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Women in Romeo and Juliet
Representation of women in Shakespeare
The role of women in Romeo and Juliet
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Recommended: Women in Romeo and Juliet
I shall endeavour to explore and analyse how women are presented in Shakespeare’s “Romeo and Juliet”, Marvell’s “To His Coy Mistress” and Duffy’s “Human Interest”. Firstly we will commence by discovering how women are presented in Shakespeare’s play .Through-out the play women are presented as immature , impuissant characters : Lady Capulet & Juliet ,all women are regarded as possessions of men ,for them to do as they please . They are ornaments, they cannot speak their minds nor can they make their own decisions. Women are in the men’s shadows. From the start of Romeo and Juliet in Act 1.1 Sampson says the word “maidenhead” which means virginity and “thrust his maids”, the word “ thrust” is often associated with force and violence .This implies that Sampson is going to take the virginity of the women ferociously against their will, in other words he is going to rape them .Additionally the word “his” suggest that women are personal possessions that belong to a men .In this scene women are presented to be sex objects for men to use and dispose of , notice the word “maidenhead “ is reiterated varies times throughout the play. This emphasizes that women are only wanted for their long preserved virginity which shows men have presented women to be sex objects. One of the main character introduced in Act 1.1 is Lady Capulet. Lady Capulet, herself married young, she is eager to see her daughter marry Paris. She is an ineffectual mother, relying on the Nurse for practical support. She says to her husband in Act 1. 1 when he wants to go and fight the Montague's, "A crutch, a crutch! Why call you for a sword?" which Capulet reply to “My sword, I say!“ ,he uses a demanding tone with use of the exclamation mark ,it... ... middle of paper ... ...et is threatening Juliet she doesn’t answer him back and stand up for herself because she is weak .This shows Shakesphere has presented Juliet to be her father possession. Rather than reacting precipitously, Juliet, remains calm and still pleads for his patience. She begs for him to listen. "Good father I beseech you on my knees, hear me with patience but to speak a word." Juliet treats her father as a master. She is on her knees, as if she were begging like a slave. Juliet respects her father and acts like a slave. It seems as if she is being stubborn and immature, although Lord Capulet is refusing to call of her wedding with Paris she still goes on nagging him. "Good father I beseech you on my knees, hear me”. This shows us that women are presented to be weak in this play and it also shows that women are presented to be inferior to men and sometimes immature .
Her relationship with Juliet is very distant and weak. This is revealed by when she calls the nurse to ‘’come back again’’ when talking to Juliet. She becomes nervous and feels like she couldn’t talk to Juliet without the presence of the nurse.This suggests that she’s not used to being alone with Juliet and relies on the nurse to do the parenting. In
Many times in this play and in today's time, women are perceived to be fragile and submissive while men are seen as dominant, sinewy people. To illustrate, “Where I have learned me to repent the sin/ Of disobedient opposition/ To you and your behests, and am enjoined/ By holy Lawrence to fall prostrate here/ To beg your pardon. (falls to her knees)” (III.v.14-18). Juliet is showing how another adult told her to fall on her knees and beg for her father’s forgiveness for just giving her opinion on marriage earlier in the
I beseech you on my knees.? This means I beg you for mercy because she doesn?t want to be married at this point in time. Capulet replies with, ? Hang thee, young baggage, disobedient wretch!? meaning she is useless baggage and very disobedient because she should always do as her father say?s then he cried, ?
One clear representation of the reverse gender roles displayed throughout the novel is when Juliet proposes the idea of marriage to Romeo. On the balcony, following Romeo’s profession of love, she states, “Thy purpose marriage, send me word tomorrow” (Rom.2.2.146). During the time of Romeo and
Throughout Romeo and Juliet, by William Shakespeare, there is an overlaying presence of the typical roles that men and women were supposed to play. During Elizabethan times there was a major difference between the way men and women were supposed to act. Men typically were supposed to be masculine and powerful, and defend the honor. Women, on the other hand, were supposed to be subservient to their men in their lives and do as ever they wished. In Romeo and Juliet the typical gender roles that men and women were supposed to play had an influence on the fate of their lives.
A woman during the 16th century did not have the freedoms that a woman today enjoys. During Shakespeare’s life wives were not allowed the independence they take pleasure in today. Therefore, the role of the mother for Juliet in Shakespeare’s Romeo and Juliet is not commanding or authoritative because of the time period Shakespeare lived.
The audience’s first impression of Juliet however, is through her interaction with her mother (Lady Capulet) and the Nurse. From the Nurse’s remarks, the audience learns that Juliet is thirteen and “Come Lammas-eve at night shall [Juliet turn] fourteen” (Act I.3.18-9). As Juliet enters the presence of her mother and the Nurse, Shakespeare portrays Juliet as a very faithful daughter. When summoned by the Nurse, Juliet comes promptly then responds politely to her mother “Madam, I am here, what is your will?” (Act I.3.7). When Juliet refers to her mother as ‘madam” (Act I.3.7), the audience also gets the impression of Juliet being compliant to her elder’s wishes. This can be observed when her mothe...
Romeo and Juliet has different roles for different genders. During the Shakespearean period, when Shakespeare writes, most women had to marry when they were teen, when they were in adolescence or even before. However, the men who they were marrying were in their early to late twenties. In the household that the women lived in, the men basically owned them. The women always followed men’s word, which says that the male was the dominant gender of the society. Romeo and Juliet reflects this in a number of ways. Juliet was forced to marry Paris, by the word of her father, who said that if she did not marry Paris, she would go to the streets(Shakespeare, 3.5.154-62). Women were thought to be weaker and less important than men in Romeo and Juliet because men are trying to be the strongest out of everyone, women have a lower social status, and men think they owned women in Romeo and Juliet.
Pleasing their husbands, parents, and families were all things women should aspire to do. At the beginning of the play, Juliet follows gender conventions. She always obeyed her parents and did what they wanted her to do. After Juliet meets Romeo, things change dramatically. Juliet breaks gender conventions by denying her parents request for her to marry her suitor Paris, something that was unheard of in Elizabethan times. It is said that “Marriages were usually arranged by the families of the bride and the groom in order for both sides to benefit from one another” (Women's Rights in Romeo and Juliet 1). When Juliet's father finds out she does not want to marry Paris, her father says “Hang thee, young baggage, disobedient wretch!
Also, Romeo spots Juliet for the first time at her father’s party and his first words about her are “Yo, she’s bangin’!” I wrapped pearls around the stick to give others the feeling that she has her daddy wrapped around her finger doing everything for her. Juliet is a spoiled brat who can’t do anything for herself and everyone else works hard to make her happy. In Act 3 Scene 5 Capulet is shouting at Lady Capulet because he is mad at Juliet for not wanting to marry Paris. He says “I have worked hard to provide Juliet with everything she needs to be happy.
William Shakespeare’s The Tempest provides dialogue that portrays the social expectations and stereotypes imposed upon women in Elizabethan times. Even though the play has only one primary female character, Miranda, the play also includes another women; Sycorax, although she does not play as large a roll. During many scenes, the play illustrates the characteristics that represent the ideal woman within Elizabethan society. These characteristics support the fact that men considered women as a mere object that they had the luxury of owning and were nowhere near equal to them. Feminists can interpret the play as a depiction of the sexist treatment of women and would disagree with many of the characteristics and expectations that make Miranda the ideal woman. From this perspective, The Tempest can be used to objectify the common expectations and treatment of women within the 16th and 17th Centuries and compare and contrast to those of today.
Throughout the historical literary periods, many writers underrepresented and undervalued the role of women in society, even more, they did not choose to yield the benefits of the numerous uses of the female character concerning the roles which women could accomplish as plot devices and literary tools. William Shakespeare was one playwright who found several uses for female characters in his works. Despite the fact that in Shakespeare's history play, Richard II, he did not use women in order to implement the facts regarding the historical events. Instead, he focused the use of women roles by making it clear that female characters significantly enriched the literary and theatrical facets of his work. Furthermore in Shakespeare’s history play, King Richard II, many critics have debated the role that women play, especially the queen. One of the arguments is that Shakespeare uses the queen’s role as every women’s role to show domestic life and emotion. Jo McMurtry explains the role of all women in his book, Understanding Shakespeare’s England A Companion for the American Reader, he states, “Women were seen, legally and socially, as wives. Marriage was a permanent state” (5). McMurtry argues that every woman’s role in the Elizabethan society is understood to be a legal permanent state that is socially correct as wives and mothers. Other critics believe that the role of the queen was to soften King Richard II’s personality for the nobles and commoners opinion of him. Shakespeare gives the queen only a few speaking scenes with limited lines in Acts two, four, and five through-out the play. Also, she is mentioned only a few times by several other of the characters of the play and is in multiple scenes wit...
In “Romeo and Juliet,” a play written by William Shakespeare, women were portrayed as ranking below men and always expected to act poised and subdued. If they attempted to possess any more power than what was given to them by men, others would view them as stepping out of their place and misbehaving. In most scenarios, when a man is talking to a women, the words and phrases that they use have a connotation of being very dominant and controlling.
Neely, Carol Thomas. “Shakespeare’s Women: Historical Facts and Dramatic Representations.” Shakespeare’s Personality. Ed. Norman N. Holland, Sidney Homan, and Bernard J. Paris. Berkeley: University of California Press, 1989. 116-134.
Juliet’s arranged marriage with Paris, as well as the ancient feud between Capulets and Montagues, eventually contributed to the deaths of their children. In Act 1 Scene 2, Paris asks Capulet, ‘But now, my lord, what say you to my suit?’ which shows that Capulet and Paris are discussing Juliet’s possible marriage without consulting her, perhaps implying they think she is too nave to decide on her future. They are arranging her marriage for her, which implies that men are very controlling of women’s lives, especially those of their daughters. The scene establishes how Juliet is subject to parental influence, and how she is very constrained since her father can force her to marry whoever he wants. Juliet’s status as a woman leaves her with no power or choice in the decision of whom she should marry.