Lines 85-97 of Tillie Olsen's first published poem "I Want You Women Up North to Know" contain the climactic turning point of this poem, and the language and form reflect this change. Instead of being humble and disjointed victims who remain mostly anonymous, the workers are transformed into an angry and unified group of distinct individuals. This shift in mood is accomplished by three devices: imagery, grouping, and capitalization of proper names.
The imagery in this passage helps turn the tone of the poem from victimization to anger. In addition to fire images, the overall language is completely stripped down to bare ugliness. In previous lines, the sordidness has been intermixed with cheerful euphemisms: the agonizing work is an "exquisite dance" (24); the trembling hands are "white gulls" (22); the cough is "gay" (25). But in these later lines, all aesthetically pleasing terms vanish, leaving "sweet and …blood" (85), "naked… [and]…bony children" (89), and a "skeleton body" (95).
Another way this passage turns the mood of the poem is by using grouping and form to link the workers together, both in inference and appearance. Previously, each worker’s situation has been treated as an isolated story, literally separated from the others by a blank line. However, lines 85-97 are crowded together without spaces, suggesting unity by the very appearance of the lines. All of the grievances are briefly repeated, and then a sequence of "ands" binds the one-sentence recaps together. Yet in spite of this sense of solidarity, each person’s story is given its own sentence with a period boundary, subtly emphasizing their individual importance: solidarity is acceptable, but anonymity is not.
A final significant device in this passage is the use of capitalization. The proper names of the workers have been sporadically capitalized earlier in the poem, but here they are all consistent and correct. Again, this is an emphasis on individual importance, an insistence that each of these people deserves a unique proper name. The earlier all-lowercase names like "catalina rodiguez" (16) actually blend into the lines of poetry, suggesting crouching and obscurity, but here the uppercase letters in their names stand out clearly from other words. Interestingly, although the personal names are capitalized, "christ" (96) is left in lowercase, similar to the previous treatment of "god" (57, 60, 62). This contrast with the capitalization of the worker’ names implies that God and Christ have failed the workers and are now overshadowed by a budding self-confidence in the workers.
The first two lines of the poem set the mood of fear and gloom which is constant throughout the remainder of the poem. The word choice of "black" to describe the speaker's face can convey several messages (502). The most obvious meaning ...
The characters of the poem are also some very meaningful keys in showing the hidden meaning. The first stanza describes the crowd that has gathered to watch the enactment of our human lives. Lines three and four states "an angel throng, bewinged, and bedight in veils, and drowned in tears." Poe is stating that a group of angels is going to watch the spectacle put on for them, although they are already drowning in the tears from plays before. The orchestra that plays for them is another set of characters that have meaning. They represent the background in everyone's life by "playing the music of the spheres." A third set of characters that show hidden meaning is the "Mimes, in the form of God on high." They denote the people that inhabit the earth. Poe describes them as "Mere puppets they, who come and go at bidding of vast formless things." The vast formless things are the ideas that we have. Ideas like the things that we think we have to do for ourselves to survive and succeed. They also make up drama of the play. A final, prominent figure in this dramatic performance is the conqueror worm. Poe illustrates it as "a blood-red thing.
like it was an animal since in their mind the slave was comparable to an animal.
Closely associated to the romance tradition are two idealized standards of behavior, especially for knights: courage and chivalry. The protagonist within many medieval romances proved their worth by going on quests, as many a knights went in those times, thus returning with great tales of their travels and deeds. Many modern people think of chivalry as referring to a man's gallant treatment of women, and although that sense is derived from the medieval chivalric ideal, chivalry could be seen as more than that. Knights were expected to be brave, loyal, and honorable-sent to protect the weak, be noble to...
Society is ever changing and the people are just the same. Throughout history, it is shown that people change and mold to their surroundings. But when a deeper look is taken it is revealed that there is a minority that is unwilling or unable to fit these standards as most people do. These people tend to be forced into seclusion or made to fend for themselves. This is shown through the colonization of America and up into more recent times. The Native Americans are the first to make a life on this land, and when the English set up a new society, the Natives are forced onto smaller and smaller plots of land until forced to conform or to live on a reservation. The idea of this societal conformity is shown in “What You Pawn I Will Redeem” by Sherman Alexie, a short story author. Society's pressure to improve an individual living differently is hurting more than it is helping.
Anorexia is a serious disorder that involves compulsive dieting and excessive weight loss. According to The National Institute of Mental Health, anorexia is characterized by emaciation, a relentless pursuit of thinness, and extremely disturbed eating behaviors (Parks, 2009). The “disturbed eating behaviors” associated with anorexia include unhealthy weight loss and weight control methods, behaviors such as abusing or self-induced vomiting, and a distorted view of one’s personal appearance (Shepphird, 2010). Anorexics in general survive on 500 calories or less per day, and they count every calorie they consume (Parks, 2009). Symptoms often also include the inability or refusal to maintain a healthy weight and a great fear of gaining weight (Shepphird, 2010).
... The author specifically pointed out this fact, noting its importance. That line combined with the other events in the poem draws the reader to the conclusion there is a hostile and abusive mood about the text.
In The Stranger, Mersault’s personality can be difficult to analyze. Some people say that his personality is strongly Apollonian; some say that he is a balance of both personalities, and others say that he is Dionysian. Mersault, as society sees him, he is an individual with antisocial traits, a person who rarely speaks and does not show many emotions. All these traits can be related to the Apollonian style. But we can also see that he enjoys laughing, going to the beach, basic human needs like eating, drinking and having sex and he resists or rebels against society.
Anorexia nervosa is characterized by a fear of being overweight which results in becoming exceedingly thin. (guide) People with anorexia go to an extreme in abusing the way they diet, over exercise, and purge. When looking for symptoms in anorexia it is slightly hard to tell, for many times people keep their disorder a secret. Once someone starts undergoing this process, people sometimes gain weight rather than lose, which also initiates them to lose more weight. During the period of growth and maturation, anorexia leads to somatic and psychological development and which leads to serious health issues. (journal research) Although many don’t see what is happening, over time they are sev...
Anorexia Nervosa is a disorder in which preoccupation with dieting and thinness leads to excessive weight loss. Anorexics have an intense fear of fat.(American Anorexia Bulimia Association, INC). People with anorexia, whom doctors sometimes call anorectics, severely limit their food intake. About half of them also have bulimia symptoms. A lot of the time a person suffering from anorexia doesn’t realize that they have an eating problem, they are more concerned with their image than food.
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.
Shapiro, C. M. (2012). Eating disorders: Causes, diagnosis, and treatments [Ebrary version]. Retrieved from http://libproxy.utdallas.edu/login?url=http://site.ebrary.com/lib/utdallas/Doc?id=10683384&ppg=3
Levine, M. & Maine, M. (2004). Some basic facts about eating disorders. Retrieved April 28, 2005 from http://www.brooklane.org/whitepgs
During the poem the speaker does not address his readers. The readers are simply overhearing a man assessing the society in which he lives as he daydreams about what is could be and yet what it is not. It is evident that his goal is to get the readers to look down upon this society which is so caught up in daily routine; prohibiting anyone from having freedom of imagination. This detachment that is created between the speaker and his readers incorporated with the boring monotone at the very beginning of the poem gives the readers a negative impression of the society before they begin to analyze the actual words of the poem.
Anorexia nervosa is an eating disorder that makes people lose more weight than is considered healthy for their age and height. According to Harvard Children’s Health: