Alice Walker’s The Color Purple And Kate Chopin’s The Awakening

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Throughout history society has been controlled by men, and because of this women were exposed to some very demanding expectations. A woman was expected to be a wife, a mother, a cook, a maid, and sexually obedient to men. As a form of patriarchal silencing any woman who deviated from these expectations was often a victim of physical, emotional, and social beatings. Creativity and individuality were dirty, sinful and very inappropriate for a respectful woman. By taking away women’s voices, men were able to remove any power that they might have had. In both Alice Walker’s “The Color Purple” and Kate Chopin’s “The Awakening”, we see that there are two types of women who arise from the demands of these expectations. The first is the obedient women, the one who has buckled and succumbed to become an empty emotionless shell. In men’s eyes this type of woman was a sort of “angel” perfect in that she did and acted exactly as what was expected of her. The second type of woman is the “rebel”, the woman who is willing to fight in order to keep her creativity and passion. Patriarchal silencing inspires a bond between those women who are forced into submission and/or those who are too submissive to maintain their individuality, and those women who are able and willing to fight for the ability to be unique. Patriarchal silencing can be enforced in three different ways; physical abuse, emotional abuse, and social demands and/or expectations. Although both books have opposite cultural and racial factors that influence the way in which the women in the books are treated, we can still see that these three ways of silencing women are present. In Alice Walker’s “The Color Purple”, the form of patriarchal silencing that is most prominent is the viole... ... middle of paper ... ...it of freedom from their male counterparts. The second most important relationship that develops in Alice Walker’s “The Color Purple”, is the relationship between Celie and Shug. Even before Celie meets Shug she is envious of her; she starts with just word of mouth, then a picture, until finally they meet. Shug represents everything that that is frowned upon in the patriarchal society. She is fatherless, sexually promiscuous, and a very talented singer. She is a strong, independent, and free woman, and because of this she is outcast from society. Walker writes “He talk bout [Shug] a strumpet in short skirts, smoking cigarettes, drinking gin. Singing for money and taking other women mens. Talk bout slut, hussy, heifer and streetcleaner”(44). Shug represents the ultimate freedom to Celie, she is able to control Albert and she is not owned or controlled by any man.

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