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Essays about unrequited love
Essays about unrequited love
Essays about unrequited love
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In literature, both new and old, one of the most popular themes is love. Many novels, poems, and short stories explore this theme in every imaginable way. Henry James’s Washington Square and Steve Martin’s Shopgirl are worthy additions to this timeless tradition. The twist for these two novels is that both heroine’s, Catherine in Washington Square and Mirabelle in Shopgirl, fall for men that do not love them in return. At least the ladies’ love is not returned in the manner they expect. The novels were written more than a century apart. Thus the dialogue, settings, and characters are different, but the central theme of unrequited love is present in both novels. James’s heroine Catherine Sloper is an ordinary girl. In fact, James writes of …show more content…
On page 230 of Washington Square Dr. Sloper asks, “Promise me not to marry Morris Townsend after I am gone.” Catherine has no intention of resuming her relationship with Morris, but she refuses to give in to her father’s request. Catherine says, “I very seldom think of Mr. Townsend.” Catherine winds up living out her days as a maiden in her father’s home. Shopgirl holds a very different, and much happier, ending for Mirabelle. Mirabelle runs into Jeremy, a bit character that appeared near the beginning of Shopgirl. When Mirabelle first encountered Jeremy, he was a bit of heel. He and Mirabelle had sex once, before she began her relationship with Ray. When Jeremy is introduced he is an unworthy, immature suitor. Upon his return to Mirabelle’s life he has become successful, and a bit more refined. On page 127 of Shopgirl, “At this point, Jeremy surpasses Mr. Ray Porter as a lover of Mirabelle, because as clumsy as he is, what he offers her is tender and true.” Jeremy is the man that will become the man of her dreams, and most importantly he loves Mirabelle in return. Thus, in these novels, as in life, peoples stories come to different endings. Catherine dies alone, never having found love. The one she thought was “the one” wasn’t. Instead of trying again, she lets the dream of love, and being loved, slip away. Catherine never arrives at a happily ever after ending. In contrast, Mirabelle finds love and happiness with the previously discarded Jeremy, and lives happily ever
Love waxes timeless. It is passionate and forbidden and a true head rush. Marriage, on the other hand, is practical, safe, a ride up the socioeconomic ladder. In "The Other Paris," Mavis Gallant weaves the tale of Carol and Howard, a fictional couple who stand on the verge of a loveless marriage, to symbolize the misguided actions of the men and women in the reality of the 1950s, the story's setting. By employing stereotypical, ignorant, and altogether uninteresting characters, Gallant highlights the distinction between reality and imagination and through the mishaps and lack of passion in their courtship mockingly comments on society?s views of love and marriage.
In the 18th century, reading novels served as a pass time and a diversion from household chores for the women. Though formal female education is not developed, the female characters are seen having a keen interest in books, something that was earlier frowned upon for the sentimental content of books might be destructive to societal values. At the time, books were meant to teach and reflect upon the socially acceptable ideas of romance, courtship, and marriage. We find Miss Wharton asking for books to read from her friend Mrs. Lucy Sumner, “Send me some new books; not such, however, as will require much attention. Let them be plays or novels, or anything else that will amuse and extort a smile.” (Foster, 192) Mrs. Sumner sends her novels which she considers “chaste and of a lighter reading” (Foster, 196). We can thus construe that books and novels in The Coquette though meant for reading pleasure, also play form part of the female
Many hearts are drawn to history's greatest love stories, such as Romeo and Juliet, Bonnie and Clyde, and Helen and Paris to name a few. One could argue that humanity’s way of finding happiness is to seek love. Pure, unadulterated love is one of the hardest feelings to acquire, but when one does, they’d do anything to keep it. Through Nathaniel Hawthorne’s The Scarlet Letter and his characters, Hester Prynne and Arthur Dimmesdale, readers discover that this innate desire to be accepted and loved is both our most fatal flaw and our greatest virtue.
Romantic gestures have been seen as a useful motive to win hearts of women for centuries. However, as society constantly changes, the effectiveness of these chivalrous acts has diminished. In James Joyce’s “Araby” and John Updike’s “A&P”, this theory is explored, both telling the story of a boy whose efforts to impress the girl of their desires fail. As said by Well’s in his critical analysis of these stories, “Both the protagonists have come to realize that romantic gestures—in fact, that the whole chivalric view [sic] --- are, in modern times, counterproductive”. These stories, despite the differences between the two characters, clearly show that the character’s world is changing, with chivalry becoming more obsolete.
...seful miscommunication between men and women. Lastly, when looking through the imagined perspective of the thoughtless male tricksters, the reader is shown the heartlessness of men. After this reader’s final consideration, the main theme in each of the presented poems is that both authors saw women as victims of a male dominated society.
The relationship between male and females within literary works can be expressed in a variety of different ways. Often times, gender roles are solidified to present the man as a dominant and overpowering figure, where the woman is seen as nurturing and are many times objectified due to this nature. In “Poof”, the reader is presented with an example of a woman who is ‘too accepting’ and ‘too giving’ to her male spouse, where as in “Good and Gone”, a male protagonist shatters the dominating nature of the standardized gender roles by loving a woman based off of common interest, not based off of submissive nature. Comparing these two protagonists of both plays, the writers, EP3C and Lynn Nottage, present a duality of dramatic effects by either
I shall endeavour to explore and analyse how women are presented in Shakespeare’s “Romeo and Juliet”, Marvell’s “To His Coy Mistress” and Duffy’s “Human Interest”.
In Toni Morrison’s Beloved, love proves to be a dangerous and destructive force. Upon learning that Sethe killed her daughter, Beloved, Paul D warns Sethe “Your love is too thick” (193). Morrison proved this statement to be true, as Sethe’s intense passion for her children lead to the loss of her grasp on reality. Each word Morrison chose is deliberate, and each sentence is structured with meaning, which is especially evident in Paul D’s warning to Sethe. Morrison’s use of the phrase “too thick”, along with her short yet powerful sentence structure make this sentence the most prevalent and important in her novel. This sentence supports Paul D’s side on the bitter debate between Sethe and he regarding the theme of love. While Sethe asserts that the only way to love is to do so passionately, Paul D cites the danger in slaves loving too much. Morrison uses a metaphor comparing Paul D’s capacity to love to a tobacco tin rusted shut. This metaphor demonstrates how Paul D views love in a descriptive manner, its imagery allowing the reader to visualize and thus understand Paul D’s point of view. In this debate, Paul D proves to be right in that Sethe’s strong love eventually hurts her, yet Paul D ends up unable to survive alone. Thus, Morrison argues that love is necessary to the human condition, yet it is destructive and consuming in nature. She does so through the powerful diction and short syntax in Paul D’s warning, her use of the theme love, and a metaphor for Paul D’s heart.
Anton Chekhov and Ernest Hemingway both convey their ideas of love in their respective stories The Lady with the Pet Dog and Hills like White Elephants in different ways. However, their ideas are quite varying, and may be interpreted differently by each individual reader. In their own, unique way, both Chekhov and Hemingway evince what is; and what is not love. Upon proper contemplation, one may observe that Hemingway, although not stating explicitly what love is; the genius found in his story is that he gives a very robust example of what may be mistaken as love, although not being true love. On the other hand, Chekhov exposes love as a frame of mind that may only be achieved upon making the acquaintance of the “right person,” and not as an ideal that one may palpate at one instance, and at the another instance one may cease to feel; upon simple and conscious command of the brain. I agree with Hemingway’s view on love because it goes straight to the point of revealing some misconceptions of love.
“The Wife of Bath’s Tale” is written in an entertaining and adventurous spirit, but serves a higher purpose by illustrating the century’s view of courtly love. Hundreds, if not thousands, of other pieces of literature written in the same century prevail to commemorate the coupling of breathtaking princesses with lionhearted knights after going through unimaginable adventures, but only a slight few examine the viability of such courtly love and the related dilemmas that always succeed. “The Wife of Bath’s Tale” shows that women desire most their husband’s love, Overall, “The Wife of Bath’s Tale” shows that the meaning of true love does not stay consistent, whether between singular or separate communities and remains timeless as the depictions of love from this 14th century tale still hold true today.
The concept of love has long been the preferred topic of conversation among prominent male poets. Towards the closing of the sixteenth century, however, the emerging of the female poet took place. With the introduction of Queen Elizabeth, an initial path was now cleared for future women poets to share their views on the acclaimed topic of love. Due to this clashing of ideas, the conflicting views of two exceedingly different sexes could manifest itself. Who better to discuss the topic of love then Elizabeth Barrett Browning, who expresses her ideas with intelligence comparable to the best male poets, and Emerson, world renowned for his poignant opinions? In accordance with the long history of conflict between males and females, both Emerson’s "Give All to Love" and Browning’s "Sonnet 43" convey the pleasure love brings, but while Emerson’s poem urges the retention of individualism in a relationship, Browning pleads for a complete surrender to love.
Authors use poetry to creatively present attitudes and opinions. “A Man’s Requirements,” by Elizabeth Barrett Browning, and “A Letter to Her Husband, Absent upon Public Employment” are two poems with distinct attitudes about love that contain different literary approaches. In both of the poems, love is addressed from a different perspective, producing the difference in expectation and presentation, but both suggest the women are subservient in the relationships.
As shown in Charlotte Bronte’s Jane Eyre, love can often lead to a life of anguish; even so, the experience is worth the pain. Jane’s adoration for both Mr. Rochester and Helen helped her grow as a person; they gave her hope for a brighter future. When her faith is at its climax, she loses them and is forced to endure the agony of resentment, regret, and solitude. Even so, love is a powerful emotion that can influence anyone given time and devotion and it should be cherished, appreciated and pursued no matter the consequences or the reprecussions.
Whether you are of the opinion that love is a wonderful thing, love knows no boundaries, or love is blind, one fact remains constant: love is like a snowflake—no two loves or snowflakes are ever exactly alike. In Thomas Hardy’s Far From the Madding Crowd, the heroine, Bathsheba Everdene, has the luck (or unfortunate mishap) of courting not one, or even two, but three suitors during the course of the novel.
the end of the novel as both the women in his life have other men at