the Church of England in 1615, he wrote a series of religious poems, hymns, and sermons (Hodgson, 1999). The most well-known of his religious poetry is a series of nineteen Holy Sonnets spanning over the early 16th century, the most famous of these is Holy Sonnet XIV also known as ‘Batter My Heart’. Holy Sonnet XIV’s prominence in modern literature is due to the debate surrounding the intended meaning of the poem and the parallel the writer draws between the act of religious enlightenment and the pleasure derived from sexual activity. The Cambridge Companion to John Donne describes the poem as “best known literary text in English that figures spiritual redemption as a purifying sexual act” (Gibbory, 2006). This essay will link in to the description given by The Cambridge Companion and will apply a feminist reading by drawing on the writing of Judith Butler, Helene Cixous, and Sigmund Freud the theorised reading will be achieved by firstly examining the dominant or received reading of the for-mentioned poem.
In both ‘The Sun Rising’ and ‘The Good Morrow’ Donne presents the experience of love, in a typical Metaphysical style, to engage his reader through sharing his own experiences. These poems show distinctive characteristics of Metaphysical poems which involve colloquial diction, drawing inventive imagery from unconventional sources, passionately analysing relationships and examining feelings. Donne presents the experience of love through conceits, Metaphysical wit, language techniques and imagery, in a confident tone using logical argument. The impact of Donne’s use of direct and idiomatic language shows the reader how he feels about a woman and ultimately love.
John Donne's use of deep religious themes, unique poetic devices, and vivid imagery create a stunning and convicting poem. Donne's talents are on full display as he moves through each line with such beauty and simplicity. One can easily imagine his sorrow and pain as he penned the words of this poem and poured his heart into it. Donne's work reminds readers of the sorrow of sin, the necessity of forgiveness, and the hope of restoration. Although he focuses on anguish and sorrow, his message is truly one of joy and hope. All who take his words to heart find internal peace and rejoice in the mercy of their
John Donne will not accept death as the finale, his religious conviction supports in the belief of eternal life proceeding death. Throughout the poem Donne’s main purpose was the personification of death, his use of figurative language gave death humanistic characteristics and made death vulnerable and unintimidating. The structure of three quatrains and a couplet for the poem allowed for easier understanding of the context because the layout and rhyme scheme helped the poem flow and also revealed the tones. The imagery of death described by Donne breaks down death’s pride and bravado, as well as shine an encouraging light past the process of dying, on to the hope of delivery to eternal life. Each element played a significant role in the interpretation of the paradox of the poem, that ultimately death is not the universal destroyer of life.
John Donne is probably the most famous metaphysical poet. One of his most famous poems is "A Valediction: Forbidding Mourning." In this poem, he combines metaphors, imagery, and emotion to convey the intensity of the poem's meaning. Figurative language is used in the poem to illustrate to his addressee (his wife) preceding an impending lengthy separation that although their separation will be difficult, their sacred love will remain strong. The poem has been suggested to have been written with the intent to explain to his addressee why their separation was not a cause for great sorrow. The poet was probably leaving for France in 1611 on a European tour with his friend Sir Robert Drury. Ann was sick and pregnant and protested being left behind (Cavanaugh).
John Donne lived in an era when the lyric was at its pinnacle. Poets were writing well-rounded, almost musical poetry on subjects that ranged from all kinds of love to enchantment with nature. Donne could not help but revolt against this excess of fluency and melody. John Donne's style stands in such sharp contrast to the accepted Elizabethan lyrical style that it becomes difficult to accept the fact that his works date from the same era. To highlight this statement, one has to compare a typical Elizabethan lyric to one of Donne's works.
John Donne is unanimously acknowledged as a true metaphysical poet because he made an unlike conceptual thought against the Elizabethan poetry, showed an analytical pattern of love and affection and displayed an essence of dissonance in words and expressions. This paper concentrates on the exploration of the characteristics of Donne’s metaphysical poetry highlighting extended form of epigrams, conceits, paradoxes and ratiocinations. Donne in respect of the manifestation of metaphysical beauty was an unparallel and super ordinate among all poets such as Richard Crashaw, Henry Vaughan, Abraham Cowley, George Herbert, Andrew Marvell and many more. Donne, in fact, gave a breakthrough about the initiation of a new form of poetry-metaphysical poetry. He was natural, unconventional, and persistently believed in the argumentation and cross analysis of his thoughts and emotions through direct languages. He also concentrated on love and religion through intellectual, analytical and psychological point of view. His poetry is not only scholastic and witty but also reflective and philosophical.