Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
John Donne's strange metaphors
Symbolism in modern poetry
Symbolism in modern poetry
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: John Donne's strange metaphors
Intimacy has always been known as an important part in a relationship. Yet, it is common for people to have different beliefs on sex before marriage. John Doone described this dilemma in his poem called “The Flea”. Doone uses many literary devices to support the reader’s understanding of how a tiny insect such as a flea can be compared to someone’s relationship. Doone illustrates imagery, metaphor, and symbolism to emphasize the speaker’s sexual desires toward a woman. At the beginning of the poem, the speaker is denied sexual pleasures by a woman who he was interested in. Yet, the couple was both been bitten by a flea. The speaker, and his love’s blood were together inside the flea. According to the speaker, this action joined them together …show more content…
Imagery in a poem can be significant to what a reader takes away from a poem. Doone uses moral views to present religious imagery in the poem. By conveying this religious imagery, the speaker uses his love’s religious views to try to convince her to have sex with him before marriage, which is usually viewed as a sin. At the beginning of the poem, starting in line three, the speaker states that the flea has taken blood from him first, and then from only his love. (3-4) The speaker states that “Thou know’st that this cannot be said a sin, nor a shame” (5). Doone is displaying a sense of religious imagery by the speaker stating that even though it may be known as immoral, the woman should know that it is not a shame to have sex with him because their bloods already mingled together inside the flea (4). The speaker says that “And in this flea our two bloods mingled be” (4). By using this religious imagery, the speaker is stating their bloods being together inside the flea is already equivalent to sex, so it would not be an immoral gesture. Doone also presents religious imagery in lines thirteen and fourteen. The speaker states that the flea represents marriage, and “marriage is a temple” (13). Religious beliefs may state that a couple should be married before having sex. The speaker is attempting to convince his love that it would not be a sin to sleep with him because the flea already portrays a marriage. By using this …show more content…
Symbolism is a literary device that gives symbolic meaning to objects, giving the reader a better understanding of the idea of a literary work. Doone uses the flea to symbolize the relationship between the speaker and his lover. The flea is later described as their “marriage bed” (13). In line twelve, Doone writes “This flea is you and I”. He is stating that since the flea bit them both, the flea can represent their relationship. By giving this symbolic meaning to the flea, it allows the speaker to describe how badly he wants sexual relations with his lover. This symbolism also supports the idea of the speaker trying to convince his love that sex is shameless act. In lines sixteen through eighteen, the speaker explains to the woman the importance of not killing the flea. He explains that it would be awful to kill the flea because it would be equivalent to killing him, and killing herself (16-18). Another example of symbolism is the blood inside the flea. Doone uses the blood to symbolize togetherness between the speaker and his lover. Since both the speaker, and the woman’s blood were mixed together inside the flea, it is described as if they are one. Using the blood to symbolize togetherness sets a dramatic tone to the poem. In lines eight Doone states that the flea “swells with one blood made of two, and this alas, is more than we would do” (8-9). The speaker begins to try to convince his love that since
The imagery in this passage helps turn the tone of the poem from victimization to anger. In addition to fire images, the overall language is completely stripped down to bare ugliness. In previous lines, the sordidness has been intermixed with cheerful euphemisms: the agonizing work is an "exquisite dance" (24); the trembling hands are "white gulls" (22); the cough is "gay" (25). But in these later lines, all aesthetically pleasing terms vanish, leaving "sweet and …blood" (85), "naked… [and]…bony children" (89), and a "skeleton body" (95).
This leads to the allegories used in this short story. The protagonist life paralleled both of her pets' lives, her dog Caesar's and that of her little yellow canary. Both comparisons are of restriction and fear of freedom. The animals and the woman of this story are irreversible tamed by their captivity, and no longer crave freedom. Ideas of sin guilt and atonement are also present between the woman and the dog.
John Donne?s poem connects flesh and spirit, worldly and religious ideas in a fascinating way between seemingly unrelated topics. He compares sexual intercourse to a bite of a flea and says that now their blood has mixed inside the flea. He also compares the inside of the tiny flea to the entire world, including the couple.
- PP.5 of Literary Criticism paper. “Rabid Dog; illness is contagious and dangerous - Symbolism Chart. “Don’t you go near that dog, you understand? Don’t go near him, he’s just as dangerous
The yellow-white dog named Caesar which Louisa owns, has been chained to the dog house the last 15 years after he bit someone. Caesar being chained to the dog house could actually represent the feeling the reader gets that Louisa is chained to her own house and to her solitary ways. The narrator talks about how Louisa would have to move out of her comfort zone and enter a new place where Louisa and her pets would be “robbed of their old environments” ( ) and they would come to not know themselves as the narrator says, “they would almost cease to be themselves” (
The presence of the two cats in the tale allows the narrator to see himself for who he truly is. In the beginning the narrator explains that his “tenderness of heart made him the jest of his companions”. (251) He also speaks of his love for animals that has remained with him from childhood into manhood. However, Poe contradicts this description of the narrator when he seems to become annoyed with the cat that he claims to love so much. While under the influence of alcohol the narrator is “fancied that the cat avoided his presence”(250) and as a result decides to brutally attack the cat. This black cat symbolizes the cruelty received by slaves from whites. The narrator not only “deliberately cuts one of the cats eyes from the sockets” (250) but he also goes on to hang the cat. Once the narrator successfully hangs the cat the tale begins to take a very dark and gothic-like turn. The racism and guilt of the narrator continues to haunt him once he has killed the black cat. Th...
Based on her reaction, the speaker states, "Tis true...Just so much honor, when they yield'st to me, Will waste, as this flea's death took life from thee." In other words, he twists his argument to make the point that the woman will lose as much giving herself to him as she lost killing the flea - NOTHING! Secondly, Donne's use of rhythm aids in shaping the poem's meaning. The poem has alternating lines of iambic tetrameter and pentameter. However, Donne varies this rhythm to create emphasis on particular words or phrases. For instance, in the first stanza he states, "Mark but this flea, and mark in this." Instead of beginning with an unstressed word or syllable as in iambic, Donne stresses the word "Mark." This is important in accentuating his argument.
In this tale, the professor embodies the artist and the flea signifies the art (Lecture 13.2). Andersen’s initial struggle is mirrored when the artist and his art must stay together. This tale illustrates how the flea (art) supports the professor in order to survive. In this case, the professor (artist) has to rely on the flea, just like Andersen relied on his tales in order to become famous. This is where Andersen started to inform his readers how he felt pressured to create tales that would be
The two poems The Flea and The Sunne Rising capture John Donne’s primary motive to get in bed with women. Donne wrote these poems at an early age, and at that time he was seeking nothing more than a sexual relationship. His poetry depicted clearly how sexist he was at the time and how he used to perceive women as a medium of pleasure. The content of his early poems express an immature and desperate image of Donne, who is dominated by his fixation on the sensuality of women. In The Flea, Donne shows his desperation to have sex by addressing a flea that has sucked the blood of both him and the woman he is persuading. It is quite awkward how the poet uses this obscure image of the flea as a symbol of love and sex to convince the woman that...
There is a similar theme running through both of the poems, in which both mistresses are refusing to partake in sexual intercourse with both of the poets. The way in which both poets present their argument is quite different as Marvell is writing from a perspective from which he is depicting his mistress as being 'coy', and essentially, mean, in refusing him sex, and Donne is comparing the blood lost by a flea bite to the blood that would be united during sex. Marvell immediately makes clear his thoughts in the poem when he says, "Had we but world enough, and time/ This coyness, Lady were no crime", he is conveying the 'carpe diem' idea that there is not enough time for her to be 'coy' and refuse him sexual intercourse and he justifies this thought when he suggests when she is dead, in ?thy marble vault?, and ?worms shall try that long preserved virginity?. He is using the idea of worms crawling all over and in her corpse as a way of saying that the worms are going to take her virginity if she waits until death. Donne justifies his bid for her virginity in a much longer and more methodical way, he uses the idea of the flea taking her blood and mixing it with his, ?It suck?d me first, and now sucks thee?, and then...
First of all, the situation created by Donne is remarkable. Although there is only one speaker in "The Flea," the poem itself reveals a profound interaction between speaker and audience. Here is an example: "Mark but this flea, and mark in this," (line 1) and "Oh stay, three lives in one flea spare," (line 10). In line one, the poet asked his coy mistress to notice a flea and explain that the flea symbolized the combination of their love. Whereas, when the poem goes on to the first line of the second stanza, the lady ignores Donne's enthusiasm by intending to slay the flea. From the two lines, it shows the female's emotional reaction to Donne's persuasion, which provokes his urge by applying poetic device in the poem.
John Donne is known as being one of the most famous and influential metaphysical poets. The term “metaphysical," as applied to English and continental European poets of the seventeenth century, was used by Augustan poets John Dryden and Samuel Johnson to reprove those poets for their “unnaturalness.” As Johann Wolfgang von Goethe wrote, however, “The unnatural, that too is natural," and the metaphysical poets continue to be studied and revered for their intricacy and originality. Due to Donne’s personal experiences with spirituality and love, he is able to grasp the true meaning of metaphysical poetry (Brief Guide to Metaphysical Poets). Using all the aspects of metaphysical poetry, Donne creates a mysterious metaphoric poem titled, “The Flea.” Throughout this poem, the use of metaphors and breaks into the separate stanzas allow for the audiences to understand what The Flea is really about. At first glance, many read The Flea as a poem that compares sexual intimacy with an animal, but when broken down, it can be seen that the meaning is much deeper than intimacy, but it
In the first stanza of the poem, Donne tries to convince his lover to have sexual intercourse with him. At first one would not realize that this is his intention because he uses a flea to describe sex which is a very far-fetched description of the act hence this poem being metaphysical. Using a conceit he belittles the impact of sex and the power it has over him even though it may be untrue. Knowing that she has thought about it before, he assures her that by withholding sex from him is something so small that it does not give her power in the relationship.
John Donne, an English poet and clergyman, was one of the greatest metaphysical poets. His poetry was marked by conceits and lush imagery. The Flea is an excellent example of how he was able to establish a parallel between two very different things. In this poem, the speaker tries to seduce a young woman by comparing the consequences of their lovemaking with those of an insignificant fleabite. He uses the flea as an argument to illustrate that the physical relationship he desires is not in itself a significant event, because a similar union has already taken place within the flea. However, if we look beneath the surface level of the poem, Donne uses the presence of the flea as a comparison to the presence of a baby, thus making the sub textual plot about aborting the baby.
Despite the speaker’s best attempt at convincing the woman to have sexual relations with him through his metaphor of the flea, he would appear to be unsuccessful at the end of the poem. His far-fetched and cynical approach belittles both the woman’s virginity and sexual relations outside of marriage in general, and only highlight his lust for her. However, the poem’s metaphysical characteristics which include the primary use of a conceit through the flea, hyperbole, ironic wit to balance the plot between a serious and humorous nature, and an argumentative structure, allow Donne to create a satirical narrative to address the subject of sexual relations outside of marriage.