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Theme of love in literature
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Binaries of Love
The Lais of Marie de France is a compilation of short stories that delineate situations where love is just. Love is presented as a complex emotion and is portrayed as positive, while at other times, it is portrayed as negative. The author varies on whether or not love is favorable as is expressed by the outcomes of the characters in the story, such as lovers dying or being banished from the city. To demonstrate, the author weaves stories that exhibit binaries of love. Two distinct types of love are described: selfish and selfless. Love is selfish when a person leaves their current partner for another due to covetous reasons. Contrarily, selfless love occurs when a lover leaves to be in a superior relationship. The stark contrast between the types of love can be analyzed to derive a universal truth about love.
The story Guigemar demonstrates selfless love and illustrates how this love can be justified even it is adulterous. Guigemar, a king from Brittany, travels on a boat to a new kingdom, meets a lovely woman when he arrives, and begins to fall in love with her: “Love struck him to the quick;/ great strife was in his heart” (379-380).
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This type of love is shunned because it was selfish to abandon her husband and find a new man that she did not admire. As a result of her selfishness, Bisclavret’s wife suffered in the end: “He banished the wife,/ and chased her out of the country” (305-306). The culmination of their love exhibits another facet of love; one should be devoted to their lover. Bisclavret never changed from the honorable person he was when he transfigured into a werewolf. The loss of devotion to her husband ultimately caused the woman to leave, which the author showcases as harmful. While the author postulates that one should be devoted to their lover, there is a limit to that
Throughout the Lais of Marie de France there are several themes presented as central to the various stories. Some of these themes are present in all of the lais. One such example is that of courtly love and it’s implications. Courtly love being one of the more prominent themes in all of medieval literature, it is fittingly manifested in all of the lais as well. Another theme present in two of the lais is isolation. The theme of isolation plays a large role in the stories of Guigemar and Lanval. In each of these lais we see isolation as a factor in determining the fates of the central figures. Within each lai isolation is represented on several different occasions, each time having a direct impact on the outcome. These instances of isolation may be seen at times to be similar in nature and consequence, and different at other times. By sifting through both works these instances may be extrapolated and analyzed.
Medieval and Renaissance literature develops the concepts of love and marriage and records the evolution of the relation between them. In Chaucer's Canterbury Tales, Christian love clashes with courtly love, as men and women grapple with such issues as which partner should rule in marriage, the proper, acceptable role of sex in marriage, and the importance of love as a basis for a successful marriage. Works by earlier writers portray the medieval literary notion of courtly love, the sexual attraction between a chivalric knight and his lady, often the knight's lord's wife. The woman, who generally held mastery in these relationships based on physical desire and consummation, dictated the terms of the knight's duties and obligations, much like a feudal lord over a vassal. This microcosm of romance between man and woman was anchored by the macrocosm of the bonds among men and their fealty to their lord. The dominance of women and fealty to the leader in courtly love contrasts with the dominance ...
Through its emphasis on courtly love, Medieval Europe was able to achieve a more romantic ideal of love. In European society, civil courtship was stressed as well as the high value placed on women. This can be seen through the works of Ulrich von Liechtenstein in his autobiography, In the Service of Ladies, where he writes “that the greatest honor and happiness for a knight lay in the service of a beautiful and noble woman (Reilly, 317).” In addition, for many male suitors “the quest is what kept [them] going. [Their] real reward was in the suffering and yearning (Reilly, 318).” These mindsets influenced the notions of Andres Capellanus, in his book, A Treatise on Love and Its Remedy, that “love [was seen] as a sickness (Reilly, 320).” Capellanus also asserts that “…there is no torment greater [than love] since the lover is always in fear that his love may not gain its desire and that he is wasting his efforts (Reilly, 331).” With this outlook, many males focused the majority of their time and effort in the servitude of thei...
Marie de France’s Lais, Guigemar and Yonec, are statements about the female condition of the twelfth- and thirteenth-century. In these Lais, the female characters are literally trapped by their jealous husbands and by their unwanted marriages. This jealousy is a tenant of the courtly romances from the time of Marie de France. In Guigemar and Yonec, the women protagonists do not have freedom or voice where their husbands are concerned; however, when the supernatural intervenes and their knights are brought to them, they are given love, a man who listens to their wants and needs, and a chance at freedom. These Lais make use of the tropes of courtly love and marriage, but rebel against them in a quiet and unsuspecting way. By rebelling against the rules of courtly love, Marie de France offers the ‘other-world’ and the supernatural as an appropriation of a future for women that did not yet exist.
The tale of Tristan, a tragic myth of doomed romantic affection, was one of the most influential romances of the Medieval Era. The story itself speaks closely to the success of adultery whether it may be influenced by a potion or not. Nonetheless, throughout the land, and the people met through vast adventures the one emotion that every person could relate to was love. Love as seen throughout Tristan stretched people to their furthest point in order to conquest what their heart truly desires. However, with that being said love, could also turn out to be doomed from the very start, but even then people will do anything to be with their true love.
“‘Tis better to have loved and lost than never to have loved at all” (Miriam-Webster 253). This quote has been used for centuries as both persuasion in favor of loving and also as comfort in times of heartbreak and loss. However, is this statement completely true, or does it offer false hope to anguishing lovers? In fact, are the rules and costs of loving and being loved so great that in fact it is actually better to never have loved at all? When pondering these questions, one must first consider the rules of loving and being loved to determine the physical, emotional, and psychological costs they entail. In order to do so, one could use Andreas Capellanus’ The Art of Courtly Love as a guideline for the rules of love. During the Medieval time period, Andreas Capellanus compiled a list of thirty-one rules/characteristics of courtly love. By definition, courtly love is “a highly conventionalized code of conduct for lovers” (American Heritage Dictionary). Capellanus constructed his list in order to provide a guide for those seeking love and those who already find themselves in love to determine if what they are looking for or already have found is indeed true love. The ideas/rules laid out in Capellanu’s list cannot only be found in the literature of the Medieval times, but in many cases are the driving theme behind these works. The same holds true for modern pieces of literature based on the medieval time period, however none more prominently than Sigrid Undset’s Noble Prize winning Kristin Lavransdatter. The story re-creates the historical setting vividly in order to enlighten readers as to the lifestyles, social configuration, and political operations of the medieval times by chronicling the life and c...
A life changing journey is taken as Jean Valjean, Cosette and Marius feel the emotion of love and learn to cope with its effects. Each character soon realizes that the effects of love are very powerful. Happiness, self-confidence, and depression are all found during the enduring journey. Studies have proven that, “...without love we die...” (B). Jean Valjean, Cosette, and Marius realize that they can not survive without experiencing the profound effects of love.
During the Middle Ages, Courtly love was a code which prescribed the conduct between a lady and her lover (Britannica). The relationship of courtly love was very much like the feudal relationship between a knight and his liege. The lover serves his beloved, in the manner a servant would. He owes his devotion and allegiance to her, and she inspires him to perform noble acts of valor (Schwartz). Capellanus writes, in The Art of Courtly Love, “A true lover considers nothing good except what he thinks will please his beloved”. The stories of Marie de France and Chrétien de Troyes illustrate the conventions of courtly love.
The tale that will be discussed within Marie de France’s Lais is Guigemar. The tale of Guigemar begins with a knight who demonstrates braveness and valor in service of his lord, but is unable to recognize love in any lady. One day Guigemar was out hunting when he came upon hind, who set a curse upon him. The hind states that if Guigemar is unable to find a woman who is willing to suffer for him equally as much as he would suffer for her, he will die from his wound. There are two major themes within the tale of Guigemar. The first theme is selfless love and the second theme is the suffering related to love. The relationship between love and suffering is the more apparent theme. The idea that there is a relationship between love and suffering
In The Lais of Marie de France, the theme of love is conceivably of the utmost importance. Particularly in the story of Guigemar, the love between a knight and a queen brings them seemingly true happiness. The lovers commit to each other an endless devotion and timeless affection. They are tested by distance and are in turn utterly depressed set apart from their better halves. Prior to their coupling the knight established a belief to never have interest in romantic love while the queen was set in a marriage that left her trapped and unhappy. Guigemar is cursed to have a wound only cured by a woman’s love; he is then sent by an apparent fate to the queen of a city across the shores. The attraction between them sparks quickly and is purely based on desire, but desire within romantic love is the selfishness of it. True love rests on a foundation that is above mere desire for another person. In truth, the selfishness of desire is the
This waxing and waning of Troilus' and Criseyde's happiness in love allows Chaucer to explore the different manifestations of love in his contemporary society, and what the costs of loving might be. In particular, Criseyde's fear of love, and betrayal of Troilus' love, raises the question: who is allowed to choose to love?
In literature, both new and old, one of the most popular themes is love. Many novels, poems, and short stories explore this theme in every imaginable way. Henry James’s Washington Square and Steve Martin’s Shopgirl are worthy additions to this timeless tradition. The twist for these two novels is that both heroine’s, Catherine in Washington Square and Mirabelle in Shopgirl, fall for men that do not love them in return. At least the ladies’ love is not returned in the manner they expect. The novels were written more than a century apart. Thus the dialogue, settings, and characters are different, but the central theme of unrequited love is present in both novels.
“The Wife of Bath’s Tale” is written in an entertaining and adventurous spirit, but serves a higher purpose by illustrating the century’s view of courtly love. Hundreds, if not thousands, of other pieces of literature written in the same century prevail to commemorate the coupling of breathtaking princesses with lionhearted knights after going through unimaginable adventures, but only a slight few examine the viability of such courtly love and the related dilemmas that always succeed. “The Wife of Bath’s Tale” shows that women desire most their husband’s love, Overall, “The Wife of Bath’s Tale” shows that the meaning of true love does not stay consistent, whether between singular or separate communities and remains timeless as the depictions of love from this 14th century tale still hold true today.
Courtly love was a popular theme in literary works and poetry in thirteenth century Europe. Andreas Capellanus, chaplain to Marie de France and author of the classic The Art of Courtly Love defines courtly love as "...a certain inborn suffering derived from the sight of and excessive meditation upon the beauty of the opposite sex, which causes each one to wish above all things the embraces of the other and by common desire to carry out all of love's precepts in the other's embrace." In reality, courtly love was no more than an explicit court of rules for committing adultery. However, in literary works, the basis of chivalry became the presentation of lover's passion for one another and their consideration for others. I will be examining Geoffrey Chaucer's literary masterpiece, Troilus and Criseyde in light of this courtly love tradition.
There are many positive things and negative things about the movie and the story. In the movie