Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
What is the function of literary criticism
What does courtly love mean in romeo and juliet
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In the article “Courtly Love: Who Needs It?” by E. Jane Burns, the author establishes what would be considered the quintessential female persona as it appears in medieval literature, particularly in the romance genre. She begins by calling attention to the similarities between the expected mannerisms of women in the structure of courtly love and the modern book The Rules. The text is a self-help guide for women who are looking to attract a husband by employing medieval methods of attraction (Burns 23). It employs outdated strategies to encourage women to become unemotional and disinterested, but also subservient, with anticipation of attaining the unwavering affection of a potential suitor. Thereby perpetuating the well-established “ideology
of femininity” that proves only the dis-empowerment of women in love. This seems to follow the same dynamic in courtly love as it stands in medieval fiction. Medieval Europe being an extremely patriarchal society, women held little power and were expected to be obedient to men. However, in context of courtly love the gender roles are seemingly reversed. The knight proves his devotion to a woman, thus receiving sentimental gifts, affection and a source of inspiration. While the woman appears to have control over the romance, Burns points out that it was meant to be read metaphorically or symbolism (Burns 39). Burns also reveals that there appears to be two different types of courtly love in romance literature. The first in which typical roles, traditions and customs are often tested, skewed or weakened and the traditional one in which the man is fueled with the affection or social status from courtship with a woman. She ultimately argues that courtly love is not fundamentally oppressive, but has a long history, starting from the medieval ages, of offering the chance to end the patriarchal society and develop new ideas and culture (Burns 43). The article “Courtly Love: Who Needs It?” is an exemplary example of the expectations that were placed on women within their sociopolitical positions and how they essentially challenged the status quo.
Very different from traditional writings of the past was the new flourish of troubadour poetry. Troubadour poetry, derived of courtly romances, focused on the idea of unrequited love. “A young man of the knightly class loved a lady”, most often, “the lady was married to the young man’s lord”. The courtly lover would compose highly lyrical and erotic poems in honor of his lady, and the troubadour was filled with rapture even at the slightest kindness that the lady might offer him.3 This new literary artifice provides us clues to the cultural changes that took place in medieval Europe during this time.
Lancelot, the knight of the cart, is in love with Queen Guinevere, who constantly compromises his reputation by embarrassing him . Chretien de Troyes writes Lancelot in The Knight of the Cart to be deeply in love, so much so that he constantly sacrifices his reputation for the queen. Classically, “the romantic hero developed from an extravagant to an ideal character” (Williams 275) in typical Romance literature. Although Romance literature has many variations, Lancelot portrays this transition from the extravagant, noble, knight to an ideal character in the tale. Lancelot depicts what is ideal for what a woman would want, and this in turn does ennoble him. Lancelot is ennobled by courtly love, but unintentionally. By placing himself above rumor and concern for his reputation, he emerges as a modern ennobled knight even though his love generates embarrassing consequences superficially.
The seventeenth century marked the beginning of modernity in social hierarchy. King Charles II had come back from the continent after ten years in exile with a new thought on how to treat women. “These women were intimately connected with the king. They would experience the most immediate and profound effects of the restoration. In order to see these effects, be a major member of the royal court, and gain a higher social standing, women became royal mistresses. The women of Charles’ court had gained celebrity, independent wealth, and influence, and this was unrecognizably modern for this age and time.” Charles had learned about how to have a successful marriage and many relationships with his mistresses from the aristocratic women of France. Women in France were not only playing a prominent role in French court but they were gaining respect for it. French aristocratic women were debating and writing about what they wanted from their relationships. These novels of allegorical love were guidebooks to help men get well on the...
The story of Sir Gawain and the Green Knight revolves around the knights and their chivalry as well as their romance through courtly love. The era in which this story takes place is male-dominated, where the men are supposed to be brave and honorable. On the other hand, the knight is also to court a lady and to follow her commands. Sir Gawain comes to conflict when he finds himself needing to balance the two by being honorable to chivalry as well as respectful to courtly love.
In the 16th century romances of chivalry had enjoyed a tremendous vogue. He wrote a humorous parody of these high-flown chronicles. His original intent was to write a book for wide popular appeal, addressed not to the few of...
Schwartz, Debora B. “Backgrounds to Romance: Courtly Love”. Medieval Literature class. California Polytechnic State University, March 2001.
Marie de France’s lais translate a multitude of different medieval ideologies/topics into text. One of the most prominent being the ideal of medieval love. In Marie de France’s lay “Bisclavret”, Marie explains to her readers, through a variety of symbols and messages, that medieval love is set in the truth beneath appearances- virtues like loyalty and modesty- whereas love based on appearances, as manifested by Bisclavret’s wife, is in fact a form of vanity.
During the Middle Ages, Courtly love was a code which prescribed the conduct between a lady and her lover (Britannica). The relationship of courtly love was very much like the feudal relationship between a knight and his liege. The lover serves his beloved, in the manner a servant would. He owes his devotion and allegiance to her, and she inspires him to perform noble acts of valor (Schwartz). Capellanus writes, in The Art of Courtly Love, “A true lover considers nothing good except what he thinks will please his beloved”. The stories of Marie de France and Chrétien de Troyes illustrate the conventions of courtly love.
“The Wife of Bath’s Tale” is written in an entertaining and adventurous spirit, but serves a higher purpose by illustrating the century’s view of courtly love. Hundreds, if not thousands, of other pieces of literature written in the same century prevail to commemorate the coupling of breathtaking princesses with lionhearted knights after going through unimaginable adventures, but only a slight few examine the viability of such courtly love and the related dilemmas that always succeed. “The Wife of Bath’s Tale” shows that women desire most their husband’s love, Overall, “The Wife of Bath’s Tale” shows that the meaning of true love does not stay consistent, whether between singular or separate communities and remains timeless as the depictions of love from this 14th century tale still hold true today.
Marie de France’s the Laustic demonstrates courtly love and its foundation that women in romance are of high nobility. Although women were viewed as more of a prize than in previous literature periods, they were still represented as under the status of men. Marie de France introduces the woman in her story as the “courtly and elegant wife” that was given to a knight, which shows the courtly relations and theme to the story (83). Since most of the time women did not play a role in the decision of who they were to marry, adultery became a common theme amongst many stories. This theme demonstrates women’s power in that although they are forced to marry a courtly man without much choosing, they usually choose to love another behind their husbands...
Before we really get into courtly love and chivalry, one thing can’t be missed. In The Art of Courtly Love, Andreas Cpellanus points out the characteristic of love, “Blindness is a bar to love.” “Love is always either decreasing or increasing.” In other words, the people who are in the stage of sweet love, and love each other blindly; however, when passion
Evaluate and respond to the presentations of women in the Romantic period. Feel free to discuss presentations of women, by women (such as Austen’s Persuasion) as well as presentations of women by men (such as the “she” in Byron’s “She Walks in Beauty”). Consider the following questions: are these presentations problematic? What do they tell us about the values and briefs of the Romantic Period? Do any of these presentations subvert (complicate, or call into questions) the time’s notions of femininity?
Medieval romance, which was popular in Chaucer’s day due to the success of the Arthurian Legends, usually consisted of an epic figure of a knight or a hero who would go off on an adventure either to prove himself worthy of the love of a lady or in order to help a lady whom he encounters along the way. The lady in question did not always need to be young and beautiful or even the object of the knight’s affections, occasionally even shown in some legends as elderly or a monstrous
Many people wonder if chivalry still plays an important factor in today’s society if any. In fact chivalry does still play a role in today’s society. The most important factor is centered on male issues. Medieval literature is responsible for creating our concept of being a “gentleman”. In our everyday life we see how the idea of being a gentleman has quite frankly dissipated. The result? A lot of men focus on incomplete or negative images of what it means to be a man. Many social problems stem from this, from deadbeat dads to spousal abuse to addiction.
Throughout history, women have been looked upon as sources of beauty. From medieval times, the women that are remembered and well-documented in poetry and story-telling are presumably all one thing: beautiful. A woman’s beauty does not simply represent their physical beauty, but the knowledge, power, personality, and even hardships that woman has endured. Strong, significant women from this time and prior periods have entire works of literature dedicated to their beauty and appearance. Goddesses, such as Aphrodite or Venus, the Virgin Mary, Nature; these women are central figures in the beginning of the Anno Domini era, through medieval literature, all the way to present day. In medieval times, ‘everyday’ women in the literature are even described by their beauty. Women who have the strong, driving roles in works of this time period impart wisdom, kindness, the feeling that although men were the superior gender, the women are still the ones who bring life to this world and make this life worth living. In the writing’s of Boethius, Alan de Lille, and Chaucer, there are three women whose beauty and physical characteristics are central in the understanding of their personalities and the works themselves. The women are that of Lady Philosophy, Nature, and the White Queen. Each woman’s beauty is described to that of which the author wanted the reader to focus on in the woman’s personality: intellect in Lady Philosophy, the high status once held and the role as mother by Nature, and the good heart and kindness in the White Queen.