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Donne as a romantic poet
Aspects of John Donne as a poet of love with illustrative references
Discuss donne as a great poet of love in the light of poem presence in absence
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The Good Morrow, a poem written by John Donne, gives a vivid, detailed, narration of the form of love many of us drastically seek to unearth. The narrator of The Good Morrow demonstrates no sign of misogyny, and instead displays an appreciation for the virtue of his lover in such a way that the reader comprehends the depths of their romance. Moreover, by developing such narration, Donne exhibits a pure and hopeful love, one in which he inspires his readers to acquire. He encourages this exploration by writing only of the positive encounters with his mistress. Therefore, he does not display the true structural balance of a relationship like he does in his poem, Loves Growth, in which a relationship is balanced by the ups and downs of life, or as he mentions in Loves Growth, the seasons. Nevertheless, if Donne chose to display a balanced relationship in The Good Morrow, then the reader would be weary of entering a relationship and would unconsciously shield themselves from the pure …show more content…
The first two lines state, “My face in thine eye, thine in mine appears, and true plain hearts do in the face rest.” These lines demonstrate the love which resides within their eyes and faces as they are together. A strong love should be noted by peers when they see the longing and loving stares and smiles you give to one another, a smile and stare in which you have never given anyone else. Lines three and four reference a map in which the globe makes a sharp north and looks like a heart when doing so. Thus, reiterating the look in the couple’s eyes by saying they see hearts when they look at one another. Concluding, not only that stanza, but the poem as a whole, Donne states that a love that dies was never truly alive in the first place. By saying this he is reiterating that a perfect love is one that does not end, but instead fights till the end of
Much like Lorraine Hansberry, Madeleine L’Engle believes that “the growth of love is not a straight line, but a series of hills and valleys.” Lillian Hellman’s The Little Foxes, Tennessee Williams’ Cat on a Hot Tin Roof, A Streetcar Named Desire, and The Glass Menagerie, and Robert Harling’s Steel Magnolias use the idea that even through struggles their characters show that love always endures. Although loving someone, who is not particularly loveable, is one of the most difficult parts of being human, it is possible by remembering that addictions can be reversed, blood is forever, and a ring is more than just an object.
A common practice when faced with a difficult choice, self-examination, is the centerpiece of two popular poems: Gregory Corso’s Marriage and T. S. Eliot’s The Love Song of J. Alfred Prufrock. Both poems are dramatic monologues in which the speakers address the similar situations that they find themselves in. While the speaker of Eliot’s poem has a nervous and bashful approach in his attempts at romance, the hesitant postmodern speaker in Corso’s poem makes use of sarcasm to attack the institution of marriage. When these two monologues given by similar personas are analyzed together the result is a dialogue which discusses two distinguishing views on the ideas of romance and love.
The Lais of Marie de France is a compilation of short stories that delineate situations where love is just. Love is presented as a complex emotion and is portrayed as positive, while at other times, it is portrayed as negative. The author varies on whether or not love is favorable as is expressed by the outcomes of the characters in the story, such as lovers dying or being banished from the city. To demonstrate, the author weaves stories that exhibit binaries of love. Two distinct types of love are described: selfish and selfless. Love is selfish when a person leaves their current partner for another due to covetous reasons. Contrarily, selfless love occurs when a lover leaves to be in a superior relationship. The stark contrast between the types of love can be analyzed to derive a universal truth about love.
Love caused his logic and sensibility to fail him, and provoked him to commit monstrous acts that destroyed many lives. Through analysis of “Happy Endings” by Margaret Atwood, it can be concluded that one of her many intended lessons was to show the value and the powerful effects of love. Atwood successfully proved this lesson by using powerful examples of both successful and disastrous relationships to illustrate the positive and negative effects of love. Atwood truly demonstrated what it is like to follow your heart.
Love is a concept that has puzzled humanity for centuries. This attachment of one human being to another, not seen as intensely in other organisms, is something people just cannot wrap their heads around easily. So, in an effort to understand, people write their thoughts down. Stories of love, theories of love, memories of love; they all help us come closer to better knowing this emotional bond. One writer in particular, Sei Shōnagon, explains two types of lovers in her essay "A Lover’s Departure": the good and the bad.
Another interesting aspect of the first stanza is Donne's wording at the beginning of each line. He starts each with either "I can love" or "Her who". This is his passive way of informing the reader as to what type of woman he can and wants to love: any woman who is alive and willing to take a chance on him. It is not until the final two lines of the stanza that he actually puts any requirements as to what kind of a woman he specifically wants, "I can love her, and her, and you and you, / I can love any, so she be not true".
In this essay I would like to emphasize different ideas of how love is understood and discussed in literature. This topic has been immortal. One can notice that throughout the whole history writers have always been returning to this subject no matter what century people lived in or what their nationality was.
Relationships between two people can have a strong bond and through poetry can have an everlasting life. The relationship can be between a mother and a child, a man and a woman, or of one person reaching out to their love. No matter what kind of relationship there is, the bond between the two people is shown through literary devices to enhance the romantic impression upon the reader. Through Dudley Randall’s “Ballad of Birmingham,” Ben Jonson’s “To Celia,” and William Shakespeare’s “Shall I Compare Thee to a Summer’s Day?” relationships are viewed as a powerful bond, an everlasting love, and even a romantic hymn.
Verbs like 'melt ' imply a gentle parting. He does this to add to the sympathy that the poem reflects, thus reassuring his lover that he will come back to her when he leaves. The regular iambic tetrameter and the ABAB rhyme scheme echo 's the emotional strength that Donne feels his love has. Differently, 'Sonnet 73 ' creates a morbid tone due to the constant reference to degeneration. The ABAB rhyme scheme creates the sense of certainty that after time fades so does beauty, and thus this therefore leads to
In “Sonnet XVII,” the text begins by expressing the ways in which the narrator does not love, superficially. The narrator is captivated by his object of affection, and her inner beauty is of the upmost significance. The poem shows the narrator’s utter helplessness and vulnerability because it is characterized by raw emotions rather than logic. It then sculpts the image that the love created is so personal that the narrator is alone in his enchantment. Therefore, he is ultimately isolated because no one can fathom the love he is encountering. The narrator unveils his private thoughts, leaving him exposed and susceptible to ridicule and speculation. However, as the sonnet advances toward an end, it displays the true heartfelt description of love and finally shows how two people unite as one in an overwhelming intimacy.
Authors use poetry to creatively present attitudes and opinions. “A Man’s Requirements,” by Elizabeth Barrett Browning, and “A Letter to Her Husband, Absent upon Public Employment” are two poems with distinct attitudes about love that contain different literary approaches. In both of the poems, love is addressed from a different perspective, producing the difference in expectation and presentation, but both suggest the women are subservient in the relationships.
...ne exclusively on himself and his lover. By doing so he says the sun will be shining on the entire world. It is apparent in both poems the tone and language is dramatic, as this is typical of Donne’s writing style. His use of imagery and symbolism effectively present his experience of love. However it is the structure that builds up the emotion throughout the poems as Donne starts in each poem to refer to a seductive love, then in conclusion realises the importance of true love. ‘The Good Morrow’ clearly shows evidence of this when at the beginning Donne states he ‘suck’d on country pleasures childishly’ and in the end understands that a ‘Love so alike that none can slacken, none can die’.
Will's beloved is "more lovely and more temperate (18.2)" than a summer's day; "the tenth Muse (38.9);" "'Fair,' 'kind,' and 'true' (105.9);" the sun that shines "with all triumphant splendor (33.10)." We've heard all this before. This idealization of the loved one is perhaps the most common, traditional feature of love poetry. Taken to its logical conclusion, however, idealized love has some surprising implications.
He compares his relationship with his love as “stiff twin compasses” and other similar comparisons to describe their unity (Dunne 26). Like a compass, they always seem to be working cohesively as one unit. It could have the same theme as “The Passionate Shephard to His Love” by Christopher Marlowe, the theme of love conquering all. They both seem to have an idealistic view to the relationship as well, as the shephard in Marlowe’s poem insists that his love “will all the pleasures prove” if she were to go with him (Marlowe 2). Both poems aim for a perfect life with their love, and Donne’s poem manages to come up with a more realistic option out of the
Eavan Boland’s poem “Love” comes from her collection entitled In a Time of Violence. In the piece Boland both reflects on the history of her and her husband’s love and ties it in with the story of a hero who travels to hell. The poem’s form is stanzaic, broken into 7 stanzas with 38 lines. “Love” is rich with metaphor, simile, personification and imagery. The poem makes constant allusion to Greek Mythology, and the author’s story runs parallel to that of Odysseus from Homer’s “The Odyssey” . Boland is able to convey the journey loves take throughout the course of a relationship and how it is affected during difficult times.