In a relationship, Love is a feeling that humans share with a special person. Some bonds could be mutual, while others are dissociated. During the Medieval period, love affairs were dominated by one gender, men, and the women had little or no control over decisions. Before a gentleman married a lady, the gentleman first boasted about her beauty, championed the cause of the lady, and did whatever the lady requested. The era was influenced by knights, and dictated by honor and chivalry that each knight had to display to their king and queen. As a gentleman, a knight had to be just at all times, especially toward ladies. At this time, there was a king named Arthur. King Arthur had a flourishing kingdom that abruptly ended. Later on, many authors recounted the story of the reign of King Arthur. Sir Thomas Malory published Le Morte d’Arthur, and Geoffrey Chaucer published The Wife of Bath’s Tale. Although both of these books recount the reign of King Arthur, the stories are very diverse and unique in their own way. Both stories demonstrate for a relationship to be successful, both partners must be submissive, must be brave, and must be willing to learn from mistakes. For instance, Launcelot and Gwynevere have a submissive relationship. During New Year, Launcelot returns and all the knights that he defeated where there. They all recognize Launcelot as the greatest knight. At this time, Launcelot meets Gwynevere, and he is awed by her beauty and falls in love. Unfortunately, Launcelot and Gwynevere relationship is halted because Launcelot is on a new quest called the Holy Grail. There, at Camelot, Gwynevere waits passively for the day Launcelot would return so their relationship will be restored. Launcelot, Sir Galahad, and many other ... ... middle of paper ... ...ueen. As nobles, knights had to be always fair, especially toward ladies. After all, in a successful relationship, both members must be submissive, brave, and learn. Although I’m young and not marry, I believe that if any relationship were to succeed there someone has to passive. In a good relationship, both partners are willing to listen and accept the opinions and actions of the other. I also believe that both have to be brave. When both sides are devoted and brave, the relationship will succeed. I highly believe that both sides must be willing to change. When a relationship is not functioning, it is because both side must change and adapt a mutual ground. Works Cited Chaucer, Geoffrey. “The Wife of Bath’s Tale.” The Canterbury Tales. Logan: Perfection, 2010. Print. Malory, Sir Thomas. Le Morte d’Arthur. Trans. Keith Baines. New York: Signet, 2001. Print.
The story of Dame Ragnell and "The Wife of Bath's Tale" are works that are very similar yet have differences that set the two apart. The most obvious comparison between the two works is the dilemma faced in each. In both stories a man's life is at stake and all he has to do to be spared is to answer one question. That question has to do with what women really want. Another similarity involves the outcome of each story. The differences between the two stories are revealed in the plots. The differences that stand out the most are the circumstances leading up to the question being asked and the attitude of the person that has to marry the old hag to get the answer to the question. There are many small differences between the stories but they are not as important as the two mentioned.
In the tale that Geoffrey Chaucer had wrote, The Wife of Bath’s Tale, a man was described as a Knight. This Knight wasn’t like any normal Knight, he messed up and raped a girl. This is a big mistake, giving a lot of Knights a bad name, and having those that look up to them start to be disappointed in them. Usually the punishment that is given to those that rape, or in general any other crime, is death or time in the slammer, however, the Queen says no because he is a good looking guy. Instead of death, he had find out what women most desire from men. He is given a year and a day to find out, and on the last day, when he nearly had given up all hope, he sees an old woman in a field who makes a deal with him. The old lady gives the Knight a choice: to have an old, but faithful, wife, or to have a drop-dead gorgeous woman, but to have her never to be faithful, before she tells him what the Queen wants to know. The old lady and Knight get married and she wants him to sleep with her, like husbands are supposed to do with their wives. They argue and she gives him the two choices again; to have an ugly wife, but she is faithful. The other choice is to have a drop-dead gorgeous wife, but is never faithful. With this, he learns a lesson, and sufficient punishment.
Forbes, Shannon. "'To Alisoun Now Wol I Tellen Al My Love-Longing': Chaucer's Treatment of the Courtly Love Discourse in the Miller's Tale." Women's Studies 36.1 (2007): 1-14. Academic Search Premier. Web. 16 May 2013
The consequences for the knight are disastrous, as he’s caught in the snare of her beauty and wiles, blinding him to the warnings of the changes in nature that surround him. This is exactly the case of conflict in Wuthering Heights, where Heathcliff is entranced by Catherine and her beauty in the early stages of his life. This is disastrous, as he is fuelled by jealousy of others close to Catherine resulting in the majority of conflict present in the latter stages of the novel.
In The Lais of Marie de France, the theme of love is conceivably of the utmost importance. Particularly in the story of Guigemar, the love between a knight and a queen brings them seemingly true happiness. The lovers commit to each other an endless devotion and timeless affection. They are tested by distance and are in turn utterly depressed set apart from their better halves. Prior to their coupling the knight established a belief to never have interest in romantic love while the queen was set in a marriage that left her trapped and unhappy. Guigemar is cursed to have a wound only cured by a woman’s love; he is then sent by an apparent fate to the queen of a city across the shores. The attraction between them sparks quickly and is purely based on desire, but desire within romantic love is the selfishness of it. True love rests on a foundation that is above mere desire for another person. In truth, the selfishness of desire is the
Bloch, R. Howard. Medieval Misogyny and the Invention of Western Romantic Love. Chicago: U of Chicago P, 1991.
Michael Camille ,The medieval art of love : objects and subjects of desire (New York : Abrams, 1998.),11-13http://www.metmuseum.org/publications/bulletins/1/pdf/3258994.pdf.bannered.pdf Internet accessed 24 March 2011
Courtly love was a secret love or romance between the first knight and the king’s lady that would usually begin with something as small as an exchange of looks through eye glances. Next, a declaration is then discussed by both parties to pursue a relationship under the table from their king or anyone else in the castle. “Gawain glanced at the gracious looking woman …Gawain and the beautiful woman found such comfort and closeness in each other company (line 970,1010)”. Sir Gawain had courted Guinevere while he was at kings Arthurs castle but being here in Bertilak’s Castle he now found a much more stunning lady superior to Guinevere, Lady Bertilak. He had really fallen in love with lady Bertilak at first glance and Lady Bertilak was in love with his heroicness. Moreover, the relationship was established, Sir Gawain was to love her and be obedient to all of her commands as well as to always be polite, courteous and to never exceed the desires of the lover. At one point of the story, Lady Bertilak goes to Sir Gawain’s room in the morning while her husband is away and everyone is sleep because she desires to be with him, “I shall kiss at your command ...should it please you, so press me no more (line 1303). Abiding by the rules of courtly love Sir Gawain is to be a good knight and do as she pleases but
In Much Ado About Nothing (MAAN), William Shakespeare uses this idea of the power of opposites to show the differences in two types of love. Using the relationship, language, and actions of Hero and Claudio as a foil against those of Beatrice and Benedick, Shakespeare has painted a world in which the ideas of courtly love only serve to illuminate those of true love. In an essay on Chaucer's Canterbury Tales, William Kittredge defined the idea of courtly love that is illustrated in MAAN. Kittredge said that courtly love must involve a love that is extremely idealized and superficial, with the vassal or servant-like suitor, who is often a valiant knight, devoting himself completely to an ideal woman who is often the daughter of a powerful man (Kittredge 528-529). When this definition is applied to the relationship between Hero and Claudio in MAAN, one is able to recognize a perfect match.
In "The Knight's Tale", the love between the two knights and Emelye is intensely powerful. The love that Palomon and Arcite feel towards Emelye is so strong that the two knights feel that it is worth more than their own lives. At one point, Palomon tells Arcite that he shall either have Emelye or he shall die. The love that Palomon feels for Emelye is so overwhelming that he is willing to take on an armed man, in mortal combat, just for the love of a woman. Perhaps he feels that without her, he will surely die, so why not die trying to win her? The ironic fact about the relationship between each knight and Emelye is the fact that Emelye does not wish to marry either of the knights. She is aware that she is just a prized possession, one that is not fully known, because she has never exchanged a single word with either gentleman. However, in that time period, she could not easily express her feelings, and if she were able to, those feelings would most likely be ignored.
Courtly love defined the romance between a knight and his lady love. A knight must be worthy of love. A knight must be sworn to complete devotion to his beloved. He must hold her in high esteem and do all he can to protect her. A knight must desire no one above his beloved and the thought of her must continually be in his mind. Furthermore, courtly love must be a secret love; it does not exist within marriage. The conventions of medieval courtly love directed a knight towards servitude to his beloved.
In the Middle Ages, when The Canterbury Tales was written, society became captivated by love and the thought of courtly and debonair love was the governing part of all relationships and commanded how love should be conducted. These principles changed literature completely and created a new genre dedicated to brave, valorous knights embarking on noble quests with the intention of some reward, whether that be their life, lover, or any other want. The Canterbury Tales, written in the 14th century by Geoffrey Chaucer, accurately portrays and depicts this type of genre. Containing a collection of stories within the main novel, only one of those stories, entitled “The Wife of Bath’s Tale”, truly outlines the 14th century community beliefs on courtly love.
A love triangle it is defined as a situation where one partner is romantically involved with another person. A perfect love triangle to me would be, a Queen who is married to a rich King with a love for her Kings knight. Guinevere is a young beautiful queen who marries King Arthur. Lancelot is a knight of King Arthur, but Guinevere is romantically involved with Lancelot.
The modern concept of love owes a great deal to the Humanist tradition of the Renaissance. The humanists focused on perfection and exaltation of this life as opposed to the afterlife. In Tristan and Iseult the seeds of Renaissance love are present in the Middle Ages. To the modern eye, it is a mystery how the period of the Middle Ages produced the seeds of the diametrically opposite Renaissance. Yet it is necessary to understand this transformation if one is to fully comprehend the forces that helped produce the modern consciousness. Courtly Love is a transitional concept that emerged in the Middle Ages. It is transitional because it emerged early and acknowledges God as the creator of love, yet it concentrates on the lovers themselves. The tale of Tristan and Iseult is one of the oldest tales that exhibits courtly love. The Love of Tristan and Iseult, as a metaphor for courtly love, is pivotal to the transition from the Middle Ages' focus on community and afterlife to the Renaissance focus on the individual and earthly happiness.
With the lady, and demands of the court, the future of knights was shifted in a different direction; she demanded that a knight act with strength on one hand, and courtesy and respect on the other. A knight should respect women; he should defend them in their hour of need, shunning the magnetic gravity of mere lust. Love could be a powerful influence over a knight, a force that could propel him to greatness beyond his own abilities; the church declared that only the spiritual love of Christ was superior to the love of a woman, the important aspect here is love was added as a chivalric element.