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Essay on geoffrey chaucer background an story essays
Essay on geoffrey chaucer background an story essays
The Geoffrey Chaucer essay
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In the Middle Ages, when The Canterbury Tales was written, society became captivated by love and the thought of courtly and debonair love was the governing part of all relationships and commanded how love should be conducted. These principles changed literature completely and created a new genre dedicated to brave, valorous knights embarking on noble quests with the intention of some reward, whether that be their life, lover, or any other want. The Canterbury Tales, written in the 14th century by Geoffrey Chaucer, accurately portrays and depicts this type of genre. Containing a collection of stories within the main novel, only one of those stories, entitled “The Wife of Bath’s Tale”, truly outlines the 14th century community beliefs on courtly love. Courtly love is extremely evident throughout “The Wife of Bath’s Tale” and allows the development of each character within the plot. Courtly love was believed to be originated in France during the 12th century and eventually spreading to other countries in Europe, influencing authors, such as Geoffrey Chaucer, throughout. English courts, which handled marriages, practiced the art of courtly love from the 12th century to the 14th century, during which marriages were pre-arranged and had little to do with love. A marriage was not based on love, rather on what each participant brought to his or her spouse and families. As love and romance was not a portion of marriage, it became an acceptable practice to seek another romancer outside of the marriage, as long as the spouse adhered to the strict rules of chastity and fidelity (http://www.middle-ages.org.uk/courtly-love.htm). Furthermore, courtly love was only practiced between a man and woman of some sort of noble status, typically between... ... middle of paper ... ...d, thus, perpetuating the stereotype that marriage must be equal. “The Wife of Bath’s Tale” is written in an entertaining and adventurous spirit, but serves a higher purpose by illustrating the century’s view of courtly love. Hundreds, if not thousands, of other pieces of literature written in the same century prevail to commemorate the coupling of breathtaking princesses with lionhearted knights after going through unimaginable adventures, but only a slight few examine the viability of such courtly love and the related dilemmas that always succeed. “The Wife of Bath’s Tale” shows that women desire most their husband’s love, Overall, “The Wife of Bath’s Tale” shows that the meaning of true love does not stay consistent, whether between singular or separate communities and remains timeless as the depictions of love from this 14th century tale still hold true today.
In the tale that Geoffrey Chaucer had wrote, The Wife of Bath’s Tale, a man was described as a Knight. This Knight wasn’t like any normal Knight, he messed up and raped a girl. This is a big mistake, giving a lot of Knights a bad name, and having those that look up to them start to be disappointed in them. Usually the punishment that is given to those that rape, or in general any other crime, is death or time in the slammer, however, the Queen says no because he is a good looking guy. Instead of death, he had find out what women most desire from men. He is given a year and a day to find out, and on the last day, when he nearly had given up all hope, he sees an old woman in a field who makes a deal with him. The old lady gives the Knight a choice: to have an old, but faithful, wife, or to have a drop-dead gorgeous woman, but to have her never to be faithful, before she tells him what the Queen wants to know. The old lady and Knight get married and she wants him to sleep with her, like husbands are supposed to do with their wives. They argue and she gives him the two choices again; to have an ugly wife, but she is faithful. The other choice is to have a drop-dead gorgeous wife, but is never faithful. With this, he learns a lesson, and sufficient punishment.
In his Canterbury Tales, Chaucer fully explicates the cultural standard known as courtesy through satire. In the fourteenth century, courtesy embodied sophistication and an education in English international culture. The legends of chivalric knights, conversing in the language of courtly love, matured during this later medieval period. Chaucer himself matured in the King's Court, as is revealed in his cultural status, but he also retained an anecdotal humor about courtesy. One must only peruse his Tales to discern these sentiments, for Chaucer’s view of courtesy can seem shocking and, all together, obscene at times, it’s the similarity of the differences that make Chaucer’s tales superior. An example of this can be seen through Nicholas’ attempt at “courting” Alison versus Arcita and Palamon’s endeavors at courting Emily. Nicholas' anxious and lewd behavior, in conjunction with his explicit sexual connotation, demonstrates Chaucer’s more farcical side; where as, the manner in which Arcita and Palamon court Emily can seem more satirical. In the Miller's Tale, Chaucer juxtaposes courtly love with animalistic lust, while in the Knight’s tale, the subject of chivalry is held with much higher regard, and used as a florid, glorious attribute. These numerous references provide the reader with a remarkably rich image of the culture and class structure of late fourteenth century England.
In the article “Courtly Love: Who Needs It?” by E. Jane Burns, the author establishes what would be considered the quintessential female persona as it appears in medieval literature, particularly in the romance genre. She begins by calling attention to the similarities between the expected mannerisms of women in the structure of courtly love and the modern book The Rules. The text is a self-help guide for women who are looking to attract a husband by employing medieval methods of attraction (Burns 23). It employs outdated strategies to encourage women to become unemotional and disinterested, but also subservient, with anticipation of attaining the unwavering affection of a potential suitor. Thereby perpetuating the well-established “ideology
The dominance of men in the Middle Ages is unethical, irrational, and dangerous; women are given few rights and the opportunity to earn rights is non-existent. The dictates to the dominance is formed by the internal combination of man’s personal desire and religious interference. In Geoffrey Chaucer’s, The Canterbury Tales, the combined perspectives’ on a haughty Pardoner and non-subservient wife is the stronghold of separation in moral roles. The moral roles between men and women are exemplified in the rankings of religious hierarchy for men are at the top and women towards the bottom. Even prestigious women, ones with noble connections, are subservient to men, but contradictorily have religious affiliations. The “Wife of Bath’s Tale” is a perfect example of defying man’s dominance and the “Pardoner’s Tale”, a problematic reasoning of why selfishness connects moreover to the manipulation. The frailties of religious reasoning however, will cause The Pardoner and the Wife of Bath to be separated from society’s morals.
Medieval and Renaissance literature develops the concepts of love and marriage and records the evolution of the relation between them. In Chaucer's Canterbury Tales, Christian love clashes with courtly love, as men and women grapple with such issues as which partner should rule in marriage, the proper, acceptable role of sex in marriage, and the importance of love as a basis for a successful marriage. Works by earlier writers portray the medieval literary notion of courtly love, the sexual attraction between a chivalric knight and his lady, often the knight's lord's wife. The woman, who generally held mastery in these relationships based on physical desire and consummation, dictated the terms of the knight's duties and obligations, much like a feudal lord over a vassal. This microcosm of romance between man and woman was anchored by the macrocosm of the bonds among men and their fealty to their lord. The dominance of women and fealty to the leader in courtly love contrasts with the dominance ...
The Canterbury Tales has many stories with multiple meaning and messages, but love is one subject that is argued throughout the book. There are two stories of the book that are discussed quite often on this subject “The Franklin’s Tale” and “The Wife of Bath’s Tale”. “The Franklin’s Tale” argues that a marriage where everyone is considered equal is superior while the “The Wife of Bath’s Tale” supports the idea that a marriage best works with a woman being in charge. These two stories argue the two dramatically different opinions of gender relations in marriage, with their own tales as examples to support their position. Since the Wife’s tale is based off of inequality in relationships while the Franklin’s tale is centered around equal gender relations. Due to this the Franklin’s tale is of course the ideal situation.
Though Chaucer showed multiple tales of various characters in The Canterbury Tales, the Miller’s and Wife of Bath’s tale surpassed them all on their concept of marriage and love. Both allow the reader to understand where they are coming from and their perception. While one does not seem to believe too much in love, the other does. However, both clearly believe that women control the game of love in their own respective ways.
In The Canterbury Tales Chaucer portrays a wide spectrum of marriage from what can be traditionally seen as the worst to the best. Three of these tales, The Miller's, The Franklin's, and The Wife of Bath's, support this examination of what can constitute an ideal marriage.
Chaucer’s The Canterbury Tales, demonstrate many different attitudes and perceptions towards marriage. Some of these ideas are very traditional, such as that illustrated in the Franklin’s Tale. On the other hand, other tales present a liberal view, such as the marriages portrayed in the Miller’s and The Wife of Bath’s tales. While several of these tales are rather comical, they do indeed depict the attitudes towards marriage at that time in history. D.W. Robertson, Jr. calls marriage "the solution to the problem of love, the force which directs the will which is in turn the source of moral action" (Robertson, 88). "Marriage in Chaucer’s time meant a union between spirit and flesh and was thus part of the marriage between Christ and the Church" (Bennett, 113). The Canterbury Tales show many abuses of this sacred bond, as will be discussed below.
In a relationship, Love is a feeling that humans share with a special person. Some bonds could be mutual, while others are dissociated. During the Medieval period, love affairs were dominated by one gender, men, and the women had little or no control over decisions. Before a gentleman married a lady, the gentleman first boasted about her beauty, championed the cause of the lady, and did whatever the lady requested. The era was influenced by knights, and dictated by honor and chivalry that each knight had to display to their king and queen. As a gentleman, a knight had to be just at all times, especially toward ladies. At this time, there was a king named Arthur. King Arthur had a flourishing kingdom that abruptly ended. Later on, many authors recounted the story of the reign of King Arthur. Sir Thomas Malory published Le Morte d’Arthur, and Geoffrey Chaucer published The Wife of Bath’s Tale. Although both of these books recount the reign of King Arthur, the stories are very diverse and unique in their own way. Both stories demonstrate for a relationship to be successful, both partners must be submissive, must be brave, and must be willing to learn from mistakes.
The two tales, told by the Wife of Bath and the Clerk in The Canterbury Tales, have parallel plots. “The Wife of Bath’s Tale” begins with a lusty knight standing before his king’s court because of unjust acts he committed with a young maiden. Before the king can execute the knight, the queen objects and offers that the knight’s life is spared if he can find the answer to what women really want. The knight embarks on his journey to discover the answer (“The Wife of Bath’s Tale” 167-68). Similarly, “The Clerk’s Tale” takes place in the kingdom of Saluzzo, Italy under the control of Walter, the marquis. The people of Saluzzo eagerly advised Walter to find a wife to ensure an heir to the throne. Walter finally finds the standard, beautiful woman in poverty named Griselda. She values hard work and humility, and Walter chooses to marry her. However, she must take a vow to Walter never to complain and to be loyal despite whatever the future may bring. Both plots revolve around the noble class and the differences among the social structure of the time because of the variety of characters portrayed in each tale. The two tales’ plots are d...
Geoffrey Chaucer’s “The Wife of Bath’s Tale” is an important part of his most famed work, The Canterbury Tales. One of the most respected highly analyzed of all of the tales, this particular one is important both for its character development and its prevailing themes. It seamlessly integrates ideas on society at that time with strong literary development. This work stands the test of time both because of its literary qualities and because of what it can teach us about the role of women in late Medieval society.
During the Middle Ages, Courtly love was a code which prescribed the conduct between a lady and her lover (Britannica). The relationship of courtly love was very much like the feudal relationship between a knight and his liege. The lover serves his beloved, in the manner a servant would. He owes his devotion and allegiance to her, and she inspires him to perform noble acts of valor (Schwartz). Capellanus writes, in The Art of Courtly Love, “A true lover considers nothing good except what he thinks will please his beloved”. The stories of Marie de France and Chrétien de Troyes illustrate the conventions of courtly love.
In Geoffrey Chaucer’s book “The Canterbury Tales” love and death play a large role in inner mechanisms of the storyline. A point where love is tremendously visible is with Palamon and Arcite. They both share an unrequited love for a woman who in their eyes is a goddess, Emily. She is only seen as an object of love and desire, although she doesn’t feel the same. They both have a love for her which is a problem considering she does not want to marry either. Death is also seen very much in “The Wife of Bath” where love almost leads to death. In “The Knight's Tale” the focus is more on the relation between love and death. A relationship between love and death is as follows.
The tales of King Arthur and many of their numerous characters are well known in literature. The Arthurian world is one of the great myths of modern times. Those great pieces of literature have many common themes, one of them being courtly love “L’amour Courtois”. This paper talks of courtly love as seen in King Arthur’s world especially examining “Yvain or the Knight with the Lion” and “Lancelot: or the Knight of the Cart”. Furthermore, one of the goals is to show how that courtly love could be seen in today in our world.