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Literature and society
Literature and society
Literature and society
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The story of Giribala raises our concerns regarding the place of women in society through showing what life is like before being married off and what happens when a girl becomes a ‘child bride’. What is it in society that makes this the norm? How did it become this way? Devi asks us to look at these questions. But first, she was speaking to the tribal people, the ones she’d lived with to observe this practice. When it became translated and was sold throughout the globe, it then became the task of all readers to question what was happening in the story. To know something and to do are two different things, yet simply knowing and realizing that something is wrong is a step forward. The second step is to form your own opinion on the matter and …show more content…
By sharing with us the story of Giribala, Mahasweta Devi is asking all women to break free of the patriarchal chains existing in their society and aspire towards intellect, physical, and spiritual liberation. This story is an example of what humans being can do when pushed to the limit, when pushed beyond endurance. At its core, this simply story about one woman is about conscious-raising. Through a higher conscious, women can unlock themselves from the imposition of male ideology regarding women, gaining control over themselves and their lives. In the case of the women remaining in the village that Giribala left, they could very well begin to think of life outside what they are used to. It will be hard, because “the generalized gender bias that pervades human minds is contagious as women themselves also reconcile with the o/abject status which is assigned to them” (Prasita, 123). Once conditioned into living a certain way of life, one cannot not so easily shift thoughts of the mind. Turning away from a path you’ve been on for a very long time is almost impossible. But, if one person does something radically different in a society, it often times leads to more people following in that person’s footsteps. Devi has left her footsteps upon the world in the form of stories, and Giribala just happens to be one of many of
In the book entitled Abina and the Important Men, by Trevor R. Getz and Liz Clarke is about a woman named Abina, who wakes up one morning and decides that she wants to change the way that women are portrayed in society. Although slaves in the 19th century were considered free, women had a more difficult time achieving freedom due to, how the culture was shaped, inequality between men and women and negative effects on society as a whole. Western and African cultures believe that all women should be silent, they are not allowed to say what is on their mind. Women’s opinions didn’t matter; they were considered useless. They were accepted to be housegirls, where females had to cook, clean and nurture their children if they had any.
In the short story, “Girl,” the narrator describes certain tasks a woman should be responsible for based on the narrator’s culture, time period, and social standing. This story also reflects the coming of age of this girl, her transition into a lady, and shows the age gap between the mother and the daughter. The mother has certain beliefs that she is trying to pass to her daughter for her well-being, but the daughter is confused by this regimented life style. The author, Jamaica Kincaid, uses various tones to show a second person point of view and repetition to demonstrate what these responsibilities felt like, how she had to behave based on her social standing, and how to follow traditional customs.
Mernissi constantly questions the elders in her life, her mother and aunts who all shut her down from asking questions. Some of her questions seem to hold little or no importance and that they are just those of a child. But with further examination, it is really the life in the harem that is being tested. Mernissi's life in the harem is mainly shaped by this frontier that no one was answering her questions about. “In a harem, you don’t necessarily ask questions to get answers. You ask questions just to understand what is happening to you” (Mernissi, 22). The education she received was all centered on knowing the hudud, the frontiers of harem life. This understanding of the hudud pays attention to the culture and cultural practices. In Mernissi's practices, discussion with her family, and composed thoughts of the hudud help her understand how the hudud is a sacred frontier that needs to be respected and obeyed. This concept illustrates the somewhat religious orientation on boundary lines and frontiers. It specifically, ...
A traditional extended family living in Northern India can become acquainted through the viewing of Dadi’s family. Dadi, meaning grandmother in Hindu, lets us explore her family up close and personal as we follow the trials and tribulations the family encounters through a daily basis. The family deals with the span of three generations and their conflicting interpretations of the ideal family life. Dadi lets us look at the family as a whole, but the film opens our eyes particularly on the women and the problems they face. The film inspects the women’s battle to secure their status in their family through dealing with a patriarchal mentality. The women also are seen attempting to exert their power, and through it all we are familiarized to
“A man belongs to his fatherland when things are good and life is sweet. But when there is sorrow and bitterness he finds refuge in his motherland. Your mother is there to protect you. . . . And that is why we say that mother is supreme” (p.134). In Achebe’s 1959 “Things Fall Apart”, female figures appear to have minor domesticated roles; however with these words Achebe calls attention to female strength within the tribe. Feminine power is recognized within the tribe, and fear of this power provides the foundation for the male obsession with displays of masculinity. Achebe highlights significant female goddesses, displays a solid feminine role in education, fully develops strong-minded female characters, and demonstrates masculine catastrophes, therefore establishes female as the stronger gender in the tribe.
Throughout history society has been controlled by men, and because of this women were exposed to some very demanding expectations. A woman was expected to be a wife, a mother, a cook, a maid, and sexually obedient to men. As a form of patriarchal silencing any woman who deviated from these expectations was often a victim of physical, emotional, and social beatings. Creativity and individuality were dirty, sinful and very inappropriate for a respectful woman. By taking away women’s voices, men were able to remove any power that they might have had. In both Alice Walker’s “The Color Purple” and Kate Chopin’s “The Awakening”, we see that there are two types of women who arise from the demands of these expectations. The first is the obedient women, the one who has buckled and succumbed to become an empty emotionless shell. In men’s eyes this type of woman was a sort of “angel” perfect in that she did and acted exactly as what was expected of her. The second type of woman is the “rebel”, the woman who is willing to fight in order to keep her creativity and passion. Patriarchal silencing inspires a bond between those women who are forced into submission and/or those who are too submissive to maintain their individuality, and those women who are able and willing to fight for the ability to be unique.
This trend was heartbreaking but it is also a reality. Marrying Darya was not new to her father but a secure way to pay off a debt. “I’m not going! I’m not going” (119). Forcing a child to marry is a human waste and cheap sorrow. Marrying girls at a young age is the way to settle debts and improve family’s finical situations. This business deal is unprecedented and unjust. Selling a daughter to pay off a debt is not acceptable or normal. Despite the terrifying story of the opium brides, the bigger issue is the reason behind the debt.
The media of a time, whether stories, movies or music, generally reflect the thoughts and issues of that time. In all the variations of “Beauty and the Beast”, by Janne-Marie LePrince de Beaumont and Angela Carter, the father “gives” his daughter to a beast. Each author either embraces or rejects the idea of fathers giving away their daughters by examining the reasons for arranged marriages and the effect it has on both the daughters and their fathers. LePrince de Beaumont rejects arranged marriages by almost mocking the idea, while Carter seems to embrace the thought.
Women had no choice but to follow whatever society told them to because there was no other option for them. Change was very hard for these women due to unexpected demands required from them. They held back every time change came their way, they had to put up with their oppressors because they didn’t have a mind of their own. Both authors described how their society affected them during this historical period.
The practice of female infanticide shows how desirable having a male child is that parents would take the lives of a female baby. The dowry system in India is the main cause of female infanticide in India. Gender inequalities in the rural part of northern India exhibit female infanticide occurs here the most despite laws to abolish these acts. Men hold a higher value in this society because a system they adapted many years ago. Men are seen as an asset or of value because at one point his future wife and her family will “pay” for him. Daughters are opposite and viewed as a burden to the family because she will have to marry one day and that will cost her parents. So women are not viewed equally here even as infants, they don’t even stand a chance. Officials have tried to make laws to assist in reducing female infanticide but people have continued to follow traditions of the dowry systems putting the population at risk as well
The only glory and satisfaction enjoyed by the women portrayed in Things Fall Apart was being a mother. They receive respect and love from their children. They are strong for their children. The women are viewed as very gentle and caring. They are expected to take care of their children with the best of their ability and are trusted totally by their children. This honorable presentation of women is used by Achebe to identify women's role in the Ibo society. This presentation is necessary to show that women indeed play an important role in society.
Additionally this is linked with De Groots’ argument on the representation of foreign females, stating that the oriental women were ‘socially marginal, sexually powerless and regarded by westerners as inferior and virtually prostitute’s’. Henceforth, any person who just falls out of the rigid column of normal such as Juilia Pastrana is subjected to discussions on defining the ‘normal and the
The Earth Goddess is known to occupy “a greater part in the life of the people than any other deity. She [is] the ultimate judge of morality and conduct. And what more, she [is] in close communion with the departed fathers of the clan whose bodies had been committed to earth (36).” At first glance, Igbo culture appears to render women to be inferior to men, however it associates its most powerful god as a woman. Rituals hold a significant role in Igbo culture and are deemed to be influential in the engagements of the clan. In addition, Ani’s role as a woman in Igbo society is further advanced through her essential role in the yam harvest. People of the Igbo village “honor [their] great goddess of the earth without whose blessing [their] crops will not grow (30).” Yam harvests hold a great worth to the people of Igbo culture since it dedicates status and wealth. Hence, relying on a female figure to establish a man’s position in his village is symbolic of the importance of a women’s role. The significance of portraying a spiritual character whom is imbedded in the morality of individuals and the future of crop growth as a woman urges readers to grasp the idea that women do possess a powerful role in Igbo
In the western world, it is common for a little girl to imagine herself walking down the aisle in a beautiful white gown and her father at her side ready to hand her over into the hands of the man of her dreams. However, in Sub-Saharan African societies like Ghana and Uganda, girls dream of the day when a man, along with his family, will come to her father’s house and propose a bride price to perform the traditional marriage rights. Bride price according to Gita Sen is problematic in that it is defined as a payment made by a prospective husband to the family of a woman he wishes to marry (Sen). From Sen’s definition, it is evident that bride price not only highlights the dominance of patriarchy in African societies but emphasizes the objectification of women as payments are made in exchange of a bride/woman.
The God of Small Things by Arundhati Roy tells the story of the communist state of Kerala and the forbidden love between two castes, which changes the lives of everyone. In the novel an ‘Untouchable’, Velutha is a carpenter and works at Paradise Pickles and Preserves for much less than he deserves because of his status as an Untouchable in the caste system. Velutha falls into a forbidden love with a divorced woman, Ammu who is associated with an upper caste Syrian Christian Ipe family. Marriage was the only way that Ammu could have escaped this life, but she lost the chance when marrying the wrong man, as he was an alcoholic and this resulted in them getting a divorce. Ammu breaks the laws that state ‘who should be loved, and how and how much’, as their affair threatens the ‘caste system’ in India, which is a hierarchal structure and social practice in India in which your position in society is determined and can’t be changed. Arhundati Roy portrays the theme of forbidden love within the caste systems and shows how they are t...