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Role Of Women In English Literature
Characterisation of the Canterbury tales
Role Of Women In English Literature
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In his Canterbury Tales, Chaucer fully explicates the cultural standard known as courtesy through satire. In the fourteenth century, courtesy embodied sophistication and an education in English international culture. The legends of chivalric knights, conversing in the language of courtly love, matured during this later medieval period. Chaucer himself matured in the King's Court, as is revealed in his cultural status, but he also retained an anecdotal humor about courtesy. One must only peruse his Tales to discern these sentiments, for Chaucer’s view of courtesy can seem shocking and, all together, obscene at times, it’s the similarity of the differences that make Chaucer’s tales superior. An example of this can be seen through Nicholas’ attempt at “courting” Alison versus Arcita and Palamon’s endeavors at courting Emily. Nicholas' anxious and lewd behavior, in conjunction with his explicit sexual connotation, demonstrates Chaucer’s more farcical side; where as, the manner in which Arcita and Palamon court Emily can seem more satirical. In the Miller's Tale, Chaucer juxtaposes courtly love with animalistic lust, while in the Knight’s tale, the subject of chivalry is held with much higher regard, and used as a florid, glorious attribute. These numerous references provide the reader with a remarkably rich image of the culture and class structure of late fourteenth century England.
In the Miller's Tale, Chaucer blatantly mocks courtesy and courtly love in Nicholas’ exchange with Alison:
Now sire, and eft sire, so bifel the cas
That on a day this hende Nicholas
Fil with this yonge wyf to rage and pleye,
Whil that hir housbonde was at Oseneye,
As clerkes ben ful subtile and ful queynte;
And prively he caughte hire by the queynte,
And seyde, "Ywis, but if ich have my wille,
For deerne love of thee, lemman, I spille."
And heeld hire harde by the haunchebones,
And seyde, "Lemman, love me al atones,
Or I wol dyen, also God me save!"
And she sproong as a colt dooth in the trave,
And with hir heed she wryed faste awey,
And seyed, “I wol nat kisse thee, by my fey!
Why, lat be!” quod she. “Lat be, Nicholas,
Or I wol crie ‘out, harrow’ and ‘allas’!
Do wey youre handes, for youre curteisye!” (3271-87)
Quite literally, Nicholas caught Alison by the crotch to draw her near to him, and then held her there by her haunches, or rear end. Standing alone, that image provides an element of base humor, but when that event is coupled with Nicholas' words, a dramatically ironic, and altogether funny, scene arises.
The Merchant's revealed nature, however, combats the very destruction of creation and individual that he tried to attain. As the Merchant tries to subsume the reality of marriage, love, and relationship under his own enviously blind view, Chaucer shows us another individual, significant and important in his own way. Instead of acting as a totalizing discourse, Chaucer uses the Merchant's tale to reveal his depraved envy and to reveal him as no more than a wanton cynic. Thus, Chaucer provides the very perspective that the Merchant tries to steal from his audience.
Keen opens his book with an introductory chapter examining three literary works pertaining to chivalry: the Ordene de Chevalerie, the Book of the Ordre of Chyvalry, and the Book of Chivalry. All three of these were written during a period of great religious reform, yet, according to Keen, they appear to not have been influenced by the ideas of the Church. The Ordene de Chevalerie is an anonymous poem that stresses the importance of the ritual required for initiation into knighthood. The popularity of the piece leads to the conclusion that the poem reflects “what men understood chivalry to mean” (8). This poem is then contrasted by the Book of the Ordre of Chyvalry, a narrative work written by Ramon Lull that describes in detail the origins and meaning of chivalry. A consideration of Geoffrey de Charny’s ...
Chaucer's Parody To Courtly Love After the Knight tells his story, the Miller insists very rudely to tell his tale. Chaucer uses the aspect of courtly love which is found in the Knights tale and makes a parody of it; He uses the Miller?s character to mock the Knights idea of courtly love. Miller describes the heroine of his story Alison, as a wife of an older man and also an infidel. She?s compared to a ? wezele?
Forbes, Shannon. "'To Alisoun Now Wol I Tellen Al My Love-Longing': Chaucer's Treatment of the Courtly Love Discourse in the Miller's Tale." Women's Studies 36.1 (2007): 1-14. Academic Search Premier. Web. 16 May 2013
The dominance of men in the Middle Ages is unethical, irrational, and dangerous; women are given few rights and the opportunity to earn rights is non-existent. The dictates to the dominance is formed by the internal combination of man’s personal desire and religious interference. In Geoffrey Chaucer’s, The Canterbury Tales, the combined perspectives’ on a haughty Pardoner and non-subservient wife is the stronghold of separation in moral roles. The moral roles between men and women are exemplified in the rankings of religious hierarchy for men are at the top and women towards the bottom. Even prestigious women, ones with noble connections, are subservient to men, but contradictorily have religious affiliations. The “Wife of Bath’s Tale” is a perfect example of defying man’s dominance and the “Pardoner’s Tale”, a problematic reasoning of why selfishness connects moreover to the manipulation. The frailties of religious reasoning however, will cause The Pardoner and the Wife of Bath to be separated from society’s morals.
Chaucer satirizes knights and chivalry in two different ways: in the prologue and in the Knight's Tale. The first way in the prologue is with the pilgrim Knight's character. Chaucer wanted to present a realistic knight, but he also wanted to give the Knight some very real, and obvious flaws, as a sort of social commentary on the way that knight's were perceived in the 14th century. To that end, he gave the Knight some qualities that could be termed as the antithesis of the qualities that a good and honorable knight should have. The second way I see Chaucer as satirizing chivalry is through the Knight's Tale. The Knight's Tale presents the "ideal" knights. They follow the codes of chivalry. They follow the graces of courtly love. They have duels. Have battle honorably. And, they also make fools of themselves on more than one occasion. Palamon and Arcita are so perfect, that they become parodies of the perfect knights. And, in the end of the tale, everyone ends up somewhat unhappy, and there is no clear winner. By writing this parody, Chaucer is trying to convey the idea that a lot of the ideals of chivalry are a bit silly. And, as all of the different tales reflect back on the characters of the pilgrims who tell them, the ideas in the Knight's Tal...
Medieval and Renaissance literature develops the concepts of love and marriage and records the evolution of the relation between them. In Chaucer's Canterbury Tales, Christian love clashes with courtly love, as men and women grapple with such issues as which partner should rule in marriage, the proper, acceptable role of sex in marriage, and the importance of love as a basis for a successful marriage. Works by earlier writers portray the medieval literary notion of courtly love, the sexual attraction between a chivalric knight and his lady, often the knight's lord's wife. The woman, who generally held mastery in these relationships based on physical desire and consummation, dictated the terms of the knight's duties and obligations, much like a feudal lord over a vassal. This microcosm of romance between man and woman was anchored by the macrocosm of the bonds among men and their fealty to their lord. The dominance of women and fealty to the leader in courtly love contrasts with the dominance ...
Alison is described as young and wild. She is like an animal: " Thereto she koude skippe and make game/ As any kyde or calf folwynge his dame" (I. 3259-60). We know that she would be willing to go along with any idea as long as it is "fun". We can see her childish immaturity in the scenes where she lets Absalom "kiss" her. We do not learn the details of her marriage such as her feeling toward John, her husband. We simply know that it is a mis-matched marriage with a large age gap between them.
Chaucer's "The Miller's Tale" should be tragic, because a lot of horrible things happen to the characters. The carpenter's wife is disloyal to him, sleeping with others and making fun of him with Nicholas. Also, he is depicted as a fool. However, readers get a humorous feeling from the story, rather than feeling sorry for the carpenter's unfair life. Chaucer makes the whole story come across as comic rather than tragic. This humor is created by the Miller's narration, the use of irony, the cartoon-like characters, and the twists of plot. These elements combine to produce an emotional distance which enhances the comic effect.
Though Chaucer showed multiple tales of various characters in The Canterbury Tales, the Miller’s and Wife of Bath’s tale surpassed them all on their concept of marriage and love. Both allow the reader to understand where they are coming from and their perception. While one does not seem to believe too much in love, the other does. However, both clearly believe that women control the game of love in their own respective ways.
In The Canterbury Tales, written by Geoffrey Chaucer, the stereotypes and roles in society are reexamined and made new through the characters in the book. Chaucer discusses different stereotypes and separates his characters from the social norm by giving them highly ironic and/or unusual characteristics. Specifically, in the stories of The Wife of Bath and The Miller’s Tale, Chaucer examines stereotypes of women and men and attempts to define their basic wants and needs.
In Chaucer’s "The Prologue" of The Canterbury Tales, Chaucer is not afraid to give an honest, vivid judgement of the characters in the tales. Chaucer makes fun of some of the characters indirectly using sly remarks.
In the Middle Ages, when The Canterbury Tales was written, society became captivated by love and the thought of courtly and debonair love was the governing part of all relationships and commanded how love should be conducted. These principles changed literature completely and created a new genre dedicated to brave, valorous knights embarking on noble quests with the intention of some reward, whether that be their life, lover, or any other want. The Canterbury Tales, written in the 14th century by Geoffrey Chaucer, accurately portrays and depicts this type of genre. Containing a collection of stories within the main novel, only one of those stories, entitled “The Wife of Bath’s Tale”, truly outlines the 14th century community beliefs on courtly love.
In the tale, The Knight’s Tale, Chaucer made sure not to deviate away from what he saw during his time because some qualities emerged as prominent figures. The Knight’s Tale made sure to exemplify the idea of courtly love and what it truly means to be a knight who follows the code of chivalry. Some of the qualities of being chivalrous is being generous, honest, courageous, and supporting the notion of justice, which the readers can see that Chaucer understood the significance of the noble behavior and how that affected people at that time. Furthermore, the article, “The Canterbury Tales for Poetry of Students” highlighted how the noble life of the chivalry was a momentous part of the tale since the tale was “a comment on the possibilities
The Canterbury Tales is a literary masterpiece in which the brilliant author Geoffrey Chaucer sought out to accomplish various goals. Chaucer wrote his tales during the late 1300’s. This puts him right at the beginning of the decline of the Middle Ages. Historically, we know that a middle class was just starting to take shape at this time, due to the emerging commerce industry. Chaucer was able to see the importance and future success of the middle class, and wrote his work with them in mind. Knowing that the middle class was not interested in lofty philosophical literature, Chaucer wrote his work as an extremely comical and entertaining piece that would be more interesting to his audience. Also, Chaucer tried to reach the middle class by writing The Canterbury Tales in English, the language of the middle class rather than French, the language of the educated upper class. The most impressive aspect of Chaucer’s writing is how he incorporated into his piece some of his own controversial views of society, but yet kept it very entertaining and light on the surface level. One of the most prevalent of these ideas was his view that certain aspects of the church had become corrupt. This idea sharply contrasted previous Middle Age thought, which excepted the church’s absolute power and goodness unquestionably. He used corrupt church officials in his tales to illustrate to his audience that certain aspects of the church needed to be reformed. The most intriguing of these characters was the Pardoner. Chaucer’s satirical account of the Pardoner is written in a very matter-of-fact manner that made it even more unsettling with his audience. Chaucer uses his straightforwardness regarding the hypocrisy of the Pardoner, suggestive physiognomy of the character, and an interesting scene at the conclusion of the Pardoner’s Tale to inculcate his views of the church to his audience. The way that Chaucer used these literary devices to subtly make his views known to an audience while hooking them with entertainment, shows that Chaucer was truly a literary genius.