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An essay on john donne as a love poet
Examine the theme of love in John Donne
An essay on john donne as a love poet
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Since the publication of his `Songs and Sonets' in 1663, the intellectual wittiness of John Donne's love poetry has caused much speculation about the views of the poet himself. Donne took the traditional form and imagery of love poetry in his own day and forced it to "emerge reinvigorated and radically transformed by his hand, demanding from the reader an unprecedented level of mental alertness and engagement" Just as Donne threw himself eagerly into capturing the mood of the moment in his works, so he succeeds in sweeping the reader away in the intense emotions of his poetry. Several critics have believed Donne's `Songs and Sonets' can be divided into two groups; an earlier group of cynical and promiscuous poems, and a later group of more idealistic poems (supposedly written after Donne's marriage) However, even categorizing the poems in this way cannot banish the sense of variety between the attitudes to love found in the poems. For Donne, it would appear that love is not a singular and distinct emotion, but (to use his own words) is "mixt of all stuffes, paining soule or sense" (`Love's Growth') Rather than speak of love as a separate entity, Donne portrays it as deeply ingrained in the other feelings and activities that he describes. For this reason, it is difficult to decipher which attitude expressed in his poetry is actually Donne's view on love. In `The Flea', it would appear that sexual gratification is the solitary objective of the poem, whereas in poems such as `The Canonisation' love is elevated to a level where it refuses to abate even to the loss of the physical body. Similarly, many of the poems contain a sense of urgency about love, whilst others depict love as utterly unyielding to the passage of time. `... ... middle of paper ... ...ertain dignity and the only thing we can be sure of is that Donne leaves his reader with the sense that love is a "mysterie." Bibliography Text The Norton Anthology of English Literature, M.H. Abrams (ed.) 7th edition, volume 1. (New York and London, 2000) Critical Studies C.S Lewis, `Donne and Love Poetry in the Seventeenth Century', in Seventeenth-Century English Poetry, W.R. Keast (ed.) Oxford University Press (New York, 1962) Phillip Mallett, York Notes Advanced. John Donne: Selected Poems. York Press (York, 1999) Samuel Johnson, `The Life of Cowley', in Johnson's Lives of the Poets. A Selection, J.P. Hardy (ed.) Oxford University Press (Oxford, 1971) Internet Resources Ian Mackean, The Love Poetry of John Donne. http://www.english-literature.org/essays/donne.html
John Donne's view of love deviated greatly from the Medieval philosophy of courtly love, which had been expressed in poetry handed down from the sonnets of such poetic giants as Sidney and Petrarch. The general verse until then had focused greatly on the unrivalled importance of love in the context of the life of the poet (or his creation's voice). Until then, "love" had consisted mostly of an obsession with one woman, and an exploration of the feelings and situations that this caused in the narrator.
When readers reflect on the poetry of the seventeenth century, poets such as John Donne and the
One of Donne's famous poetic devices is diction. Again in line one and ten appear "Mark" and "Oh stay." These words are denotations of strong causative voice in order to obtain mistress' attention. In addition to diction, another outstanding part is his rhetoric skill. For example, "Me it sucked first, and now sucks thee," (line 3). His using different ...
It is quite feasible to state that poetry at its finest is a dazzling and expressive art of words. A poem not only can expose the diplomatic beliefs of societies, but can also articulate passions and sentiments of the author to whom the poem belongs. One of the many fine poems that have been prevalent among the study of literature that is irrefutably powerful is Meditation 17 by John Donne. This poetic essay exposes John Donne’s opinions and beliefs on humanity, and covers much cogitation from religion all the way to death. Of course, the poem has been written so profoundly that one may not grasp it completely at first glimpse, however John Donne does use explicit strategies to better convey his message to readers of all sorts. John Donne utilizes situation, structure, language, and musical devices to enhance the poem and to aid in delivering his message efficiently.
John Donne’s poems are similar in their content. They usually point out at same topics like love, lust, sex and religion; only they are dissimilar in the feelings they express. These subjects reflect the different stages of his life: the lust of his youth, the love of his married middle age, and the piety of the latter part of his life. His poem,’ The Flea’ represents the restless feeling of lust during his youthful days but it comes together with a true respect for women through the metaphysical conceit of the flea as a church in the rhythm of the sexual act.
In A Valediction: Forbidding Mourning, Donne describes a most perfect and unchangeable love between two people. Throughout the poem he skillfully compares the love of the speaker and his lady to things that seem completely different to the love between them.
In “Sonnet XVII,” the text begins by expressing the ways in which the narrator does not love, superficially. The narrator is captivated by his object of affection, and her inner beauty is of the upmost significance. The poem shows the narrator’s utter helplessness and vulnerability because it is characterized by raw emotions rather than logic. It then sculpts the image that the love created is so personal that the narrator is alone in his enchantment. Therefore, he is ultimately isolated because no one can fathom the love he is encountering. The narrator unveils his private thoughts, leaving him exposed and susceptible to ridicule and speculation. However, as the sonnet advances toward an end, it displays the true heartfelt description of love and finally shows how two people unite as one in an overwhelming intimacy.
The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The content of his earlier works focused on pursuing women for his sexual desires, which contrasts heavily with his latter work. John Donne’s desire for physical pleasure subsides and he seeks to gain an emotional bond with women, as expressed in his later poetry.
...oet who was able to adapt his experience and his religious values into his poem such as the “Canonization”. He was also able to give his readers hidden meanings that helped him to compare to his own life experience and throughout his poem he gives us the meaning to why he choose a word such canonization, in his own term of definition he is actually talking about his love.In turn Donne is a poet who can truely
Donne develops this idea through the symbolism of the flea and the twisted imagery of the Trinity. He uses slant rhyme to depict the man’s slanted argument and stretched logic, which highlight the man’s crooked idea of what physical love is. Donne’s use of slant rhyme and hyperbole mock other poems that praise women with flowery language in an attempt to charm them into bed. In contrast, the speaker here uses crude arguments meant to woo this woman to sex with him.Renaissance carpe diem poems speak about enjoying physical love within one’s short-lived youth. “The Flea” touches on fleeting love too; the body with the blood of life and love may soon be squished. However, there are consequences which always entail physical love. These consequences might be the real
In the poem, Donne structures each stanza individually as a different personification of love. In the first stanza, Donne compares love to a plague when he says, “Yet not that love so soon decays…that I have had the plague…” (3/6) It is the latter line that Donne implements his use of imagery and conceit. Love is not often compared with “the plague” and this is a very strong interpretation. However while these two images seem different, they do interconnect through the pain and anguish that love can foster. This first comparison of Donne’s is very ef...
The first two lines state, “My face in thine eye, thine in mine appears, and true plain hearts do in the face rest.” These lines demonstrate the love which resides within their eyes and faces as they are together. A strong love should be noted by peers when they see the longing and loving stares and smiles you give to one another, a smile and stare in which you have never given anyone else. Lines three and four reference a map in which the globe makes a sharp north and looks like a heart when doing so. Thus, reiterating the look in the couple’s eyes by saying they see hearts when they look at one another. Concluding, not only that stanza, but the poem as a whole, Donne states that a love that dies was never truly alive in the first place. By saying this he is reiterating that a perfect love is one that does not end, but instead fights till the end of
John Donne lived in an era when the lyric was at its pinnacle. Poets were writing well-rounded, almost musical poetry on subjects that ranged from all kinds of love to enchantment with nature. Donne could not help but revolt against this excess of fluency and melody. John Donne's style stands in such sharp contrast to the accepted Elizabethan lyrical style that it becomes difficult to accept the fact that his works date from the same era. To highlight this statement, one has to compare a typical Elizabethan lyric to one of Donne's works.
In the first stanza of the poem, Donne tries to convince his lover to have sexual intercourse with him. At first one would not realize that this is his intention because he uses a flea to describe sex which is a very far-fetched description of the act hence this poem being metaphysical. Using a conceit he belittles the impact of sex and the power it has over him even though it may be untrue. Knowing that she has thought about it before, he assures her that by withholding sex from him is something so small that it does not give her power in the relationship.
John Donne is unanimously acknowledged as a true metaphysical poet because he made an unlike conceptual thought against the Elizabethan poetry, showed an analytical pattern of love and affection and displayed an essence of dissonance in words and expressions. This paper concentrates on the exploration of the characteristics of Donne’s metaphysical poetry highlighting extended form of epigrams, conceits, paradoxes and ratiocinations. Donne in respect of the manifestation of metaphysical beauty was an unparallel and super ordinate among all poets such as Richard Crashaw, Henry Vaughan, Abraham Cowley, George Herbert, Andrew Marvell and many more. Donne, in fact, gave a breakthrough about the initiation of a new form of poetry-metaphysical poetry. He was natural, unconventional, and persistently believed in the argumentation and cross analysis of his thoughts and emotions through direct languages. He also concentrated on love and religion through intellectual, analytical and psychological point of view. His poetry is not only scholastic and witty but also reflective and philosophical.