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Literary techniques
Literary elements or techniques
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This total idea of challenging and creating a new identity may seem quite a utopian concept but it is not so impossible. The present paper will illustrate the writings of Mridula Garg and Arundhati Roy. The characters in their work are not extraordinary and utopian but common people like us whom we can come across in our day today life. Here for the purpose of analysis Garg’s three short stories have been chosen. They are: Hari Bindi, Sath Saal Ki Aurat and Wo Dusri. Garg in ‘Hari Bindi’ discusses the story of a common woman and made it extraordinary by the active force she was experiencing in herself to live her life. The husband of the protagonist symbolises the power and control of patriarchy that had restricted her life in such a way The big things are no doubt powerful and able to control small things yet small things are no less important. The overall personality of a person is the results of various small things jointed together. The novel also talks about rules (big thing) and transgression (by small things), love laws and love, decisions and destructions. The novel clearly expresses that the world of decision-making is not a plain world where results tally with one’s assumptions. The result is an outcome of a number of inter-related factors and is always influenced by the meta-narrative of the society. The main characters of the novel i.e. Ammu, Velutha, Estha, Rahel, Chacko, Margaret Kochamma, Baby Kochamma, Pappachi, Mammachi and Sophie Mol are left in the novel (a miniature of the world) to create an identity of their own by accepting or denying the big things of life. “Neither is they chosen from the common rung of the society nor are their problems related to food, clothing and shelter. They are rebels and their rebellion is not so much directed against society as against individuals. Their problems are neither physical nor social. They are psychical and emotional” (Kunhambu 277). Of course in a society, knit with power relations, their places promise different level of freedom and consequences. The novel is important in displaying that in a universe of big things an individual can hardly find oneself
The society of women complied with replicated this God-like figure, which is impossible to achieve since no living human can reach this supreme stature. The novel manages to offer insight into the different characters while still addressing critical and social roles in a male oriented society.
reflects upon the theme of the novel. As it highlights the fact that if people in the society
Literature has the ability to help readers discover and understand different cultures and traditions, and it can often alter a reader’s perspective of the world and their place in it. Throughout Arundhati Roy’s The God of Small Things and Dương Thu Hương’s Paradise of the Blind, the characters often find themselves restrained by their social class, which impacts negatively on their childhoods and results in many injustices. Both novels delve deep into the effects of being in a low social class and the injustice it can cause. In The God of Small
Additionally, Hosseini characterizes what females endure when society is pressuring them to create difficulties in a relationship. A female in an Afghan culture is always brought down and does not have any opportunities to prove what they are capable of to their families. As of this case, Pari is not given the chance to assist her
The theme of this book is that the human capacity to adapt to and find happiness in the most difficult circumstances. Each character in the novel shows this in their way. For instance, their family is randomly taken from their home and forced to work but they still remain a close nit family. In addition, they even manage to stick together after being separated for one of their own. These show how even in the darkest time they still manage to find a glimmer of hope and they pursued on.
... This book deals with the past and present, and it is also about reality that suggests an impressive reflection of what we might learn about each other. At the end of the story the narrator made an unexpected conclusion, by having those experiences that show up in his own personal thoughts. The personal nature is one reason that the book’s ending holds such important meaning. For the reader, the story is illustrated in the way that the text deals with the themes that are very close to some of the people in this world.
The story of Giribala raises our concerns regarding the place of women in society through showing what life is like before being married off and what happens when a girl becomes a ‘child bride’. What is it in society that makes this the norm? How did it become this way? Devi asks us to look at these questions. But first, she was speaking to the tribal people, the ones she’d lived with to observe this practice. When it became translated and was sold throughout the globe, it then became the task of all readers to question what was happening in the story. To know something and to do are two different things, yet simply knowing and realizing that something is wrong is a step forward. The second step is to form your own opinion on the matter and
The novel stages the critique of divine authority becoming corrupted by human institutions such as the court systems. Within the society K. lives there is very little evidence of any religious views amongst individuals, all of these individualities are supressed by the corruption amongst the government, everyone is made to believe that the only that has power over an individual’s destiny is a higher authority, not God or a higher deity. K. states that the “government is corrupt” and never fails to voice his opinion because he is a firm believer that his destiny should be decided by someone of divine authority, in K.’s case being “God”, rather than someone abusing their power. These individuals governing over the society K. lives in are referred
Prasad, Amar Nath. “Identity Crisis in V.S.Naipaul’s A House for Mr. Biswas”. Critical Response to V. S. Naipaul and Mulk Raj Anand. Edited by Prasad, Amar Nath. New Delhi: Sarup & Sons, 2003. Print.
...es based on their desires instead of the desires of their male counterparts. As the women age, they take on new names to represent their physical and emotional changes. Naseem gains power as a married woman and becomes Reverend Mother while Mumtaz acquires power through the realization of her reproductive abilities. These women have varying degrees of power over their lives but it is limited to the value Indian society places on the domestic sphere and the importance of a woman’s place in this sphere. A married woman will garner more respect and have more of a voice than an unwed daughter living within her father’s household, while motherhood is regarded as one of the most important roles for a woman and given special considerations. Rushdie portrays ascension to power within the realm of the home and family by to show how power is passed between social boundaries.
Right from the ancient epics and legends to modern fiction, the most characteristic and powerful form of literary expression in modern time, literary endeavour has been to portray this relationship along with its concomitants. Twentieth century novelists treat this subject in a different manner from those of earlier writers. They portray the relationship between man and woman as it is, whereas earlier writers concentrated on as it should be. Now-a-days this theme is developing more important due to rapid industrialization and growing awareness among women of their rights to individuality, empowerment, employment and marriage by choice etc. The contemporary Indian novelists in English like Anita Desai, Sashi Deshpande, Sashi Tharoor, Salman Rusdie, Shobha De, Manju Kapoor, Amitav Ghosh etc. deal with this theme minutely in Indian social milieu.
The book is aptly titled, as it subtly and beautifully brings out that though India ranks abysmally in social indicators, there is still hope for a better tomorrow, which is in our hands. The book is encouraging and attempts to infuse passion and a positive attitude in our minds with the undercurrent resonating with passion, fearlessness and determination to work within the system, innovate and build social capital. She encourages the extrapolation of Karimnagar experience in other...
Mahasweta Devi, always writes for deprived section of people. She is a loving daughter, a clerk, a lecturer, a journalist, an editor, a novelist, a dramatist and above all an ardent social activist. Her stories bring to the surface not only the misery of the completely ignored tribal people, but also articulate the oppression of w...
In her novel, Markandaya is all out to enhance the traditional picture of the Indian woman as a docile, weak before her life partner. She reshapes her women characters like Rukmani in Nectar in a Sieve as forceful blasters of male self image hierarchy. From this overview one can get two sorts of parts played by women characters in Indian Women Fiction: the traditional and the modern. The female novelists attempt genuine endeavours to extend the suffering of women with a specific goal to educate men and their cognizant. The unconventional are seen to suffer for their violation of accepted norms of society or for questioning them; death is the way out for them, unless their experiences teach them to subdue their individuality and rebelliousness
This play explains the complexities in the relationship between men and women of Indian society and how men misused the merit of power which is in their hands to oppress women. It exposes the bad treatment