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Shortnotes on the poem of John Donne
The help literary analysis
The help literary analysis
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It is quite feasible to state that poetry at its finest is a dazzling and expressive art of words. A poem not only can expose the diplomatic beliefs of societies, but can also articulate passions and sentiments of the author to whom the poem belongs. One of the many fine poems that have been prevalent among the study of literature that is irrefutably powerful is Meditation 17 by John Donne. This poetic essay exposes John Donne’s opinions and beliefs on humanity, and covers much cogitation from religion all the way to death. Of course, the poem has been written so profoundly that one may not grasp it completely at first glimpse, however John Donne does use explicit strategies to better convey his message to readers of all sorts. John Donne utilizes situation, structure, language, and musical devices to enhance the poem and to aid in delivering his message efficiently.
The situation of Meditation 17 has a few parts to it, including where the poem stands as a story, narration, emotion/mood expressed, poetic voice, and tone. In regards to the poem being a story, it seems that it is merely a poem elaborating on the beliefs of the author without telling a chronological story. It is typically a persuasive essay that is not a narrative but a subjective scrutiny on humanity and death. “Perchance he for whom this bell tolls may be so ill as that he knows not it tolls for him;”[1]. This quote is an instance from the poem that reveals the inclusive emotion and mood of the poem as somewhat down, melancholy and desolate, with the author referring to a bell tolling for a sick man who is so ill that he cannot even recognize that it tolls for him (as bells used to toll for the dead some time ago). The Meditation’s poetic voice is extremely vibran...
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...t has given me hope. I had never heard of this poem until now, and truthfully I believe I have been missing out, for of all the fine poems that are very renowned in the world, Meditation 17 just happened to be the one that found me, and consequently changed my life forever.
Works Cited
[1-4] Donne, John. “From Meditation 17”. Excerpt from McDougal Litell’s “The Language of Literature”, Page 455. McDougal Litell Inc., 2000.
[5] http://www.thefreedictionary.com/free+association
[6] Donne, John. “From Meditation 17”. Excerpt from McDougal Litell’s “The Language of Literature”, Page 455. McDougal Litell Inc., 2000.
[7] http://lazydabbler.wordpress.com/2010/03/21/john-donnemeditation-xvii-from-devotions-upon-emergent-occasions/
[8-16] Donne, John. “From Meditation 17”. Excerpt from McDougal Litell’s “The Language of Literature”, Page 455. McDougal Litell Inc., 2000.
This essay is anchored on the goal of looking closer and scrutinizing the said poem. It is divided into subheadings for the discussion of the analysis of each of the poem’s stanzas.
... Works Cited Everett, Nicholas. From The Oxford Companion to Twentieth-century Poetry in English. Ed. Ian Hamilton.
Donne, John. “Holy Sonnet 5, Holy Sonnet 6, Holy Sonnet 10.” John Donne’s Poetry: A Norton Critical Edition. Ed. Donald R. Dickson. W.W. Norton & Company. New York, London. 2004. (Handout)
The reader can easily recognize the extensive use of figurative language in both writings. For example, in Meditation XVII Donne stated, “...all mankind is of one author, and is one volume; when one man dies, one chapter is not torn out of the book, but translated into a better language; and every chapter must be so translated...”. This quote is a metaphor described through the use of imagery. It describes humankind as a book and every person is a chapter and god is the author of the book. Similarly, in The Bill, Malamud wrote, “All day they (tenants) pestered Willy like clusters of flies and he holds them what the landlord had ordered”. This quote is a simile comparing the tenants to clusters of flies that keep buzzing and annoying Willy to pay rent. In addition to the figurative language, one can identify the common theme between the essay and the short story as well. Although elucidated through unique approaches, both The Bill and Meditation XVII, focus on defining interdependent relationships among
To help Year Twelve students that are studying poetry appreciate it's value, this pamphlet's aim is to discuss a classic poem and a modern song lyric to show that even poetry written many years ago can still be relevant to people and lyrics today. By reading this may you gain a greater knowledge and understanding of poetry in general, and not just the two discussed further on.
French, Warren. in his John Steinbeck, Twayne Publishers, Inc., 1961, p. 190, in Contemporary Literary Criticism Vol. 75, edited by Thomas Votteler, Detroit: Gale Research Inc., 1993.
...e of this poem might be to make the reader empathize with the suffering that he/she sees in the world and try to find a way around it by reducing it. This extract teaches us that life contains suffering and suffering is due to earthly objects as the people who cared for the dead man were attached to him and this caused them to suffer. The only way out of this suffering and samsara is nirvana and this can be attained by following Buddha’s eightfold path – right view, right intention; right speech, right action, right livelihood; right effort, right mindfulness, right concentration (McHugh).
When readers reflect on the poetry of the seventeenth century, poets such as John Donne and the
John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.
During the first four lines of the poem the speaker feels like God has been very generous to him, he feels that God is almost too friendly and that he has been too caring. Donne feels that in orde...
...al in lines one and two with enjambment between the words “digest” and “my soul.” He even goes so far as to conflate God the Father with depraved man through enjambent and the phrase “robbed man” in line 9. In fact, this line seems to actually serve as a kind of “volta” due to the ultimate extreme of conflation, thus following the traditional Italian sonnet form. This emphasizes the purity of the form as representative of the Trinity in this sonnet. Donne’s use of the form of the poem itself as an embodiment of the Trinity seems to further emphasize the perceived interrelatedness of all things, and therefore supports the mutual statement of love that opens the poem. So, the conflation rises to yet another level, where the poem itself is a resonation of God’s love as a manifestation of the trinity, and Donne takes the role of creator, thus acting in the image of God.
In arguing against mourning and emotional confusion, Donne uses a series of bold and unexpected comparisons for the love between himself and his lady. Donne makes his first surprising analogy in the first stanza when he compares the approaching separation of the lovers to death. "he speaker compares his parting from his lover to the parting of the soul from a virtuous man at death. According to the speaker, "virtuous men pass mildly away" (line 1) because the virtue in their lives has assured them of glory and happiness in the afterlife; therefore, they die in peace without fear and emotion. By this he suggests that the separation of the lovers is parrallel to the separation caused by death.
The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The content of his earlier works focused on pursuing women for his sexual desires, which contrasts heavily with his latter work. John Donne’s desire for physical pleasure subsides and he seeks to gain an emotional bond with women, as expressed in his later poetry.
In both ‘The Sun Rising’ and ‘The Good Morrow’ Donne presents the experience of love, in a typical Metaphysical style, to engage his reader through sharing his own experiences. These poems show distinctive characteristics of Metaphysical poems which involve colloquial diction, drawing inventive imagery from unconventional sources, passionately analysing relationships and examining feelings. Donne presents the experience of love through conceits, Metaphysical wit, language techniques and imagery, in a confident tone using logical argument. The impact of Donne’s use of direct and idiomatic language shows the reader how he feels about a woman and ultimately love.
By making many references to the Bible, John Donne's Holy Sonnets reveal his want to be accepted and forgiven by God. A fear of death without God's forgiveness of sins is conveyed in these sonnets. Donne expresses extreme anxiety and fright that Satan has taken over his soul and God won't forgive him for it or his sins. A central theme of healing and forgiveness imply that John Donne, however much he wrote about God and being holy, wasn't such a holy man all of the time and tried to make up for it in his writing.