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The white tiger thesis
The white tiger thesis
The white tiger thesis
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Recent years have witnessed a large number of Indian English fiction writers who have stunned the literary world with their works. The topics dealt with are contemporary and populist and the English is functional, communicative and unpretentious. Novels have always served as a guide, a beacon in a conflicting, chaotic world and continue to do so. A careful study of Indian English fiction writers show that there are two kinds of writers who contribute to the genre of novels: The first group of writers include those who are global Indians, the diasporic writers, who are Indians by birth but have lived abroad, so they see Indian problems and reality objectively. The second group of writers are those born and brought up in India, exposed to the attitudes, morale and values of the society. Hence their works focus on the various social problems of India like the plight of women, unemployment, poverty, class discrimination, social dogmas, rigid religious norms, inter caste marriages, breakdown of relationships etc.
Lately Indian novelist has shifted from rural to metro India, which is the living soul of the country. The problems of urbanization and the problems faced by the people of metro India find a powerful expression in Indian English fiction.
Aravind Adiga’s debut novel The White Tiger published in 2008, and a winner of Booker Prize examines the issues of religion, caste, loyalty, corruption, urbanization and poverty in India. The novel besides receiving critical acclaim was also lambasted by some in India for giving in to western prejudices and playing up to their image of a poverty stricken, slum governed country. Some even went to the extent of calling it a western conspiracy to deny the country’s economic progress. It seems ...
... middle of paper ...
...el The White Tiger.
Works Cited
Adiga, Aravind. The White Tiger. India: Harper Collins, 2008. Print.
Jeffries, Stuart. “Roars of Anger: Interview of Aravind Adiga.” Guardian 16 0ct. 2008. Web. 23 Sep. 2013.
Kumar, Amitava. “View Point: Literary Review.” The Hindu. 2 Nov. 2008: 1-2.Print.
Rushby, Kevin. Rev. of The White Tiger, by Aravind Adiga. Guardian 15 Oct. 2008. Web.
20 Sep. 2013.
Saxena, Shobhan. “Fact not Fiction.” Sunday Times of India 19 Oct. 2008: 9.Print.
Sebastian, A.J. “Poor-Rich Divide in Aravind Adiga’s The White Tiger.” Journal of
Alternative Perspective in the Social Sciences 1.2 (2009): 229-245. Print.
Singh, Krishna. “Aravind Adiga’s The White Tiger: The Voice of the Underclass- A Post
Colonial Dialectics.” Journal of Literature, Culture and Media Studies 1.2 (2009):
98-112. Print.
While it may be easier to persuade yourself that Boo’s published stories are works of fiction, her writings of the slums that surround the luxury hotels of Mumbai’s airport are very, very real. Katherine Boo’s book “Behind the Beautiful Forevers – Life, Death, and Hope in a Mumbai Undercity” does not attempt to solve problems or be an expert on social policy; instead, Boo provides the reader with an objective window into the battles between extremities of wealth and poverty. “Behind the Beautiful Forevers,” then, exposes the paucity and corruption prevalent within India.
In the novel, The White Tiger, by Aravind Adiga the main character, is Balram, one of the children in the “darkness” of India. Adiga sheds a new light on the poor of India, by writing from the point of view of a man who was at one time in the “darkness” or the slums of India and came into the “light” or rich point of view in India. Balram’s job as a driver allows him to see both sides of the poverty line in India. He sees that the poor are used and thrown away, while the rich are well off and have no understanding of the problems the poor people must face. The servants are kept in a mental “Rooster Coop” by their masters. The government in India supposedly tries to help the poor, but if there is one thing Adiga proves in The White Tiger, it is that India’s government is corrupted. Despite the government promises in India designed to satisfy the poor, the extreme differences between the rich and the poor and the idea of the Rooster Coop cause the poor of India to remain in the slums.
What I aim to investigate: Throughout the novel, Arvind Adiga uses a plethora of metaphors to describe the happenings of Balram Hawai, and his activities. In addition to this, the author repeatedly uses ironic, and sarcastic phrases to condemn the upper class Indian society, or “the light”. This brings several key themes in the novel, which include:
India is a country of stark contrasts. The rich and the poor live in different worlds yet often side by side. The live in daily contact with the rich, often working for them. Aravind Adaga attempts to address these themes in his book, the White Tiger: A Novel compelling cohesive narrative. He tells the story of Balram, a young poor man of with a strong moral foundation. The books shows his slow descent from that moralistic young man, to one who throws aside his family his principals and murders a man in order to escape the rooster coop. IN this book, The rooster coop is a clear analogy to the poor of India, with the Butchers representing their masters. This is the voice of despair. The author is trying to
Aravind Adiga in his psycho-social thriller, The White Tiger, explores issues that modern day India faces, ranging from social mobility to globalization, and morality to corruption. Adiga’s use of an epistolary novel allows his first person narrator to not only provide a commentary on the socio-political and geopolitical problems that India face, but also reflect on the effects of these problems on his own life. Adiga exploits the corruption in India and uses it as device to develop Balram’s character, as he journeys from “the darkness” to “the light”. It is true that Balram becomes increasingly corrupted, and at some points the reader may sympathise with him, however at other points, his actions cannot be justified. Growing up, Balram is tainted
Aravind Adiga in his debut novel The White Tiger, which won the Britain’s esteemed Booker Prize in 2008, highlights the suffering of a subaltern protagonist in the twenty first century known as materialism era. Through his subaltern protagonist Balram Halwai, he highlights the suffering of lower class people. This novel creates two different India in one “an India of Light and an India of Darkness” (Adiga, p. 14). The first one represents the prosperous India where everyone is able to dream a healthy and comfortable life. The life of this “Shining India” reflects through giant shopping malls, flyovers, fast and furious life style, neon lights, modern vehicles and a lot of opportunities which creates hallucination that India is competing with western countries and not far behind from them. But, on the other side, the life nurtures with poverty, scarcity of foods, life taking diseases, inferiority, unemployment, exploitation and humiliation, homelessness and environmental degradation in India of darkness.
India and the west, is a very common theme in Indian literature. This struggle is evident
Culture and social colonization of the native culture by the dominant foreign influence has not only resulted in never done change in social and cultural ethos of India, but it has also be present by an alternation of the economic scenario of our nation. And worst affected are the traditional arts and crafts. Because of this that writers like Girish Karnad make an attempt in their writing to bring about a ‘cultural renaissance’ on the Indian literary scene. He has been rightly called the “Renaissance Man”, whose celebrity is based on decades of prolific and consistence output on native
…….…, “Amitav Ghosh’s The Hungry Tide and the Blurring of National Boundaries”. Conference issue of South Asian Review 25.3; 2004.
Much work has been done on Indian literature in English based on analyses through the tools of Western critical methods. The ‘Indian classical tradition’ is very rich and consists of perception and insight which serve as a best alternative to the western critical theories; but due to the colonial hangover we fail to appreciate and recognize our age old classical tradition of critical theories.
Society often tells us what to eat, drink, wear and even what social class we belong to. In the book The White Tiger written by Aravind Adiga, the situation is much similar. The book follows the life of Balram Halwai, a child born into poverty, yet he has the drive of one born into wealth and renown. During his time as a servant/driver for a wealthy Indian family the reader is exposed to the disadvantages of those born into darkness. Throughout the text the reader bears witness to numerous occasions of great tension between the protagonist and society.
During the time period this literature was written India gained independence from Britain, and separated into India and Pakistan. This hurt people who had loved ones in other countries, and was devoted to India, etc. The literature had a prominent loss of self theme because of heartbreak. The motifs pain, addiction, and devotion to a single beloved develop the theme of loss of self through heartbreak in
There are people bustling, merchants selling, Anglo-Indians watching, and birds flying overhead. How many perspectives are there in this one snippet of life? They are uncountable, and that is the reality. Modernist writers strive to emulate this type of reality into their own work as well. In such novels, there is a tendency to lack a chronological or even logical narrative and there are also frequent breaks in narratives where the perspectives jump from one to another without warning. Because there are many points of view and not all of them are explained, therefore, modernist novels often tend to have narrative perspectives that suddenly shift or cause confusion. This is because modernism has always been an experimental form of literature that lacks a traditional narrative or a set, rigid structure. Therefore, E. M. Forster, author of A Passage to India, uses such techniques to portray the true nature of reality. The conflict between Adela, a young British girl, and Aziz, an Indian doctor, at the Marabar Caves is one that implements multiple modernist ideals and is placed in British-India. In this novel, Forster shows the relations and tension between the British and the Indians through a series of events that were all caused by the confusing effects of modernism. E.M. Forster implements such literary techniques to express the importance or insignificance of a situation and to emphasize an impression of realism and enigma in Chandrapore, India, in which Forster’s novel, A Passage to India, takes place.
Dr. M.K.Bhatnagar, Head, Department of English, M.D. University, Rohtak in his article, ”Comparative English Literature-Limits and Prospects” says “Comparative study of Literature involves in lumping together of two or more tests which are perceived by the critic, to have a significant, similar or dissimilar theme or style. It also gives ways to assume a number of dual awareness studies inter-genre or intra-genre, inter-cultural or intra cultural, inter authorial or intra-authorial or a specific permutation and combination of these” (1). Many Indian writers have tried their hands in writing autobiographies. This paper distinguishes the similarities and the dissimilarities established in Sarvepalli Radhakrishnan’s ‘My Search for Truth’ and
Feminism in Indian English literature is a by –product of the western feminist movement but it acquired sustenance from the freedom struggle. The availability of western feminist theory should not lead us to its