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Western culture impact on progress of india
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RECUPERATION OF INDIAN CULTURE AND TRADITION IN THE FIRE AND THE RAIN Girish Karnad is the famous respected media personality in the contemporary India, leading playwright and very skillful fractioned of the performing arts. The English translations of his plays are his own. They have brought him international recognition as the pre-eminent contemporary playwright. He has value of the Indian Literary scene by his contribution to art, culture, theatre and drama. But the most important provide something which he has made to Indian English drama is his attempt to get the cultural and mythological rich tradition of the Indian past. The argument of this paper would be to highlight Karnad’s contribution in this direction. …show more content…
India is a post-colonial nation having its own distinct culture and colonial trends. It is also multi cultural character in that it has create a presence of indigenous traditions, culture, ethos which are unfortunately push and conquer and bring under control by the imported culture of Europe. Girish Karnad is one such dramatist who makes an attempt to get a very valuable object of culture and tradition. Culture and social colonization of the native culture by the dominant foreign influence has not only resulted in never done change in social and cultural ethos of India, but it has also be present by an alternation of the economic scenario of our nation. And worst affected are the traditional arts and crafts. Because of this that writers like Girish Karnad make an attempt in their writing to bring about a ‘cultural renaissance’ on the Indian literary scene. He has been rightly called the “Renaissance Man”, whose celebrity is based on decades of prolific and consistence output on native
Dubey,A.P. (2008). Modernity and the problem of cultural identity. New Delhi: Northern Book Centre Publications
As Indians living in white culture, many problems and conflicts arise. Most Indians tend to suffer microaggressions, racism and most of all, danger to their culture. Their culture gets torn from them, and slowly, as if it was dream, many Indians become absorbed into white society, all the while trying to retain their Indian lifestyle. In Indian Father’s Plea by Robert Lake and Superman and Me by Sherman Alexie, the idea that a dominant culture can pose many threats to a minority culture is shown by Wind-Wolf and Alexie.
The Ramayana of Valmiki is one of the great Hindu epics in literature and has had a profound influence in Indian society. The influence of the epic poem appears in the domestic familial relations of the people and its characters are the models which the culture yearns for. According to M.V. Kamath, a veteran Indian journalist “The Ramayana is not just a story: it presents India 's culture, its philosophical foundation in all its variety and glory. As Hinduism spread in South-east Asia, so did the Ramayana, in countries like Indonesia, Philippines, Thailand, Vietnam, Cambodia, Myanmar and Malaysia.”
I would like to conclude by stating that this paper is an attempt to understand in depth the basic values, social norms,traditions and history of my culture; the culture of India. Research on this paper enlightened me on India's war laden past, evolving traditions, regional diversity, but , national unity and reconfirmed my own identity. Respect for one's own culture leads to acceptance and regard for other cultures'.
Recent years have witnessed a large number of Indian English fiction writers who have stunned the literary world with their works. The topics dealt with are contemporary and populist and the English is functional, communicative and unpretentious. Novels have always served as a guide, a beacon in a conflicting, chaotic world and continue to do so. A careful study of Indian English fiction writers show that there are two kinds of writers who contribute to the genre of novels: The first group of writers include those who are global Indians, the diasporic writers, who are Indians by birth but have lived abroad, so they see Indian problems and reality objectively. The second group of writers are those born and brought up in India, exposed to the attitudes, morale and values of the society. Hence their works focus on the various social problems of India like the plight of women, unemployment, poverty, class discrimination, social dogmas, rigid religious norms, inter caste marriages, breakdown of relationships etc.
Aparna, Bhargava. Theatres of Independence: Drama, Theory, and Urban Performance in India Since 1947. New York: University of Iowa Press, 2009.
The books and materials used in data collection acted as the source of information for writing the paper. Some of the books related the Indian culture to the different aspects of cultural materialism. (Sen 2004) states an outline on the history of the Indian culture. It describes the Indian culture as a great adversity that has even assimilated children in the great diversity. (Prakash 2005) states the interrelationship between cultural materialism in relationship to the Indian culture. Cultural materialism is made into three layers that include structure, infrastructure, and superstructure. The book presents how a change in one of the factor influences the other. (Kasbekar 2006) gives a description on the leadership system and how they can be affected by cultural materialism. The paper focuses in giving an explanation to the Indian culture and existing interrelationship between culture, infrastructure and superstructure.
Chakraverty, Bishweshwar. Tagore the Dramatist: A Critical Study. Vol. 2. B. R. Publishing Corporation:Delhi, 2000. Print.
The measured dialogue between Reader and Editor serves as the framework through which Gandhi seeks to discredit accepted terms of civilization and denounce the English. These principle characters amply assist in the development o...
India is well known as a nation of contrasts, and the nation itself is a paradox. It is one of the world’s oldest known civilizations, yet it has only existed as the nation the world now know sit for 67 years. Similarly, it has produced some of the most important contributions to mathematics, science, philosophy, and trade, yet it is still considered to be a developing nation. The country’s history is a long, winding journey that has led it to its current state – the world’s largest democracy featuring both the same technological advancements enjoyed by the first world and the same challenges and problems faced by the rest of the developing world.
This total idea of challenging and creating a new identity may seem quite a utopian concept but it is not so impossible. The present paper will illustrate the writings of Mridula Garg and Arundhati Roy. The characters in their work are not extraordinary and utopian but common people like us whom we can come across in our day today life. Here for the purpose of analysis Garg’s three short stories have been chosen. They are: Hari Bindi, Sath Saal Ki Aurat and Wo Dusri.
Shakespeare’s works have been relevant to India since the colonial era. In some cases, the plays were not tampered with, and performed as they were meant to have been. In the Indian caste system, Shakespeare’s works were not to be enjoyed by the whole of India. The wealthy, the well-connected, and the British were the audience of choice. However, Shakespeare’s works were popularized without credit given as the themes had universal appeal. In the last decade, Bollywood films have credited Shakespeare in “full reinterpretations that bring the Bard’s plotlines into a new, uniquely Indian context (Kayfil)”. Both a borrower and lender, Shakespeare’s works have given Bollywood more material for the masses over the last 100 years of Indian film.
Swann, Darius L. "Indian and Greek Drama: Two Definitions." Comparative Drama 3.2 (1969): 110-9. Web. 5 Apr. 2014.
After Edward Said’s Orientalism (1978); a new milestone in the history of literacy criticism that heralded the postcolonial school of criticism many revisionist approaches emanated to question the self proclaimed ‘truths’ and ‘facts’ and the story behind the histories with an aim to discover the other side of the coin. The Subaltern Studies Group founded in 1982 is another name of such emerging schools which seeks to develop a new critique of colonialist and nationalist perspectives in the historiography of colonized countries. This paper concerns itself with one of the most influential playwrights of our time, Girish Karnad and his seminal play Tughlaq which has gained high critical acclaim for its multiple layers of meaning and significance. Time and again critics have explored post colonial political perspectives in the play. However, the objective of my paper is to establish a subaltern turn in the same.
Allen, Charles. Kipling Sahib: India and the Making of Rudyard Kipling. New York: Pegasus Books, 2009. Print.