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John Donne's strange metaphors
Symbolism in modern poetry
Symbolism in modern poetry
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Recommended: John Donne's strange metaphors
Intimacy has always been known as an important part in a relationship. Yet, it is common for people to have different beliefs on sex before marriage. John Doone described this dilemma in his poem called “The Flea”. Doone uses many literary devices to support the reader’s understanding of how a tiny insect such as a flea can be compared to someone’s relationship. Doone illustrates imagery, metaphor, and symbolism to emphasize the speaker’s sexual desires toward a woman. At the beginning of the poem, the speaker is denied sexual pleasures by a woman who he was interested in. Yet, the couple was both been bitten by a flea. The speaker, and his love’s blood were together inside the flea. According to the speaker, this action joined them together …show more content…
Imagery in a poem can be significant to what a reader takes away from a poem. Doone uses moral views to present religious imagery in the poem. By conveying this religious imagery, the speaker uses his love’s religious views to try to convince her to have sex with him before marriage, which is usually viewed as a sin. At the beginning of the poem, starting in line three, the speaker states that the flea has taken blood from him first, and then from only his love. (3-4) The speaker states that “Thou know’st that this cannot be said a sin, nor a shame” (5). Doone is displaying a sense of religious imagery by the speaker stating that even though it may be known as immoral, the woman should know that it is not a shame to have sex with him because their bloods already mingled together inside the flea (4). The speaker says that “And in this flea our two bloods mingled be” (4). By using this religious imagery, the speaker is stating their bloods being together inside the flea is already equivalent to sex, so it would not be an immoral gesture. Doone also presents religious imagery in lines thirteen and fourteen. The speaker states that the flea represents marriage, and “marriage is a temple” (13). Religious beliefs may state that a couple should be married before having sex. The speaker is attempting to convince his love that it would not be a sin to sleep with him because the flea already portrays a marriage. By using this …show more content…
Symbolism is a literary device that gives symbolic meaning to objects, giving the reader a better understanding of the idea of a literary work. Doone uses the flea to symbolize the relationship between the speaker and his lover. The flea is later described as their “marriage bed” (13). In line twelve, Doone writes “This flea is you and I”. He is stating that since the flea bit them both, the flea can represent their relationship. By giving this symbolic meaning to the flea, it allows the speaker to describe how badly he wants sexual relations with his lover. This symbolism also supports the idea of the speaker trying to convince his love that sex is shameless act. In lines sixteen through eighteen, the speaker explains to the woman the importance of not killing the flea. He explains that it would be awful to kill the flea because it would be equivalent to killing him, and killing herself (16-18). Another example of symbolism is the blood inside the flea. Doone uses the blood to symbolize togetherness between the speaker and his lover. Since both the speaker, and the woman’s blood were mixed together inside the flea, it is described as if they are one. Using the blood to symbolize togetherness sets a dramatic tone to the poem. In lines eight Doone states that the flea “swells with one blood made of two, and this alas, is more than we would do” (8-9). The speaker begins to try to convince his love that since
The imagery in this passage helps turn the tone of the poem from victimization to anger. In addition to fire images, the overall language is completely stripped down to bare ugliness. In previous lines, the sordidness has been intermixed with cheerful euphemisms: the agonizing work is an "exquisite dance" (24); the trembling hands are "white gulls" (22); the cough is "gay" (25). But in these later lines, all aesthetically pleasing terms vanish, leaving "sweet and …blood" (85), "naked… [and]…bony children" (89), and a "skeleton body" (95).
The yellow-white dog named Caesar which Louisa owns, has been chained to the dog house the last 15 years after he bit someone. Caesar being chained to the dog house could actually represent the feeling the reader gets that Louisa is chained to her own house and to her solitary ways. The narrator talks about how Louisa would have to move out of her comfort zone and enter a new place where Louisa and her pets would be “robbed of their old environments” ( ) and they would come to not know themselves as the narrator says, “they would almost cease to be themselves” (
This leads to the allegories used in this short story. The protagonist life paralleled both of her pets' lives, her dog Caesar's and that of her little yellow canary. Both comparisons are of restriction and fear of freedom. The animals and the woman of this story are irreversible tamed by their captivity, and no longer crave freedom. Ideas of sin guilt and atonement are also present between the woman and the dog.
- PP.5 of Literary Criticism paper. “Rabid Dog; illness is contagious and dangerous - Symbolism Chart. “Don’t you go near that dog, you understand? Don’t go near him, he’s just as dangerous
He is suggesting that they are united in this flea and ,thus, would equally be united in intimacy. In addition, he states, "This flea is you and I, and this our marriage bed, and marriage temple is." The speaker is suggesting that through the flea the two are married. Again, the flea represents marriage, union, and consummation through intimacy. However, the woman crushes the flea, thus, refusing his request, and states that neither she nor he is weakened by its death.
There is a similar theme running through both of the poems, in which both mistresses are refusing to partake in sexual intercourse with both of the poets. The way in which both poets present their argument is quite different as Marvell is writing from a perspective from which he is depicting his mistress as being 'coy', and essentially, mean, in refusing him sex, and Donne is comparing the blood lost by a flea bite to the blood that would be united during sex. Marvell immediately makes clear his thoughts in the poem when he says, "Had we but world enough, and time/ This coyness, Lady were no crime", he is conveying the 'carpe diem' idea that there is not enough time for her to be 'coy' and refuse him sexual intercourse and he justifies this thought when he suggests when she is dead, in ?thy marble vault?, and ?worms shall try that long preserved virginity?. He is using the idea of worms crawling all over and in her corpse as a way of saying that the worms are going to take her virginity if she waits until death. Donne justifies his bid for her virginity in a much longer and more methodical way, he uses the idea of the flea taking her blood and mixing it with his, ?It suck?d me first, and now sucks thee?, and then...
At first, this poem seems to be simply about a young, sexually hungry man who is trying to convince a girl to give into his sexual wishes. She denies the ?wanna be? lover because she believes that the act of intercourse before marriage is a dishonorable sin in the eyes of the church. The lady ends up killing the flea and symbolically killing the false world the man had constructed in the flea. She then says that neither of them are any worse by killing the flea, which the male agrees with. The man concludes his point by granting that the death of the flea does not really have any consequences, just like her fears to loose her respectability and honor. His main point in all his talk about the flea is to show her that her honor will not be ruined if she yields to him.
First of all, the situation created by Donne is remarkable. Although there is only one speaker in "The Flea," the poem itself reveals a profound interaction between speaker and audience. Here is an example: "Mark but this flea, and mark in this," (line 1) and "Oh stay, three lives in one flea spare," (line 10). In line one, the poet asked his coy mistress to notice a flea and explain that the flea symbolized the combination of their love. Whereas, when the poem goes on to the first line of the second stanza, the lady ignores Donne's enthusiasm by intending to slay the flea. From the two lines, it shows the female's emotional reaction to Donne's persuasion, which provokes his urge by applying poetic device in the poem.
The presence of the two cats in the tale allows the narrator to see himself for who he truly is. In the beginning the narrator explains that his “tenderness of heart made him the jest of his companions”. (251) He also speaks of his love for animals that has remained with him from childhood into manhood. However, Poe contradicts this description of the narrator when he seems to become annoyed with the cat that he claims to love so much. While under the influence of alcohol the narrator is “fancied that the cat avoided his presence”(250) and as a result decides to brutally attack the cat. This black cat symbolizes the cruelty received by slaves from whites. The narrator not only “deliberately cuts one of the cats eyes from the sockets” (250) but he also goes on to hang the cat. Once the narrator successfully hangs the cat the tale begins to take a very dark and gothic-like turn. The racism and guilt of the narrator continues to haunt him once he has killed the black cat. Th...
The two poems The Flea and The Sunne Rising capture John Donne’s primary motive to get in bed with women. Donne wrote these poems at an early age, and at that time he was seeking nothing more than a sexual relationship. His poetry depicted clearly how sexist he was at the time and how he used to perceive women as a medium of pleasure. The content of his early poems express an immature and desperate image of Donne, who is dominated by his fixation on the sensuality of women. In The Flea, Donne shows his desperation to have sex by addressing a flea that has sucked the blood of both him and the woman he is persuading. It is quite awkward how the poet uses this obscure image of the flea as a symbol of love and sex to convince the woman that...
In the first stanza of the poem, the speaker develops similarities between the fleabite and lovemaking. The first two lines of the poem, “Mark but this flea, and mark in this, How little that, which thou deny’st me, is;” I interpreted to mean that the woman doesn’t deny the flea access to her body, yet she denies the advancements of the speaker. Next the speaker uses conceit to illustrate the similarities between their lovemaking and the mingling of their blood within the flea. “Me is sucked first, and now sucks the, An in this flea our two bloods mingled be.” The speaker uses this argument to show the woman that the same physical exchange, which t...
In this tale, the professor embodies the artist and the flea signifies the art (Lecture 13.2). Andersen’s initial struggle is mirrored when the artist and his art must stay together. This tale illustrates how the flea (art) supports the professor in order to survive. In this case, the professor (artist) has to rely on the flea, just like Andersen relied on his tales in order to become famous. This is where Andersen started to inform his readers how he felt pressured to create tales that would be
However, before diving into the true meaning of the poem, it is quite important to scan it as a whole; therefore, looking for the structure, the rhyme scheme/meter, and the overall message of the poem as a whole. The Flea, as stated previously, is a metaphysical poem. This states that the poem does not follow an exact form, in some ways it can be looked at as sort of a free verse form of poetry, but with a rhyme scheme. When looking at the poem as a whole, it can be stated that the rhymes are very weak. For example, the rhyming of “this” to “is” and “said” to “maidenhead,” are expected and somewhat easy. While the message is clear as to what is happening, if better word choices had been made, then the poem might not feel as
He encourages her to give in to his demand by making the act seem trivial, insignificant and nothing to be ashamed of. He implies that if their blood can be shared by a flea, why not they share it with each other. A sense of humour is evident as he ridicules the mindsets of sex before marriage being a sin.
The first stanza of the poem establishes the one-sided conversation between the speaker and his love interest. He immediately introduces the flea and the action that precedes this conversation by referencing the flea having bitten both himself and her. The word ch...